You may not have the chance to see the Oscar-Nominated Live Shorts (or the Animated ones, for that matter), and you probably will not even see who wins at the ceremony.

Hell, you may not even know that there are Academy Awards for shorts. I forget from time to time myself. After all, who goes to see shorts anywhere outside of a film festival? Do they even exist outside of film festivals?

No matter. Honestly, as far as the Academy’s selections, you’re not missing too much this year. I have a bit of a beef with the Academy for overlooking the best short of last year (hell, one of the best movies of last year, Jon Goldman’s fantastic Diplomacy).

There’s some charming films, and the best part is that all five directors look very promising. Only two of the selections (Pentecost and Raju) feel constrained by the running time; the former stretches on too long and the latter needed more. Time Freak andThe Shore are comfortable and left me wanting more, and Tuba Atlantic is a pleasantly self-contained eccentricity that’s totally Norway. Totally.

Anywho, on to the films. I’m going to provide a quick, TV-Guide-style summary and then include my thoughts.

This past week John Williams had his 80th birthday. One of the first thing he will do during his 80th year will be attending the Oscars later this month where the Maestro is nominated for 2 best score awards. Even at this age Williams is at the top of his game.

In honor of the most prolific film composer alive today I wanted to use my weekly film score soap box to celebrate the man who has provided the soundtrack to the imaginations of several generations.

Everyone knows about his contributions to Star Wars, Superman, Indiana Jones and Harry Potter, but how many people are aware that he wrote not one, but two classic themes for Lost in Space?

It was John Williams music that made me fall in love with film music. I can pinpoint it all the way back to a single moment in Jurassic Park when the helicopter approached Isla Nublar, the cue still gives me chills to this day, and nearly two decades later I still look to Mr. Williams as the inspiration for a life long passion.

Living in Los Angeles is awesome. There are hundreds of events, screenings, parties and exclusives that would make any film fan explode from joy. One of those awesome events has just been announced for the end of August. The Fans of Film Music gathering is a wonderful chance for film score aficionados to get together with some of the best composers in the industry to talk about their dual passion, film music.

The 2nd annual event has been put together by Peter Hackman, a film score die-hard who felt the need to keep an annual event going for fans of film music. Of all the niche groups of fans in the film world, film score fans rank amongst the smallest and most spread out. So this event is especially exciting as it brings film fans together from all around the world. And that isn’t hyperbole, Peter literally has people flying in from all over the world for the event.

More details on the event and a full list of attending composers can be found after the jump.

Diane here and fresh off  the red carpet premiere of Universal Studios’ Hollywood latest attraction, King Kong 360 3D.  If you have a chance to swing on by this summer, it is worth the wait.

Yesterday while walking among a 360lb Bengal Tiger, a 13 foot Python, a feisty monkey, and tribal dancers who kept on telling me to touch their dinosaur bones I became entranced with the world of Skull Island and a gorilla who’s eaten one too many Big Macs.

I was not alone, The Office’s Craig Robinson, Oscar Nunez, and Kate Flannery, along with Kevin Smith, Yvette Nicole Brown of Community, Wayne Brady,Wanted and King Kong’s Thomas Kretschmann, and a very shy Christopher Lloyd were all there sampling the gourmet apps and reveling in a filmed introduction to the experience by none other than a slimmed down Peter Jackson in 3D.

Back in 2005 an unknown director named Neill Blomkamp made a science fiction short with a few friends, a modest budget, and a Canadian production team. The short, titled Alive in Joburg, blew away many powerful people with its premise and blend of CG effects and documentary stock footage. Included in those powerful people was mega-director Peter Jackson, who decided to aid Blomkamp in adapting his low-budget short into a larger film called District 9, which turned into an overnight success.

Now, independent writers, directors, and 3D render artists everywhere ran back to their typewriters to come up with interesting and original new ideas, knowing that Hollywood is turning to them for a fresh start to an industry bogged down with sequels and reboots.

There are hundreds of nice attempts, but none of them have really stuck out as something that could be expanded into a major film. A year ago, a Uruguayan science fiction short titled Panic Attack!, by Fede Alvarez was the subject of a Hollywood bidding war, in which Sam Raimi got the rights to adapt the short. Now, it looks like we’re getting another great short for Hollywood to set their sights on with Ricardo de Montreuil’s The Raven.

The film is set in a dystopian future (2074), where futuristic robot cops have the authority to take down those who break the law with extreme force. The only person who has the potential to change everything is Chris Black, aka The Raven. Black has supernatural abilities that, if used in the right way, could save the free world.

Inundated by a flurry of commercials blasting the latest nerd boy fantasy, She’s Out of Your League, I’m reminded of another story about an awkward boy and a stunning, but much sharper girl. In this story a nerd manages to sweep the woman of his dreams off her feet, but not without a lot of effort and some spiffy tights.

This betty mischievously quips with her small-town colleague and brazenly flirts with the hottest jock in the universe. This woman is Lois Lane.

The dorky boy gets the girl films are just as abundant as the beautiful, yet clumsy girl who gets her knight in shiny armor tales. They’re just fairytales dressed up for adults with a bunch of sex-talk for the guys and thinly veiled attraction in the form of snippy repartee for the ladies. How do you make two lovers out of enemies? Watch The Bounty Hunter, 10 Things I Hate About You, You‘ve Got Mail, or pretty much any movie with Meg Ryan in it.

Lois and Clark’s relationship is fascinating because it’s a mix of both of these fairytales. Clark is a straight arrow boy scout if there ever was one and Lois doesn’t mind bending the rules at her leisure. They quip constantly on the sidelines, but run plays seamlessly during the big game. Over time these bff’s have flown over their stereotypical scenario to become a team to be reckoned with.

After doing some investigative work, I found Lois was a combination of several women. In turns out Jerry Siegel wishes he had the super powers needed to impress a girl he crushed on in high school, Joe Shuster fell for the model he based Lois‘ look on, and Siegel based Lois’ personality on Torchy Blane, a reporter from 30‘s flicks. Lois might have come out of a nerdy fantasy, but this doll wasn’t just another Top Model.

She’s a Hepburn who gleefully spars with Tracy, Clark, Perry, Jimmy, Lex, or whoever else might be in the bullpen. These creators were ahead of their time in crafting a woman who wasn’t a secretary (cough…Diana Prince…cough) and instead was Clark’s equal in and out of the office.

Lois doesn’t have the benefit of donning a mask when unearthing villainous plots, and yet she’s fearless. She’s not just a love interest, she’s a woman on a mission to bring truth and justice to the world by using the mighty pen.

As I was watching the new Eclipse trailer, out of sheer boredom and a hint of curiosity, I found myself wondering why in the world two super-powered boys would fight it out over a girl clad in American Apparel who’s a hell of a downer.

How is there an entire film series devoted to one girl’s delusional obsessions of a fairy tale ending with a born-again killer? Sparkely vampires want to kill you, strapping werewolf shape-shifters want to keep you safe.

Do these Edward fans have a death wish and a yearning for abandonment? Is Bella Swan so heavily marketed as mesmerizing that it erases the history of the brazen blonde that came before her?

A long time ago, otherwise known as the 90’s, there was a series called Buffy the Vampire Slayer where a feisty girl from the southland slayed Urban Outfitted demons. This legendary show paved the way for multi-tasking girls who cheer by day, slay by night, and every once in a while hook-up with a tormented blood sucker.

Every month, I bring you dedicated readers my favorite TV shows of the moment. And while I love reporting on the latest and greatest in TV Land, what is also just as important to me are the dozens of shows that were canceled before their time.

Whether the ratings were bad or the shows were too expensive, many of TV’s best and brightest have been taken off the air before they have a chance to flourish. But while these shows had their untimely demise, these articles should hopefully resurrect them, at least in the form of you watching them and thinking they’re awesome.

Moonlight

So the reviews weren’t great and the show only lasted a season. But had Moonlight premiered a year or two later, it would have been a smash hit. Why? Because it’s all about vampires, and whether it’s TV, movies, or books, vampires are the hottest thing in media right now.  And while competing with HBO’s hit True Blood and CW’s mediocre The Vampire Diaries wouldn’t be easy, it would have at least stood a chance.

Canceled after 2008’s Writers Guild of America strike, Moonlight centered around Mick St. John, who turned vampire after being bitten by his bride on their wedding night. Years later he works as a P.I., protecting humans while hunting down the vampires who harm them. The show feels like a cross between Veronica Mars and Supernatural, while still being as focused on romance as the shows that have followed it.

Rather than tell you what I think I should, I decided to come clean on this list. For instance, I am aware that A Serious Man might technically and artistically be a cut above some of these, but I just didn’t enjoy it as much. I’ll also preface this by saying since I was covering most of the main-stream movies this year, there were a lot of independent movies I didn’t see, so they may not appear on the list. The film title links to a review when applicable.

Up In The Air – Buoyed by a trio of fantastic actors, I found this movie to be utterly charming. Directed by Jason Reitman (Thank You For Smoking, Juno), the movie is touching, prescient, original, and funny. Vera Farmiga, George Clooney and Anna Kendrick all received Golden Globe acting nominations.  George Clooney’s depiction of a traveling man who keeps any type of human interaction at arm’s length is effortless, and is a joy to watch.

A Single Man – This film is still in limited release, so many people have not seen it, but I was absolutely blown away by designer Tom Ford’s directorial debut. He brings an artistic eye to the story of a gay man in 1962 who has recently lost a live-in companion. Heavy stuff, and Colin Firth gives a truly amazing performance that will break your heart.

Julianne is a stunning aging beauty who longs to have a relationship with the emotionally unavailable George. Universally relatable to anyone who has ever been in love, or experienced unrequited love. Seamlessly shifting from sepia, black and white, and color, the film is gorgeous. Beautifully scored by Abel Korzeniowsky as well.

Happy Holidays everyone, and just in time for those holidays there are some excellent comics coming out this week.

From DC Comics, we have the constantly-getting-better Detective Comics. I swear to God, this book just gets better and better with every issue. If you’re not buying this book than you are missing out on one the most groundbreaking comics of the year.

From Image, we have the line of Image United comics. With art by the founding fathers of Image and written by Robert Kirkman, this is sure to be a collector’s dream.

I’m most looking forward to the new issue of Jonathan Hickman’s Fantastic Four, I think this book is in my early running for Best Continuing Series, if I was allowed to vote for the Eisners. Dale Eaglesham is off for two issues but I’m sure that it won’t slow down the brilliant writing that Hickman is doing with the characters.

I’ll also be checking out the spoilerific Captain America: Who Will Wield The Shield book. Now that Steve Rogers is officially back, it’ll be intriguing to follow the reaction.

That’s all I’m getting this week. As always, we here at The Flickcast care about what you read so let us know what you liked/didn’t like in the comments. Otherwise, check out the complete list at Midtown Comics.

Have a Happy Holiday!