That’s right, it’s time for a brand new episode of The Flickcast. Yeah, we’re making ’em as fast as we can. Deal with it.

On this week’s episode Chris and Joe discuss the new Ghostbusters, Star Trek: Beyond, Stranger Things, the best stuff from Comic-Con in San Diego including trailers for Wonder Woman, Justice League and Doctor Strange. Plus, the usual more, more and more.

Picks this week include Chris’ pick of Star Trek: Beyond and Joe’s pick of, well, the same thing. Yes, they liked it.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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After a brief vacation that, well, wasn’t really a vacation at all, we’re back. That’s right, it’s time for a brand new episode of The Flickcast.

On this week’s episode Chris and Joe discuss Pokemon Go, The Night Of, the outing of Mr. Sulu and the season finale of Game of Thrones. Plus, the usual more. The boys also debut a brand new segment of the show that has something to do with beer. You’ll just have to listen.

Picks this week include Chris’ pick of the movie Real Genius and Joe’s pick of the Plex media server.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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Hey gang, it’s a new episode of The Flickcast! And it’s not even late. We’re trying to get back on track. The key word there is trying. So here we go.

On this week’s episode, Chris and Joe are back to being angry again. Well, just a little. Topics this week include the new Netflix series Sense8, Mission Impossible: Rogue Nation, the new X-Files series, the awesomeness of actor John Noble, the Big Trouble In Little China reboot with The Rock and a whole lot more.

Picks this week include Chris’ pick of the western Dances With Wolves and Joe’s pick of the USA series Mr. Robot. No, the other one.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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The trend for 2015 of uninterrupted weekly episodes continues with another brand new episode of The Flickcast. And no, we’re not counting them. But if we were, this would be three in a row for the new year. As we’ve said before, not bad. We’ll try to keep it going.

On this week’s show, Chris and Joe talk about a whole slew of new and recurring topics . . . as usual. Some of these include the merits of Yeoman Rand, the utility of Kilts, space tools, Simon Pegg co-writing the next Star Trek movie, new casting news for X-Men: Apocalypse and general X-Men movie continuity, the return of Arrow and The Flash, Disney not using George Lucas’ ideas for the next Star Wars movie, the end of the Marvel Universes and the creation of Battleworld! Yep, more.

Picks this week are a little different than usual. Instead of picking a movie, TV show, comic or piece of tech, both Chris and Joe encourage you to dig deep and contribute to an organization fighting diseases and conditions that affect children. If a Kickstarter featuring a card game with exploding kittens can get millions of dollars, don’t organizations like The Cystic Fibrosis Foundation, the Make a Wish Foundation, the March of Dimes or the St. Jude Children’s Research Hospital also deserve a couple of your hard-earned dollars? We think so.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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Let’s face facts, Nick Frost is a very funny guy. As one half of a dynamic duo with Simon Pegg, he’s entertained us in countless films such as Shaun of the Dead, Hot Fuzz and the recent The World’s End. But now, he’s going it solo in his latest big screen adventure Cuban Fury.

The title alone should be enough for you to see this one. But to help even more, here’s a synopsis:

In 1987 a thirteen-year-old natural born dancer with fire in his heels and snakes in his hips is working himself up to explode all over the UK Junior Salsa Championships. But then: a freakish bullying incident on the mean streets of London robs him of his confidence, and our young hero finds his life diverted down a very different path.

Luckily for him, she also has a secret passion. Thus, Bruce is once again brought face-to-face with the darkest and most powerful of his inner demons. Somehow, someway, Bruce must learn how to unshackle his dancing beast, regain his long lost fury and claim the love of his life…and he’s going to do it all On The Dance Floor…

Look for Cuban Fury, which also stars Rashida Jones and Chris O’Dowd, to heat things up in theaters on April 11. Check out the trailer after the break.

Who else but Edgar Wright can draw so much pathos and emotion from almost nothing at all? “Nothing” in the sense that when his best films Shaun of the Dead, Hot Fuzz, and now, The World’s End jerk you into seriousness, you’re surprised by how you care about the characters – before then it’s been joke after joke, and somewhere along the way, or perhaps all during it, they’re endearing themselves. Since he’s been able to do it twice before, it’s not a fluke; it’s a skill, and a damn good one.

I’m still not entirely sure how he does it, but I do know that he doesn’t pause every other moment for some dubious self-reflection, and he makes a lot of character-based jokes – that is, jokes that are funny within the context of the character telling them. He also drops clues here and there so that when the tonal shift comes, it’s a payoff instead of a distraction – more importantly, it means something.

Vague enough? Well, whatever it is that Edgar Wright’s able to do and do well, The World’s End is the best display of that yet – in addition to being a very funny movie.

The story proper follows Gary King (Simon Pegg), a man inches away from full-on dereliction who opens with a story of the greatest night of his life. We see VHS-style grainy flashbacks to the early ’90s when Gary and his crew attempted the Newton Haven Golden Mile – a 12-pub crawl that no man survived, or at least conquered. Gary gave up after the ninth and went to watch the sunrise. As he glows in nostalgia, the camera zooms out to show the people Gary’s telling his story to, and it’s a very big laugh.

Do you remember the lead up to John Carter? How most people had a big problem with the marketing but many held a faint glimmer of hope that remained until the first reel ran in theaters opening weekend. Yeah, World War Z wishes it was generating that kind of reaction.

Basically, all of the worst parts of the bible would be an upgrade over the current approval rating of the upcoming PG-13 zombie epic. The stench of the film has been brewing for years, delays and behind the scenes instability have not provided any faith of a good adaptation of a book that is already hard to envision in cinemas. The problem is the structure of the book, it is an oral history not a linear narrative, and no one understands how a Brad Pitt saves the world film was the best that could be done.

So consensus is the film will be a terrible, no good, very bad adaptation and the best we are hoping for is a fun diversion wearing a WWZ pelt for warmth. Of course this leads to all the bitching and moaning about how the film’s existence is an affront to the loyal book fans who deserve better. Well cool your jets book worms and hipster wanna bes, there is a silver lining to this story and it alone more than justifies the looming horror of the upcoming film.

Recently, we were able to bring you a shorter, and somewhat vague, trailer for the next cinematic collaboration between Simon Pegg, Nick Frost and Edgar Wright called The Worlds’End. Now, there’s a much longer trailer that finally, we think, captures the essence of this movie.

What is that essence? Well, it’s a movie where a group of pals go on an “Epic” pup crawl only to discover the world is in danger and they’re the only ones who can save it. Oh, and they drink a lot of beer in the process.

And really, who doesn’t like beer?

The film also stars Martin Freeman, Paddy Considine and Rosamund Pike. It hits theaters on August 29th.

Check out the trailer after the break.

This week on The Flickcast, Chris and Matt are back at it again. This week they’ve got a whole bunch of new topics, as well as one or two they just can’t seem to let go of.

This week the boys talk about the latest, greatest movie trailers including Ender’s Game, The World’s End and Captain Phillips. They also talk all-things Marvel and give their takes on Iron Man 3, Robert Downey Jr.’s money problems (hint: he doesn’t have any) and where Marvel goes from here.

They also discussed Sean Bean’s welcome return to TV, the Spock vs. Spock Audi commercial, the upcoming Dungeons & Dragons movie, the next-gen XBox, the sad passing of special effects pioneer ray Harryhausen and a whole lot more.

The boys made some picks this week with Matt’s being the amazing Far Cry 3: Blood Dragon and Chris’ being the amazing Ray Harryhausen effects masterpiece Jason and the Argonauts.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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When we need a good laugh around the office, or at home, we often watch one of two movies: Shaun of the Dead or Hot Fuzz. Both of these are highly amusing and also filled with action, great characters, extensive pop-culture references and excellent performances. Did we mention they’re also damn funny? They are.

So, when the team behind those two movies gets together to make a new one, we get very happy. The new one in question is The World’s End, directed by Edgar Wright and starring Simon Pegg, Nick Frost, Martin Freeman, Paddy Considine and Rosamund Pike, it’s the the story of childhood friends who come together after 20 years to stage an epic pub crawl.

Of course, things do not go quite as planned. And thank goodness for that.

Check out the trailer after the break. Look for The World’s End to hit the U.S. on August 29th.