For those of you who were “too cool” to attend any of the films in the multi-billion dollar franchise which is The Twilight Saga, you aren’t missing much. But, with that in mind, it makes complete sense that creator Stephanie Meyer would be ready and willing to capitalize on another franchise, now that her vampire/werewolf/emo chick love triangle is coming to an end.

Enter The Host, which hit bookshelves back in 2008. Toted as being “Science fiction for people who don’t like science fiction”, the book is said to be a bit of a departure from Meyer’s Twilight universe. Here’s the synopsis.

The Host is a riveting story about the survival of love and the human spirit in a time of war. Our world has been invaded by an unseen enemy. Humans become hosts for these invaders, their minds taken over while their bodies remain intact. Most of humanity has succumbed.

Set to hit theaters on March 29th of next year, the film has plans to take star Saoirse Ronan (Hanna) and possibly construct her into the next Kristen Stewart with this upcoming adaptation. Take a look at the first trailer after the jump, and be prepared to be dazzled by a series of photoshopped images of creepy eyes.

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Saoirse Ronan is not only starring in Twilight author Stephanie Meyer’s The Host, but is now attached to headline yet another Snow White centric flick called The Order of the Seven. The film will have a completely new spin on the old story.

It will follow a centuries old and once revered Order of Warriors from around the world, who are now a jaded group of outlaws, as they reclaim their destiny after the reemergence of an ancient evil empress. Ronan will play Olivia Sinclair, a British ex-pat of 19th Century Hong Kong who guides the warriors back to their noble roots. The film will be lined with stars from China, Russia and Japan.

Ronan has been making a name for herself over the past few years as she has taken on larger and larger roles, which have included Peter Jackson’s The Lovely Bones, the Oscar-winning Atonement and not to mention the action packed Hanna. This will be her first leading role.

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I have mixed feelings about this news coming out of Cannes today. At least I’m happy to see this guy getting more work as I’m a fan and had the pleasure of working with him once long ago.

It seems Truman Show writer and Gattica director Andrew Nicol is taking on directing duties for the big screen adaptation of the Stephanie Meyer book The Host. The project, which is being shopped at Cannes by Inferno Entertainment and producers Nick Wechsler and Steve Schwartz and Paula Mae Schwartz, will star Saoirse Ronan.

Here’s some more info on the film:

Ronan will play Melanie Stryder, one of the last humans battling an alien species called Souls. These parasites invade human bodies, fuse to each person’s consciousness and systematically erase their personalities.

The story follows Melanie as she is captured by the aliens and implanted by a Soul called Wanderer. Wanderer wants Melanie to give up the remaining humans, but instead the alien finds Melanie to be unique in her unwillingness to surrender her consciousness.

Wanderer is so overwhelmed by Melanie’s memories and feelings that she is driven to reconnect with Melanie’s old life, which includes falling for Melanie’s boyfriend. The result is a complex, romantic and emotional human/alien love triangle.

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Hanna is no ordinary assassin. With piercing blue eyes and an angelic countenance, the teenager looks more suited to be homecoming queen than cold blooded killer. Only that was not her lot in life. Hanna has been isolated from the populace in the frigid confines of Northern Finland, learning survival skills from her well versed father Erik (Eric Bana), who is an ex-CIA operative.

It’s obvious that Erik is trying to prepare Hanna for something; in addition to survival skills, he quizzes her in multiple languages, and educates her on topics of science, current events, and literature. Hanna spends her evenings poring over Grimm’s Fairy Tales by candlelight.  You could say she is a true Renaissance woman.

The opening scene on the frozen tundra shows Hanna shooting a Reindeer with a bow and arrow. When the creature still writhes about, she calmly shoots it, then dresses it right in the field. She goes about these gruesome tasks with robotic precision and complete detachment.

Later, Erik and Hanna decide it is time to move on from their self-imposed exile; Hanna is ready to go out into the real world. Erik has been honing Hanna’s skills in anticipation of being pursued by Marissa (Cate Blanchett), another CIA agent dead set on getting rid of Hanna. Erik and Hanna go their separate ways, but make plans to meet at a safe-house in Germany.

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If we learned anything from Chloe Moretz’s performance in this year’s Kick-Ass, it’s that chick assassins are in. More in than when Natalie Portman was just a teenager. So of course, with that knowledge, Hollywood is going to be snatching up intellectual property in that department until they realize it’s no longer “cool”. That’s where the new trailer for Hanna comes in.

From director Joe Wright (Atonement) comes this dark thriller that will more than likely end up with a big twist in the final act. Here’s the full synopsis.

Hanna (Saoirse Ronan) is a teenage girl. Uniquely, she has the strength, the stamina, and the smarts of a soldier; these  come from being raised by her father, an ex-CIA man, in the wilds of Finland. Living a life unlike any other teenager, her upbringing and training have been one and the same, all geared to making her the perfect assassin. The turning point in her adolescence is a sharp one; sent into the world by her father on a mission, Hanna journeys stealthily across Europe while eluding agents dispatched after her by a ruthless intelligence operative with secrets of her own. As she nears her ultimate target, Hanna faces startling revelations about her existence and unexpected questions about her humanity.

Not only do we get Hollywood’s “next big thing” Saoirse Ronan (The Lovely Bones) in the titular lead, but Eric Bana plays the paranoid father, and Cate Blanchett takes a swing at a Southern accent. Check out the full trailer after the jump, and catch Hanna in theaters on April 8th.

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Peter Jackson has made films that many have considered “instant classics”, such as The Lord of the Rings Trilogy, a bloated and unnecessary remake in the form of King Kong, and some little-seen but great cult classics such as Bad Taste, Heavenly Creatures and The Frighteners. His newest film, The Lovely Bones, adapted from Alice Sebold’s novel of the same name, is kind of a combination of all of the above.

The story focuses on Susie Salmon, a fourteen year-old girl who lives in rural Pennsylvania with her parents and two siblings. She describes to us, via narration, what she wants to be when she grows up, her disliking of a snowglobe with a penguin in it, and even how she normally gets the “skeevies” when she sees someone looking at her weirdly. She didn’t get that last feeling soon enough, which inevitably leads to her murder and time spent in the “in-between” Heaven and Earth.

We see that the Salmons are an idyllic family as they get Susie a camera for her birthday. She is in the throes of her first unrequited love, and even has to suffer through a film club that makes her watch Othello with that guy “who has two first names. Laurence. Oliver.” It’s after this class, and a bold move from the boy that she likes, which leads her into the hands of Mr. Harvey.

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Shortly after I read The Lovely Bones in 2002, I started hearing rumblings that it was being optioned for a movie. My immediate reaction was “Why?” The emotionally devastating novel about the rape and murder of a fourteen year old seemed like dubious source material. The murdered girl resides in a self imposed ethereal limbo-land between heaven and earth for most of the book, making it logistical nightmare to film. I just didn’t understand how a filmmaker could pull it off.

In the case of director Peter Jackson, he couldn’t, and he didn’t. Jackson worked his magic with the Lord of the Rings trilogy, but he is woefully out of his element here. The most shocking thing about seeing the film is that it is completely devoid of any emotion or warmth, the very characteristics that made the book so beloved. So much consideration is given to unnecessary special effects (that don’t even look good) that the crucial human interactions are lost, and that is a true pity. If you take those away, there is no reason to see this movie.

Oscar-nominee Saoirse Ronan (Atonement) plays Susie Salmon, who disappears on her way home from school one day. A nerdy and harmless looking neighbor, Mr. Harvey, lures Susie to a root-cellar like building in the middle of a field with the sheepish confession he has built a playhouse for the neighborhood kids. Susie feels honored to be the first child to see the playhouse, but she is ultimately raped, murdered, and dismembered in the claustrophobic dwelling.

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