Welcome back to another edition of Trailer Time. This is the place where we post cool and interesting trailers for movies, television shows, games and more. For this week’s edition of Trailer Time we’ve got Joe Carnahan’s sci-fi action epic Boss Level.
The film, which hits Hulu today, features Frank Grillo as Roy Pulver, a retired soldier stuck in an endless time loop where he replays his own death over and over. As he begins to unravel the nature of his predicament he realizes his survival is tied to the fate of his ex-wife and son and the potential destruction of the entire universe. Yeah, the stakes are pretty high.
Boss Level also features Naomi Watts, Michelle Yeoh, Annabelle Wallis, Will Sasso, Ken Jeong and Mel Gibson. Yes, that’s right, Mel Gibson. Say what you will about Mel (we have), but he was once a beloved movie star and he can still act, which he does pretty well in this movie.
Fortunately, though, this isn’t a Mel Gibson movie. It’s a Frank Grillo movie. And that’s a good thing.
We’re fans of Grillo, so we’re happy to see him get starring roles in more movies. He’s great in this one.
Yes, we’ve seen the entire thing. It’s really good. You should watch it.
We’ll probably post a full review of Boss Level soon. But really, you should just go watch it instead. Until then, check out the trailer below.
What do you think of this trailer for Boss Level? Have you seen the movie? If so, tell us what you think. Is there a trailer for something else you’re most excited about? Let us know in the comments or hit us up on Twitter, Facebook or Instagram.
Upon leaving J. Edgar, neither my buddy nor I could nail down the point of what we just watched. Was it a hard look at the man? The film takes a vague stance on Hoover’s actions, and there’s not a very well-defined character arc—Hoover starts out as a stiff prima donna and ends up pretty much the same. And it’s certainly not an action flick.
The best I can surmise is that it’s a look at the relationships of someone who closed himself off from all human contact. Maybe that’s the reason the film’s titled “J. Edgar”–the first name is closed off while the second is used. There’s a lingering shot of the first time Hoover signs his name as such, so it’s obviously important, but then again the context is Hoover opening a new account in a men’s clothing shop. Anybody’s guess.
Hoover is played by Leonardo DiCaprio, using a slightly affected accent that’s not quite convincing but isn’t distracting. He goes through a number of emotions, and I suppose plays that part well, but I think the weakness is in the writing: He’s just not a very compelling character. Of course he’s underplayed and quiet—that’s the point, right? But even a dull character well played is still a dull character.
For the record, I don’t know all that much about the early years of the infamous J. Edgar Hoover. I do know that he helped make the FBI what it is today but also had some other, more secret, proclivities that make him a rather controversial figure in history.
So, it makes sense that someone like Clint Eastwood, who likes complicated characters and to explore the “grey area” of morality, would take on a biopic about the late FBI director. That’s exactly what he’s done and cast Leonardo DiCaprio as the man himself.
Today, Warner Bros released the theatrical trailer for the film and in it we get a good look at DiCaprio’s portrayal of Hoover as well as some insight into the movie itself. Gotta say, and not really surprised here, it looks good.
Check it out for yourself after the break. J. Edgar, which in addition to DiCaprio features Naomi Watts, Josh Lucas, Armie Hammer, Dermot Mulroney, Lea Thompson and Judi Dench, hits theaters on November 9.
In 2003, Valerie Plame looked the part of any successful working mother. She ran a household, reared a set of twins, and had a typical office job. Or so it would seem. In reality, she was a covert CIA operative who was in charge of various operations overseas.
After years of cultivating contacts and relationships, her entire life was exposed when Washington Post scribe Robert Novak outed her as a CIA operative in an article in the publication. The incident was thought to be a retaliatory action against her family after her husband, ex-diplomat Joe Wilson, wrote a series of scathing op-ed pieces indicting the Bush administration and their assertion that Iraq had acquired uranium from Niger. Wilson maintained that the administration was manipulating the evidence to justify the Iraq invasion.
Ultimately, White House aide Scooter Libby was revealed as the source for Novak’s piece. He was tried and found guilty of obstruction of justice, making false statements, and perjury. His sentence was commuted by George Bush in 2007.
Fair Game brings to life a fictionalized account of the story behind the story. If you are a newshound, you already know the details of the case, but what the movie does a great job of is illuminating the far reaching consequences of the administration’s decision to out her.
It wasn’t just Plame and her family who suffered, the administration has the blood of foreigners on their hands as well. Many of Plame’s contacts suffered or died as a direct result of her being outed. That makes the whole ugly mess more difficult to swallow.
Remember Valerie Plame? She was the CIA agent who was outed by White House Staffers when her husband wrote an op-ed for the New York Times that condemned the Bush administration for fabricating intelligence that led us into the Iraq war.
In the upcoming movie Fair Game, Plame is played by Aussie actress Naomi Watts. Her husband, Joe Wilson, is played by Sean Penn. The film is directed by Doug Liman, who previously directed The Bourne Identity, and Mr. and Mrs. Smith, so he obviously knows his way around a spy thriller.
If I might editorialize briefly, what do you think of casting Sean Penn in a politically charged role? He did star in Milk, but he has been so outspoken about the Iraq war that it seems a little off-putting to me. He is a wonderful actor, and Watts is always solid, so I am sure the movie will be intriguing.
You can catch the trailer after the jump. Fair Game opens in theaters November 5.
Rodrigo Garcia’s new film is entitled Mother and Child, but it might more accurately have been called Mother and Daughter, as variations of that freighted relationship play out in the interconnected lives of three women in Los Angeles, depicted with stellar ensemble work by Annette Bening, Naomi Watts and Kerry Washington.
Annette Bening’s role is the most attention-getting, as Karen, a woman so angry and closed that she becomes apoplectic when a co-worker (the wonderful Jimmy Smits) attempts to give her a bag of home-grown tomatoes. Karen lives with a mother possibly even grimmer than herself, but her true wound is the loss of the baby she was forced to give up for adoption when she was fifteen years old.
It soon becomes apparent, at least to the viewer, that this baby is now the adult Elizabeth, played by Watts, a corporate lawyer who protects herself with clinical detachment and a sexually sadistic streak. Meanwhile, Washington plays Lucy, a young wife desperate to adopt and become a mother.
Far apart at first, these lives overlap in that hyperlink way popularized by movies such as Babel and Syriana, but in this case the collisions are not so much a matter of chance or fate as it is of deep connections having to do with motherhood, and all revolving around the character of a social-working nun (“Mother Superior,” representing Mary, the Holy Mother?) played by Cherry Jones with appealing compassion. If such nuns were the rule rather than the far-apart exception, we might all be tempted to convert to Catholicism.
