With all the movies and TV programs out there featuring car chases, shootouts, explosions and more, it’s sometimes nice to watch a movie about two people who just sit and talk. Of course, it helps if the people in question are terrific actors like Samuel L. Jackson and Tommy Lee Jones and what they are saying is written by one of the best writers around, Cormac McCarthy.

To what compelling story am I referring? None other than McCarthy’s play The Sunset Limited, which is now a film coming this weekend from HBO. As I mentioned above, the film features two great actors. It is also based on the McCarthy play, written by him and is directed by Jones.

If, for some reason, you’re not familiar with the story, here’s the highlights:

The story focuses on two very different men – a deeply religious black ex-con (Jackson) who thwarts the suicide attempt of an asocial white college professor (Jones). As the one attempts to connect on a rational, spiritual and emotional level, the other remains steadfast in his hard-earned despair. Locked in a philosophical debate, both passionately defend their personal credos and try to convert the other.

The Sunset Limited premieres on HBO this Saturday, February 12th at 9/8C. In the meantime, check out the preview for this sure to be intense drama after the jump.

The Road is the film adaptation of the Pulitzer winning novel written by Cormac McCarthy, who also wrote No Country For Old Men and All The Pretty Horses.  Our fascination with what a post-apocalyptic world might be like has been fodder for countless books, television shows, and movies. When I was in college, I was required to read George R. Stewart’s novel Earth Abides. Excruciatingly detailed, the book gave me anxiety attacks for months, as it told the story of a grad student looking for other people who may have survived a plague that wipes out the entire population.

As he traverses the land, the minute changes that he observes in the landscape and appearance of the United States are painstakingly recorded. More recently, The History Channel presented Life After People, which depicts what changes would occur to the earth’s ecological systems and the infrastructure we leave in our wake. Quite frankly, this type of topic scares the crap out of me.

Now we have The Road, which is the harrowing story of a father (Viggo Mortensen) and son (Kodi-Smit McPhee) trying to make their way across the country by foot after some unidentified event has wiped out most of mankind. The wife (Charlize Theron) is shown only in flashbacks. The threat of a harsh winter that they most certainly won’t survive serves as the impetus for their journey southward.  There is a vague possibility of finding other people, but it is based on faith and hope, rather than concrete knowledge of their existence.

In spite of its rather depressing subject matter and its bleak outlook on most of humanity, The Road manages to be an insightful, relevant, entertaining and important film which will not only hook you from the opening moments but will cause you to do something that most movies released these days do not: Think. Based on the Cormac McCarthy best selling and Pulitzer Prize winning novel, adapted by Joe Penhall and directed by John Hillcoat, the film follows the journey of a father and son making their way to supposed safety in “The South” after an unknown disaster destroys most of humanity and reduces the world to snow and ash covered ruin.

Along the way the father and son encounter the worst of society reduced to ruin and come to realize that they may never reach safety and that that safety may, in fact, not even exist. The dynamic between the father and son is meticulously explored with both Viggo Moretnsen and relative newcomer Kodi Smit-McPhee giving standout performances. Mortensen is brilliant and physically transformed to inhabit his role and Smit-McPee takes what could have been a two dimensional role and infuses it with depth and courage well beyond his years. Looking at him as he progresses and his character evolves before your eyes, you experience what this journey must be like for him and how his relationship with his father changes during the course of it.

We got quite a bit of different stuff sent to us here at The Flickcast. Some of it is pretty cool like trailers for upcoming movies, game videos, comics previews and things of that nature. We also get a lot of movie poster art sent to us and some of it is also pretty cool. Case in point are the two new “official’ posters for The Road and Youth in Revolt.

Both poster feature what so many do these days, large pictures of the principal actors and a clever or meaningful tag line. Also, both are different than previous posters that have been released for these films. In addition, on the poster for The Road, Mortensen is clearly holding a gun so you don’t think this is just a movie about people talking and, curiously, the names of the writer and director appear again in larger print at the bottom of the poster so they are clearly visible. This is, of course, an obvious attempt to make sure that people know who they are — particularly those who nominated and vote on the Oscars.

The Youth in Revolt Poster, at least to me, reminds me of the poster for Stanley Kubrick’s film Lolita, which I’ve included after the jump for comparison. I’m not sure what the marketing department at Dimension/Weinstein was trying to go for, but obviously some of them are Kubrick fans.

We’ve talked about these two films here before and you can expect a review of each of these films closer to their release dates. Until then, be sure to check out the larger versions of both posters after the jump. The Road opens on November 25th and Youth In Revolt opens on January 8th, 2010.