With all the movies and TV programs out there featuring car chases, shootouts, explosions and more, it’s sometimes nice to watch a movie about two people who just sit and talk. Of course, it helps if the people in question are terrific actors like Samuel L. Jackson and Tommy Lee Jones and what they are saying is written by one of the best writers around, Cormac McCarthy.
To what compelling story am I referring? None other than McCarthy’s play The Sunset Limited, which is now a film coming this weekend from HBO. As I mentioned above, the film features two great actors. It is also based on the McCarthy play, written by him and is directed by Jones.
If, for some reason, you’re not familiar with the story, here’s the highlights:
The story focuses on two very different men – a deeply religious black ex-con (Jackson) who thwarts the suicide attempt of an asocial white college professor (Jones). As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.
The Sunset Limited premieres on HBO this Saturday, February 12th at 9/8C. In the meantime, check out the preview for this sure to be intense drama after the jump.
The Road is the film adaptation of the Pulitzer winning novel written by Cormac McCarthy, who also wrote No Country For Old Men and All The Pretty Horses. Our fascination with what a post-apocalyptic world might be like has been fodder for countless books, television shows, and movies. When I was in college, I was required to read George R. Stewart’s novel Earth Abides. Excruciatingly detailed, the book gave me anxiety attacks for months, as it told the story of a grad student looking for other people who may have survived a plague that wipes out the entire population.
As he traverses the land, the minute changes that he observes in the landscape and appearance of the United States are painstakingly recorded. More recently, The History Channel presented Life After People, which depicts what changes would occur to the earth’s ecological systems and the infrastructure we leave in our wake. Quite frankly, this type of topic scares the crap out of me.
Now we have The Road, which is the harrowing story of a father (Viggo Mortensen) and son (Kodi-Smit McPhee) trying to make their way across the country by foot after some unidentified event has wiped out most of mankind. The wife (Charlize Theron) is shown only in flashbacks. The threat of a harsh winter that they most certainly won’t survive serves as the impetus for their journey southward. There is a vague possibility of finding other people, but it is based on faith and hope, rather than concrete knowledge of their existence.
In spite of its rather depressing subject matter and its bleak outlook on most of humanity, The Road manages to be an insightful, relevant, entertaining and important film which will not only hook you from the opening moments but will cause you to do something that most movies released these days do not: Think. Based on the Cormac McCarthy best selling and Pulitzer Prize winning novel, adapted by Joe Penhall and directed by John Hillcoat, the film follows the journey of a father and son making their way to supposed safety in “The South” after an unknown disaster destroys most of humanity and reduces the world to snow and ash covered ruin.
Along the way the father and son encounter the worst of society reduced to ruin and come to realize that they may never reach safety and that that safety may, in fact, not even exist. The dynamic between the father and son is meticulously explored with both Viggo Moretnsen and relative newcomer Kodi Smit-McPhee giving standout performances. Mortensen is brilliant and physically transformed to inhabit his role and Smit-McPee takes what could have been a two dimensional role and infuses it with depth and courage well beyond his years. Looking at him as he progresses and his character evolves before your eyes, you experience what this journey must be like for him and how his relationship with his father changes during the course of it.
We got quite a bit of different stuff sent to us here at The Flickcast. Some of it is pretty cool like trailers for upcoming movies, game videos, comics previews and things of that nature. We also get a lot of movie poster art sent to us and some of it is also pretty cool. Case in point are the two new “official’ posters for The Road and Youth in Revolt.
Both poster feature what so many do these days, large pictures of the principal actors and a clever or meaningful tag line. Also, both are different than previous posters that have been released for these films. In addition, on the poster for The Road, Mortensen is clearly holding a gun so you don’t think this is just a movie about people talking and, curiously, the names of the writer and director appear again in larger print at the bottom of the poster so they are clearly visible. This is, of course, an obvious attempt to make sure that people know who they are — particularly those who nominated and vote on the Oscars.
The Youth in Revolt Poster, at least to me, reminds me of the poster for Stanley Kubrick’s film Lolita, which I’ve included after the jump for comparison. I’m not sure what the marketing department at Dimension/Weinstein was trying to go for, but obviously some of them are Kubrick fans.
We’ve talked about these two films here before and you can expect a review of each of these films closer to their release dates. Until then, be sure to check out the larger versions of both posters after the jump. The Road opens on November 25th and Youth In Revolt opens on January 8th, 2010.
With films like Resident Evil and I Am Legend commonplace in Hollywood, it’s hard to imagine a post-apocalyptic tale that isn’t sensationalized somehow. The big screen adaptation of Cormac McCarthy’s Pulitzer-winning best-seller The Road set out to change all that. The story follows the journey of a father and son as they do whatever they can to survive in a post-apocalyptic world. There is a lot of anticipation for this film and now we can all rest easy knowing we’ll be able to see it November 25th.
Starring Viggo Mortensen (The Lord of the Rings trilogy) and relative newcomer Kodi Smit-McPhee, The Road seeks to distinguish itself from similar fair by bringing a real look at a post-apocalyptic world. Director John Hillcoat drew inspiration form contemporary tragedies to capture the essence of the film, “…instead of just looking at other post-apocalyptic films, we ended up going to documentaries and photos of actual apocalypses or ones that didn’t go global. Within that small area, it’s the equivalent, so we looked at Hiroshima, Katrina and 9/11.”
The timing of the release cannot be overlooked either and could be somewhat strategic by Dimension Films. A November date puts The Road in Oscar contention for this year. While uncommon for genre type films to get Academy recognition, it wouldn’t be the first time McCarthy’s work received Oscar buzz. The film No Country for Old Men, based on McCarthy’s novel, won four Academy Awards thanks, in large part, to the Coen brothers. Considering the serious tone of the story and Mortensen’s dramatic level of acting, The Road just may lead to more Oscar gold again.
Twilight author Stephenie Meyer’s movie machine keeps humming along as another of her novels has been grabbed by producers Nick Wechsler, Steve and Paula Mae Schwartz. The trio, fresh from adapting Cormac McCarthy’s The Road to the big screen, reportedly used their own funds to acquire Meyer’s The Host, her first adult novel. In addition, the producers have tapped Andrew Niccol (Gattaca, The Truman Show) to pen the script and direct.
In case you’re only familiar with Meyer’s Twilight novels, The Host follows a similar pattern and is a bittersweet love story set in a near future Earth which has been assimilated by an alien species of benevolent parasites. These creatures call themselves “Souls.” One such soul, the Wanderer, is fused with a dying human named Melanie Stryder, in an attempt to locate the last pocket of surviving humans on Earth.
According to the report, Meyer had, in the past, refused all offers to bring The Host to the big screen. But apparently, these producers came to the table with the right combination of deal and vision for the project which finally made her agree. Having never read The Host, nor any of the Twilight novels, all I can say is this must be good news for those of you who have. Judging from fan’s reaction to those books and films, I have little doubt The Host will meet with similar success — especially if the film somehow features Robert Pattinson and Kristen Stewart.
Summit releases the second adaptation of Meyers’ vampire series, The Twilight Saga: New Moon, on Nov. 20.
We’ve been waiting for this one for some time and now, thanks to the folks over at Trailer Addict, here’s the first trailer for the feature film adaptation of Cormac McMcarthy’s novel The Road. The film, which is directed by John Hillcoat and stars Viggo Mortensen, Kodi Smit McPhee, Robert Duvall, Chalize Theron and Guy Pearce, will be released in October.
It tells the epic story of a father and son’s journey across a post-apocalyptic wastland after the earth was blasted by an unnamed cataclysm that destroyed civilization and most of the life on earth. As a big fan of the novel, this trailer make me very interested in seeing the film. It looks great. Check it out.