It hardly seems like a month can pass by without some sort of out of left field news popping up regarding the upcoming RoboCop reboot. This is a remake that should be easy to file away as a bad idea, the original worked despite it’s premise because of Verhoeven and everything else in the franchise after that has been a miss on one level or another.

That doesn’t mean they aren’t at least trying to give us an enjoyable film next year, and today’s casting shuffle news seems to indicate that at least some one really cares about this project. Secret British badass Hugh Laurie was in line to play the CEO of OmniCorp until he wasn’t, so the film replaces Dr. House with a damn Batman, Variety reports:

Michael Keaton has been tapped to play the villain, Raymond Sellars, in the “RoboCop” reboot for MGM and Sony… The Sellars character is the CEO of the corporation that builds RoboCop, played by Joel Kinnaman. The film, described as a “reimagining” of the 1987 Paul Verhoeven pic, is scheduled to begin shooting next month.

As much as Hugh Laurie was an exciting choice for the role originally, Keaton is easily ten times more intriguing. He has a manic energy that can really bring something fun to the head of the ever-present OmniCorp. You can even gauge from the actors connected to the role that the character is not meant to be a two-dimensional prick, but perhaps a character with some interesting perspective.

This film once again has us nodding our head in approval at the choices it has made in pre-production, let us hope that good mojo translates to the production phase that is set to begin soon.

The original Total Recall is a classic in most senses of the word. Paul Verhoeven’s original film might have taken liberties with the source material, but it exceeded as a sci-fi action extravaganza. The remake hopes to capitalizes on the original film’s name brand, while adapting a story more close to the Philip K. Dick story that inspired both films.

In most of the marketing thus far we have seen hints of familiarity with the 80’s classic, but this new trailer all pretense seems to have been shed. Even though the film is purported to be a more faithful adaptation, the film clearly is taking a lot of its cues from the previous movie.

Even though there are many more parallels exposed in this new trailer, the movie still looks like a slick and handsome sci-fi actioner. The cast is beyond solid, we know the story is a stand out, and the effects work looks to be as competent as you could ask for. Even if Total Recall doesn’t turn into a classic, the trailer suggests it will at least be an adequate summer adventure.

You can check out the full trailer after the jump, and if it sells you, Total Recall hits cinemas later this summer.

It was hard to get behind the RoboCop reboot, it was passed around between a few good creative people and eventually landed in the hands of Jose Padilha who is a relatively unknown entity here in the states. However, once the ball started rolling with the cast the project has been gaining momentum.

We already told you about a few nice cast additions last week, which brings the supporting cast up to Gary Oldman, Samuel L. Jackson and Abbie Cornish who join the solid Joel Kinnaman in the film. Already we have a solid cast with some geek cred and plenty of acting chops.

Things get much better though, The Hollywood Reporter has announced who will play one of the key villain roles in the movie:

Hugh Laurie is in negotiations to play the villain in Robocop, MGM and Sony’s remake of the classic 1987 sci-fi action movie… Laurie will play the evil and ultra-rich CEO of Omnicorp, the company that makes Robocop

Dr. House himself! Hugh Laurie is a fantastic actor and will really bring a lot to the table as a swarmy CEO who looks to use RoboCop for his own nefarious reasons. One other aspect of bringing in Laurie to the cast that evokes a lot of excitement is that this news might be another clue that the satirical nature of the original is not going to be left by the wayside.

The impending RoboCop remake is in an odd place. It is the perfect kind of pulpy, popular franchise that should be remade, but the original holds such a specific and dear place in the hearts of fans that it is up against a lot of fan distrust.

One way they can help assuage fan worries is to cast the film well. That is well underway as recently the movie has added the always game Samuel L. Jackson to play a prominent TV figure in the film. Those familiar with the original RoboCop know that Paul Verhoven used TV as a great source of satire that helped give the film it’s edge.

Bringing in a man like Sam Jackson for a role like that seems to infer that this new film might not stray that far from one of the originals most iconic aspects. Jackson also joins previously cast Gary Oldman has the geek cred for the film, as both have been very good in numerous geek level properties.

In addition to the Jackson casting, Deadline is also reporting that the female lead has been found, Abbie Cornish. The lovely Ms. Cornish is playing RoboCop’s wife, who believes herself to be a widow once Murphy gets all robo-fied. This could be a very interesting direction the film can take, as Murphy’s wife had been little more than window dressing in the first film. By describing the character as a female lead it is clear we will see much more of that awkward relationship status. It’s complicated indeed.

Stay tuned for more updates on this every increasingly interesting remake here on The Flickcast.

There are few stories that have a more interesting life span than Little Shop of Horrors. Beginning it’s life as a low-level B horror film in the 60’s it has managed to gain increasing popularity by bouncing back and forth between screen adaptations and broadway musicals ever since.

Considering the last popular version of the tale was a Broadway revival, it seems like it is time to bring it back to the big screen, and according to the LA Times, some people agree:

Joseph Gordon-Levitt and Warner Bros. are in talks for a movie remake of “Little Shop of Horrors”  — with the help of some Broadway heavyweights behind the scenes. In addition to developing the film, Gordon-Levitt could star as Seymour, the lonely, lovable florist’s assistant who raises a giant alien plant motivated by sarcasm, song and human blood.

Now most of you probably hold the 80’s film starting Rick Moranis and Steve Martin in high regard, and think that this is just another in a long line of needless re-makes. For this particular tale I have to disagree, a new telling with an actor as talented as Joseph Gorodn-Levitt is exactly the next logical step for this story.

Of course that said, we all should pray we get a mostly practical Audrey 2.

The young career of Chloe Moretz has been stellar. Every project she has taken has been interesting and varied, and at the young age of fifteen she already has shown more range than a few of her Oscar winning elders.

So when Deadline reports she is joining the cast as the lead in an all new adaptation of Stephen King’s Carrie you know there is a good chance the movie is going to be good.

She’s expected to play the shy high school student Carrie White, who is raised by a nightmarish religious fanatic mother, and comes to grip with devastating telepathic powers just as she reaches puberty. She eventually uses those gifts for lethal means when fellow classmates use the prom as an excuse to humiliate her before the entire school in a parable about bullying.

We have already seen young Ms. Moretz dazzle in a moody horror role, but to take on the lead in Carrie can take her to the next level. Another interesting angle on this story is that Chloe is currently a little younger than a typical high school senior would be.

Usually these sorts of roles are filled with 20 somethings, so perhaps the younger looking Moretz will have an even larger visual difference between her classmates to punctuate her outsider, lonely demeanor.

There is a troubling trend brewing in the wake of the current influx of modern reboots. That trend is the incessant and entirely predictable whining about every detail that is released.

Today brings a brand new detail for the internet to get up in arms about. We will be able to see into Robocop‘s eyes through his visor.

This detail was unveiled at MTV by Joel Kinnaman the star of the upcoming remake:

RoboCop is going to be a lot more human… The first movie is one of my favorite movies. I love it. Of course, Verhoeven has that very special tone, and it’s not going to have that tone. It’s a re-imagination of it. There’s a lot of stuff from the original. There are some details and throwbacks, but this version is a much better acting piece, for Alex Murphy and especially when he is RoboCop. It’s much more challenging. 

It’s not going to be jaw action. They’re still working on the suit and how it’s going to look, but the visor is going to be see-through,” he said. “You’re going to see his eyes.

I appreciate that they understand the Verhoeven tone and are not trying to recapture it, instead use the cornerstones of the original and make something new. As for the see through visor, that is more up in the air. It could make RoboCop much more relatable, or it could be like Snake Eye’s mouth in GI Joe, unnessecarry and distracting.

2012 is going to be a big year for stop-motion animation, with three high profile stop-motion animated features invading cinema’s throughout the year. The most notable of this bunch is Tim Burton’s next feature, Frankenweenie, which is a feature length, animated adaptation of Burton’s own 1982 short film.

Frankenweenie tells the tale of young Victor, a boy who loses his beloved dog Sparky and reanimates him with the power of electricity. If it was not obvious up to this point, the film is an homage to the Frankenstein movies and novel.

One thing that the poster clearly presents, but is still probably lost on most people, is that the film is shot in black and white. This is a bold creative decision for any film, and one Burton used to great success once before in Ed Wood.

However, it is still a tremendous risk for a stop-motion animated film, a genre that is usually noted for it’s ability to present vibrant and extraordinary visuals. Even Burton’s own Corpse Bride used color to great effect in illustrating the differences between the world of the living and the world of the dead.

The film is set for an early October release, just in time for Halloween! You can see the full poster after the jump.

It is in fashion right now to bash on remakes and reboots. That line of thinking may or may not be warranted, but you should hear none of it when talking about the upcoming Evil Dead reboot.

Of all the horror franchise that have been revived in the last decade, none more than the Evil Dead series is more malleable. The franchise has always reinvented itself with each new installment, so a new, modern reboot shouldn’t cause immediate concern.

The movie is going to begin filming in a few months and Bloody Disgusting has the scoop on the first bit of casting:

Bloody Disgusting has learned exclusively that Lily Collins (The Blind Side, Priest, Mirror Mirror) is in final negotiations to play “Mia” in FilmDistrict’s reboot aiming for release on April 12, 2013.

In this version, the story centers on five friends (David, Natalie, Eric, Olivia, and Mia) holed up at a remote cabin where they discover a Book of the Dead with a demonic force unleashed possessing each until only one is left to fight for survival.

Lily Collins is a great young actress who shined in The Blind Side and even in the otherwise horrid Priest. We don’t know which of the characters is going to be the “Ash” archetype, but rumors have bubbled up that Raimi wanted a girl to fill that role. Could that be Lily Collins’ Mia? Only time will tell.

Two summers ago, Activision announced the rerelease of one of the most popular first person shooters ever with Goldeneye 007 for the Nintendo Wii. With updated graphics (for the Wii…) and control, there was still something missing from the experience: players.

While the Wii has been a focus of the casual gaming market, the hardcore fanbase who would care most about the Goldeneye name had grown up and moved away from the Nintendo systems and their waggle controls and instead found their way to the XBox 360 or PlayStation 3. Enter San Diego Comic Con 2011 and Activision lets us take a peek at actual gameplay of the revamped Goldeneye 007: Reloaded. Business is about to pick up.

Gameplay:

It’s hard to review a reimagining of a title without looking at the original inspiration at the same time. The most noticeable difference is gameplay. In the early days, people didn’t really know what a shooter should play like on a console and the gameplay compensated for the limited control scheme with the Nintendo 64’s single analog controller. Now, Goldeneye 007: Reloaded feels and plays like a standard twin stick shooter.

New to the series is the disappearance of health packs since the emergence of regenerating health which has become the industry standard in shooters since the initial release. What is nice though for the Goldeneye “purist” (if those even still exist) is that players can opt for the Classic difficulty setting which takes away regenerating health to give the game a more old school feel.

When Goldeneye: 007 was released for the Wii late last year, gamers who had since moved on from the N64 for their first-person shooter needs were clamoring for a wider release. On November 1st, their prayers will be answered in the form of Goldeneye 007: Reloaded, a high definition redux of the 2010 title for Wii.

With the release date fast approaching, the developers at Eurocom Entertainment have revealed eight minutes of in-game footage focusing on the stealthier aspects of gameplay.

Not only will Goldeneye: Reloaded feature a redesigned version of the campaign from last years title, it will also include additional game modes such as the Mi6 Ops missions, similar to the Special Ops of Modern Warfare 2 or Deniable Ops from the latest Splinter Cell, as well as online multiplayer for up to 16 players (in addition to the classic four-player splitscreen).

Check out the video below for all the super-sneaky spy action of Goldeneye: 007 Reloaded, available on XBox 360 and PS3 November 1st, 2011.

Something has been lost in translation in this ill-advised and disappointing remake of  Arthur (1984). The original featured the late comedic talent Dudley Moore, and was nominated for four Academy Awards. It’s a pretty safe assumption that this film won’t be picking up any trophies come awards season.

Russell Brand plays Arthur, a perpetually drunk playboy suffering from a chronic case of arrested development. He lives in a fabulous highrise building in New York, and surrounds himself with gadgets, toys, and booze.

His sole companion is his live-in nanny Hobson, played by Helen Mirren. Hobson has played the role of surrogate mom since Arthur’s birth. She accepts Arthur unconditionally, and serves as his confidante, nursemaid, and cook. Arthur also pals around with his driver Bitterman (Luis Guzman) on any given night.

The first night we see the two step out on the town, they are dressed as Batman and Robin, and Bitterman drives a Batmobile through the streets. Naturally, they get arrested, which seems to be a common occurrence for the two.

Mere moments later, Arthur has posted bail for everyone in the slammer, and all is good in the world. Arthur lives the life of unfettered hedonism, with no obvious consequences to any of his actions. It’s the life of Riley.