I’ve had, for some time, the suspicion that the current comedy troop of Rogen, Hill, Cera, and Franco would eventually get to the point where, instead of a script, they would just sit around and talk. Now we have This Is the End, and if this isn’t the logical conclusion of the gang’s comedy, it’s damn close.

The premise is that Jay Baruchel is in LA to visit his friend Seth Rogen. Their friendship has been on the skids, and Rogen’s insistence that they attend a party at James Franco’s house instead of, I don’t know, hang out and smoke weed. doesn’t help. At Franco’s they meet up with Craig Robinson, Jonah Hill, and several others within or slightly out of their group’s ever-expanding radius, such as Aziz Ansari, Mindy Kaling, Martin Starr, Chritopher Mintz-Plasse, and now, I guess, Emma Watson.

Freak disruptions start to occur all over the place — sinkholes swallow up many of the party-goers, others are lifted to heaven in columns of blue light, fires explode across Hollywood, and the five find themselves barricaded in Franco’s house — until Danny McBride shows up and makes their sixth.

On May 2, 2011, special forces from the United States stormed Osama bin Laden’s compound at Abbottabad, Pakistan. That I had to look up the precise dates and location and confirm that they were our own special forces (and not, say, some coalition) testifies to my ignorance. However, I don’t think I’m alone in not knowing the full details of Operation Neptune Spear (yeah, looked that one up, too), and Kathryn Bigelow’s (The Hurt Locker) Zero Dark Thirty offers a glimpse into the operation and an overview of what’s been called “The Greatest Manhunt in History.”

We know the details of 9/11 – what happened, where it happened, and who was responsible – the how and why are still debated, but they’re fairly established – and Bigelow begins with this common ground, opening the film with some of the calls made on that day. There’s no image – no footage of the planes crashing or anchormen reporting or families weeping or rescue workers toiling or world leaders speaking or terrorists threatening. Just the calls.

One of the cornerstone elements of James Bond that has been absent in the Daniel Craig films has been the master of the gadgets, Q. Holding him back was likely to help make the films a little more serious, and in honesty it worked.

For the third new era Bond fans are expecting the franchise to start taking steps into the larger and more iconic sandbox that is James Bond. Especially considering that the film is being released in the 50th anniversary year.

The studio seems keen to deliver what the fans want as they have indeed put Q in the new film, and EW.com has just snagged the first official image of Ben Whishaw in character.

A younger, ‘nerd-chic’ version of Q might not sound like the right direction on paper, but looking at Whishaw in this image evokes all the right feelings in this Bond fan. Even if his wardrobe looks a tad like it was put together as a hipsters greatest hits outfit.

You can expect more tidbits and news on Skyfall in the coming days, as it is ‘geeks inherit the earth’ week down in San Diego. Stay tuned to The Flickcast for news from the show.

You can see the full-sized image after the jump.

Lawrence of Arabia (1962) is one of the greatest films ever made and a tie for my number one favorite film alongside Dr. Strangelove (1964). It is one of director David Lean’s most lasting legacies in Hollywood and a truly epic one-of-a-kind film. It was a film that was the inspiration to future filmmakers Steven Spielberg, Sam Peckinpah, Martin Scorsese, and George Lucas.

I first saw the film at the age of twelve when my father took me to the Ziegfeld Theater in New York City in 1989 for the film’s restored re-release. My father told me that it was his most favorite film and that I was very privileged to see it on the big screen. I will never forget when the lights dimmed and Maurice Jarre’s score played before the opening credits of the film. It was the first film that I can remember where my eyes were completely fixed to the screen in fear that if I turned away for a spilt second that I might miss a pivotal moment.

As I began rummaging through the popcorn bag, I looked over to my father who smiled and gave me a wink. My experience seeing the film on the big screen was like for so many others, a film, which made me want to become a director and it solidified my love of cinema from that moment forward.

One of the biggest enigmas in the crowded summer blockbuster season is how will the average movie goers take a rebooted Spider-Man so close to the success of the Raimi trilogy. How the reboot is received is going to be an important indicator for the longevity of the comic book movie as we know it.

In the last decade comic book films have rewritten a lot of the rules for how major franchise movies act in cinemas, pretty much demolishing the previous axiom that sequels suffer from standard diminishing returns. Now the success of an event film has much more to do with the reception of the previous film in the series and over all franchise health.

This summer brings two old comic book standards to the big screen, the team-up and the reboot. If these are successful it could signal to other studios that movie going public is keen on these characters, and will show up for a good film starring them even if the story is going back to the beginning.

So a lot is at stake, and as such the marketing push for The Amazing Spider-Man has been going strong for awhile now, keeping ole web head in our minds during the spring and early summer event film season. The newest bit of advertising is a brand new poster featuring some battle damaged Spidy. A really great, simple image that is reminiscent of the Raimi era character posters, while still feeling very much a part of the new tone for the series.

You can check out the full poster after the jump.

Quentin Tarantino is a filmmaker most cinephiles adore. He is a film fan a heart, so his films are a celebration of the many cinematic influences inside of him, which usually makes for a fun time at the cinema. His newest film, Django Unchained, is filming right now, but the first official poster has found it’s way online for us all to ogle at.

The poster has an incredibly simplistic design that is a throw back to the Saul Bass posters of yesteryear. This subtle, retro design is a perfect way to sell this slavery era exploitation film to us Tarantino fans, but we can’t help but shake the notion that Jamie Foxx and Leonardo DiCaprio will figure heavy in the main marketing push of the film.

A star like Brad Pitt was able to help Inglorious Basterds become one of Tarantino’s most successful films.  So the studio must be licking their chops to see what star power of this film can add to the bottom line.

Speaking of the stars of the movie, a little casting tidbit for Django also came in today. The great Walton Goggins, currently of Justified fame, has joined the cast as one of DiCaprio’s slave wranglers. That is one of the best sentences I have ever had the pleasure of writing.

Check out the full new poster after the jump.

Ok, what the heck happened! Why are there suddenly official teasers for upcoming teasers. Seriously, we are getting official commercials for commercials now. It really begs the question ‘what’s the point?’.

Of course the flip side of that is we do get to see our first glimpse of the updated, re-adapted version of Total Recall a week ahead of the first actual teaser. For those of you new to the movie, here is the synopsis:

For a factory worker named Douglas Quaid, even though he’s got a beautiful wife who he loves, the mind-trip sounds like the perfect vacation from his frustrating life – real memories of life as a super-spy might be just what he needs. But when the procedure goes horribly wrong, Quaid becomes a hunted man. Finding himself on the run from the police – controlled by Chancellor Cohaagen, the leader of the free world 

This new version of Total Recall is exactly how you handle a modern remake. You taken the source material, and give your creative team’s the chance to adapted it in their own way, in their own style. We will no doubt get a film that feels in some ways similar to the ’80’s classic, but it should also feel new and alive in it’s own way.

Check  out the teaser for the trailer after the jump.

There is some good, some awesome, some sad and some well excepted news in this weeks box office results.

Coming in at number one for the weekend, 21 Jump Street makes a splash with $35 million, and it’s very good news. To see a successful TV adaptation that proves you can be R-rated, have a completely unexpected tone and still work is a wonderful trend starter for the industry.

Hollywood is a copy cat industry and if remakes and reboots have to happen, the only way you can maintain some artistic credibly is to bring something fresh to the table. Hopefully this success can grease the wheels with other creative folks and deliver something unexpected with these name brands. It will be interesting to see how the zany Dark Shadows is received in the wake of this win.

The well expected news comes in the form of our second place finisher, The Lorax. This Suess adaptation is performing well above initial expectations and is proving to have strong legs as it fell another soft 40ish percent to nearly $23 million. The Lorax will take a hit next week, but is well on it’s way to crossing the $200 million bar.

Dan Aykroyd has been trying to get Ghostbusters 3 off the ground for a long time now, but it seems he has hit a speed bump. After generating interest from the original crew, including Harold Ramis and director Ivan Reitman, the studio, and fans all around the world, but he can’t seem to get his good friend Bill Murray on board.

In an interview with the Telegraph, Aykroyd said that the film is currently in “suspended animation”. At this rate he doesn’t believe the film will ever get made.

“The studio, the director Ivan Reitman and Harold Ramis feel there must be a way to do it, but Bill Murray will not do the movie. He doesn’t want to be involved. He’s got six kids, houses all over America. He golfs in these tournaments where they pay him to turn up and have a laugh. He’s into this life and living it,” said Aykroyd.”I know we’d have a lot of fun [but] I can’t be mad at him. He’s a friend first, a colleague second. We have a deep personal relationship that transcends business and he doesn’t want to know.”

The Men In Black franchise is much like the Transformers franchise. The first films were sci-fi, popcorn cinema classics that struck a perfect blend of action, heart and humor, then the sequels came out and were cinematic abominations. While the giant robot movies kept chugging forward, the Men in Black series seemed like it couldn’t survive the blight that was Men In Black 2.

Thankfully, the franchise received a pardon and the third Men In Black film is fast approaching. The first teaser for next summer’s blockbuster-to-be has just hit the web and it actually looks pretty great. In case you are unaware of what the next Men in Black film is about here is a synopsis:

In Men in Black 3, Agents J (Will Smith) and K (Tommy Lee Jones) are back… in time. J has seen some inexplicable things in his 15 years with the Men in Black, but nothing, not even aliens, perplexes him as much as his wry, reticent partner. But when K’s life and the fate of the planet are put at stake, Agent J will have to travel back in time to put things right. J discovers that there are secrets to the universe that K never told him — secrets that will reveal themselves as he teams up with the young Agent K (Josh Brolin) to save his partner, the agency, and the future of humankind.

Check out the teaser after the jump.

This week’s Monday pick is the action thriller Blue Thunder (1983) directed by John Badham (Dracula, War Games). The film stars Roy Scheider (Frank Murphy), Malcolm McDowell (Colonel Cochrane), Daniel Stern (Richard Lymangood), Candy Clark (Kate), and in his final film performance, Warren Oates (Captain Jack Braddock).

“Blue Thunder” is the codename given to an advanced new helicopter that is chosen to be deployed over Los Angeles in an attempt to quell public disorder in preparation of the upcoming Olympic games and general crowd control from the air.

Scheider stars as officer Frank Murphy, a former U.S. Army helicopter pilot who suffers from PTSD due to his combat experiences in Vietnam. Scheider is chosen to fly the five million dollar prototype that he observes at an army proving ground in the California desert. Murphy is impressed with the chopper’s capabilities such as the ability to record a whisper from two thousand feet, search targets by infrared heat signatures, travel by silent “whisper mode”, and level a city block with a six barrel 20 mm electric cannon.

This week’s pick is director John Sturges’s classic World War II thriller The Eagle Has Landed. The film stars some of Hollywood’s best talent: Michael Caine (Col. Kurt Steiner), Donald Sutherland (Liam Devlin), Donald Pleasence (Heinrich Himmler), Robert Duvall (Col. Max Radl) Jenny Agutter (Molly), Anthony Quayle (Adm. Canaris), Jean Marsh (Mrs. Grey), Treat Williams (Capt. Clark), and Larry Hagman (Col. Pitts).

The Eagle Has Landed supposes the theory that a team of German commandos clandestinely enters England and kidnaps Prime Minister Winston Churchill (the least heavily guarded world leader) and hold him for ransom in order to make the British sue for peace, thus allowing the Germans to continue on as the masters of Europe.

Amazed by the rescue mission to free Italian dictator Benito Mussolini from his mountain prison, Hitler proposes the idea to kidnap Churchill. The high command brings in architect colonel Radl (Duvall) to devise the plan in how to kidnap Churchill. Radl settles on Col. Kurt Steiner (Caine) a decorated paratrooper whose anti-Nazi reputation and crack unit are just the ones to pull off a mission considered too risky.