Last time on Weekly Link Love we featured some Twitter accounts we love to follow. This week we’re focusing on a different platform and highlighting some Instagram favorites instead.

That’s right, it’s time for another edition of Weekly Link Love. As we’ve said before, this is place where we call attention to websites, blogs, videos, socials (including cool Instagram accounts) or other people & places we think you should know about.

Sure, some may not like Instagram, especially after it was purchased by Facebook. But it still remains one of the best places to showcase your creative work and potentially build a large fanbase. Plus, there’s lot of great artists we admire who show their work on Instagram. So, for us, that makes it a worthwhile platform.

You may have heard of none, some, or all of these Instagram folks. And yes, we know we’ve featured a few of them in previous Weekly Link Love posts, but they’re worth your time so we’re link loving them again!

And, of course, there’s so many more we follow and love. We can’t list them all. This post would be way too long. Instead, these are but a sample.

Okay? Okay. As always, don’t forget to spread the love. Now, on to the links!

Chris Lowell – You know him from Veronica Mars and Glow, but he’s also a great photographer too. Check out his work. 

Conor Leslie – Badass superhero on TV’s Titans and badass photographer and person too. 

Felicia Day – What can we say? No list of people on Instagram nerd’s love would be complete without this person. 

History of Cinema – So many great photos taking you through cinema’s past. A great account, especially if you love movies like we do.

Jack Black – This man has helped us tremendously during quarantine by being damn funny in his own backyard. Thank you Jack.

Jason Momoa – Really needs to explanation. He’s just cool and a great guy.

Kat Swansey – Kat’s photos of rural Texas towns are really exceptional. If you want to experience the “real” Texas, this is the account for you.

Kodak Film – We still love film and still love the way it looks. If you’re a film lover too, this is an account for you. 

Marisha Ray – We love Critical Role (obviously) and Marisha is one of our favorite cast members. She’s also a cool human too.

Matt Day – We keep coming back to this guy, but we love his work. If you want to see what excellent photography looks like, check out this man’s Instagram. 

Negative Feedback – We’ve learned a lot from this gentleman. He’s a talented photographer and one of the first to extoll the virtues of film on Instagram and YouTube.

Ryan Muirhead – Another photographer who’s work inspires us. 

Sam Riegel – If we had to pick a favorite member of the Critical Role team, it would be Sam. Watch the show and you’ll understand why.

Sandy Phimester – Another photographer who’s talent we aspire too. His photos are amazing.

Taika Waititi – We like funny, talented people who make great art that forces you to think a bit too. If you like those things also, check out this person’s Instagram. 

Vintage Audio Love – We love analog stuff and this account showcases the best of vintage audio porn. 

Wil Wheaton – He’s just this guy, you know?

Happy New Year to one and all! Yes, you can still say that even if it’s already January 11th. A new year and a brand new episode of The Flickcast to start things off right.

Hell, we all need some good things in the world right now, right? So, we’ll do what we can to bring one to you. To start off this first episode of 2021 Chris and Joe get back into it and talk about some old stuff and some new stuff. Some of the old and new stuff includes discussions about the recent Warner Bros./HBO Max deal, Christopher Nolan’s Tenet, Wonder Woman 1984, Justice League, the state of the world and what they’re looking forward to in 2021.

They also talk a bit about what things helped get them through 2020 including 3D printing, Enola Holmes, The Queen’s Gambit and one of Chris’ new favorite shows Ted Lasso. And yes, there’s the usual and ever-present more.

It’s a big show. What better way to kick off a new year? Thanks for listening!

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: Warner Bros./DC

Opening and end music by Kevin MacLeod under Creative Commons License

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YouTube’s favorite gal pals are making a movie. Hannah Hart (MyHarto), Grace Helbig (DailyGrace), and Mamrie Hart (You Deserve a Drink) will star in Camp Takota as announced at VidCon 2013.

Inspired in part by Mamrie Hart’s experience working at a summer camp, the plot of the film is pretty simple: Helbig is a twentysomething who finds herself returning to her old summer camp to work. There she runs into two old friends, played by Hart and Hart. Hijinks, humor, and booze are sure to ensue if the ladies’ history holds true.

The first trailer for Camp Takota released at VidCon 2013 and mainly consists of a lot of flubbed lines and laughter, much to the delight of fans. A booth at the convention let attendees sign up for camp, get a friendship bracelet and take their camp picture.

Camp Takota will be made available exclusively on pay-to-view platform, Chill.com.

I was never blessed with the gift of artistic ability. The extent of my ability was doodling in the margins of my notebooks during classes, or adding a mustache and glasses (and perhaps some devil horns) to a photograph in a magazine. Whether it was a poster, a comic book, or a tattoo I’ve always been fascinated with art and those that can make a living through it.

Around the time of WrestleMania 27, “Stone Cold” Steve Austin appeared on television with a brand new t-shirt designed by artist Joe Romero. I quickly found his online presence, Average Joe Art, and began following him on Twitter. Ever since then Joe has been pumping out great, pop culture-inspired illustrations. From Breaking Bad, to Walking Dead, to The Avengers Joe has added to his catalogue of comic-style homages to geeky T.V & film favorites.

For those of you who were disappointed when Apple completely revamped its flagship video editing software Final Cut Pro and released the somewhat controversial and feature-poor Final Cut Pro X, it seems the company has listened to your complaints. Well, at least some of them.

This week Apple released an update to Final Cut Pro X, bringing the app to version 10.0.3. The latest update adds several features that will most likely please editors including new advanced chroma keying, support for XML 1.1 and beta broadcast monitoring for Thunderbolt devices and PCIe cards.

However, the most significant addition seems to be the software’s new multicam editing feature. This feature enables editors to sync up to 64 angles of video and photos in one timeline “automagically.” Or, if you want to get technical, the software uses time of day, timecode, markers, or audio waveforms to sync. Although, we think “automagically” sounds cooler.

The Final Cut Pro v10.0.3 update is available now and is free for all existing Final Cut Pro X users. New users can purchase the software from Apple’s Mac App Store for $299.99 after a 30-day free trial.

Check out the full press release from Apple after the jump.

Recently film music legend John Barry past away. It was a great loss for the film score community, Barry wrote some of the most well known themes and scores of all time during his career. Most people know Barry most for his work on a large number of James Bond movies, but me personally, my favorite score is from the undereducated Disney film The Black Hole.

The guys over at Intrada Records have recently struck a deal with Disney to release some of their more classic scores and thankfully the need for a fully restored The Black Hole was high on their priority list. Beyond the quality of the score itself, the music for this movie has historical significance:

John Barry’s score was the first digitally recorded soundtrack in motion picture history and was recorded using the 3M Digital Recorder. The format was used sparingly for several years until technology moved on, and due to its limited use, finding working machines had become quite a challenge some 30 years later.

Randy Thornton’s producer’s notes chronicle the entire odyssey through the investigations and trials until successful transfer of the 32-track digital elements, with simply stunning results.  Now The Black Hole is presented in complete form with a striking clarity not heard previously.

This new release is available now from Intrada’s website.

I just saw Knight and Day and in a summer notably lacking in quality, this one stands out as being the worst film in terms of the script and editing. The 2 and a half minute trailer was better than the entire film. In the film a rogue FBI agent, Roy Millerand the FBi, steals a never-ending battery that looks like the generic D Energizer kind. June, a hapless bystander, gets caught up in the action. Together they must keep the battery safe while on the run from arms dealers and the FBI.

In editing class you’re taught that if a movie is well edited then you won’t question the loopholes until hours later when you’re at home, hence the term refrigerator moment. Quite apropos when you consider Indiana Jones and the Crystal Skull. In Knight and Day, however, I started questioning the flick while it was still playing.

For starters, whenever characters would mention anything of importance, it was never once brought up again or answered in any kind of way. None of the characters had any semblance of a back story. There was no time limit set for the mission, no sense of urgency, and no one saved anything, much less the world. In essence the film lacked discernible goals. This film brings new meaning to the term, “We’ll fix it in post”.

What follows is a list of questions. I would say there are spoilers, but since there are absolutely zero twists, turns, or creativity in the script, there are no spoilers. Anyone who can answer these questions solely based on the film will receive a highly valued, Flickcast Certified No. Prize. Go ahead smarty pants, make my day.

As the SXSW Film, Music and Interactive festival gets closer, more and more announcements are coming out about what programming we can expect during the event. Friday, it was announced what film would cose the competition and in addition, more features and shorts were added to the program which already features over 100 films.

Here’s all the info about the new items from the official press release. As we told you previously, we’ve got a great team going to SXSW this year so be sure to check back often for more.

SXSW FILM FESTIVAL ANNOUNCES CLOSING NIGHT FILM,

ADDITIONAL FEATURES & SHORTS FOR 2010 EVENT

The South by Southwest (SXSW) Film Conference and Festival has announced Chris Morris’ pitch-black satire Four Lions as its Closing Night film, to play on Saturday, March 20 at the Paramount Theatre in Austin, Texas. SXSW also released additional feature and short titles or the 2010 event, which will take place March 12 – March 20, 2010. The festival will open with the world premiere of Kick-Ass, directed by Matthew Vaughn and starring Aaron Johnson, Cholë Grace Moretz, Christopher Mintz-Plasse and Nicolas Cage.

SXSW will also host more than 80 Film Conference panels, which will take place Friday, March 12 – Tuesday, March 16. Previously announced participants for the 2010 SXSW Film Conference include Michel Gondry (The Thorn in the Heart, Eternal Sunshine of the Spotless Mind), Quentin Tarantino (Inglourious Basterds), David Gordon Green (Eastbound & Down, Pineapple Express), Jeffery Tambor’s Acting Workshop, and Academy Award-winning Argentine composer, solo artist and producer Gustavo Santaolalla, among many others. For full panel descriptions and participants, as well as the complete film lineup and schedule, visit http://sxsw.com/film/.

Additional Feature Films in the 2010 SXSW Film Festival include: