This may come as news to some of you. In addition to being President during one of the most tumultuous times in US history, Abraham Lincoln was secretly also a vampire hunter.

Well, at least that’s how history goes in the upcoming film Abraham Lincoln: Vampire Hunter. Produced by Tim Burton and directed by Timur Bekmambetov, the film is an adaptation of the Seth Grahame-Smith book about Lincoln and his quest to destroy the undead after his mother is killed by bloodsucking vampires.

We’ve got the first trailer for the film to share with you today. To be honest, we weren’t expecting much from this but it’s nice to be pleasantly surprised once in awhile. The pic, at least from this trailer, actually looks pretty good. You will, of course, have to judge for yourselves.

Check out the trailer after the break. Look for Abraham Lincoln: Vampire Hunter, which stars Benjamin Walker, Rufus Sewell, and Dominic Cooper to hit theaters on June 22.

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If there is one thing George Lucas has mastered over the past few decades, it’s reminding us that the first three Star Wars films were a fluke. Between pre-teen Darth Vader, Jar Jar, and a ridiculous dance sequence in Jedi, we have all come to the realization that the phenomena of Episodes 4-6 should be untouched and never tainted by the hands of its creator.

With that in mind, Lucas is (kind of) backpedaling from a drastic change to A New Hope that had fans up in arms when the Remastered version was released. In it, the famous scene where Han Solo kills Greedo was brought into question. The original had Han shoot first, killing Greedo before he gets a chance to fire. In the new version, Lucas changed history (Long Time Ago, etc etc) by having Greedo shoot first and miss, allowing Solo to shoot to kill.

Turns out, Lucas never changed anything, he just pulled the camera out a bit. Yeah.

The controversy over who shot first, Greedo or Han Solo, in Episode IV, what I did was try to clean up the confusion, but obviously it upset people because they wanted Solo [who seemed to be the one who shot first in the original] to be a cold-blooded killer, but he actually isn’t.

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Note: If you have any interest at all in seeing this film, I firmly advise that you go in completely cold and don’t read this until after you’ve seen it.

I don’t know if Chronicle is the first found-footage superhero film, but I’m certain it’s the best—and will remain so for a very long time. I had no idea what the film was about, and when it opened with a shot of a gloomy teenager filming the door to his bedroom while his drunk father angrily shouts to let him in, I groaned.

Goddammit, another one of those movies. When the kid said he was going to start filming everything, I groaned again. Dying mother? Ugh. Ugly kid clad in black? Blarg. By the time the kid started filming his cousin driving him to school and brought up Schopenhauer, I was about ready to check out.

Then it took a turn from the typical High-School-Sucks Movie into Horror, and I started to get interested. Then it took another turn into the Jackass realm. And just when I thought it would settle on Superhero Film, it just lingered on having a lot of fun with superpowers. But the best twists are saved until the end. Needless to say, when one character threw a baseball at another and it stopped dead in midair, I was hooked.

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In case you missed it in theatres (and chances are you did), the sci-fi thriller In Time, starring Justin Timberlake and Amanda Seyfried, comes to Blu-Ray and DVD* today.

The first thing you might notice about In Time is how good-looking it is. Of course, being an Andrew Niccol (Gattaca, Lord of War) joint, the film is stylish and immaculate, but that’s not what I mean. I am referring to the film’s entire cast being comprised of gorgeous young actors. With the exception of two young children, every character in the film is 25 years old.

No matter how many years they have behind them, everyone from grandmothers to mob heavies are played by actors in their mid-twenties to early-thirties. Combine that with Hollywood’s natural trend towards beauty, and the effect creates what can only be described as a “model” future.

You see, in In Time‘s vision of the future, genetics have been altered to give everyone’s life a predetermined length. At 25 years old, bodies stop aging but start counting down. Everyone gets a year, but time can be earned, traded, gambled, or stolen. It is, in fact, the only currency humanity has left.

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First, Chronicle‘s trailer goes viral, attracting over 8 million views on Youtube. Then they try to capture lightning in a bottle by releasing “flying men” in NYC. That’s right, taking a page straight out of the marketing of Skyline, the studio sent out a few cameramen with Thinkmodo to make the people of New York City experience what it would be like to see some flying heroes in action.

Attaching a camera to a few custom RC planes shaped like people may not sound like a whole lot of fun, but it certainly looked cool. We’ve got to hand it to the marketing team for Chronicle. Between the trailer and this plan, they seem to know exactly who their audience is, and how it is to reach out to them.

To that point, Fox hosted a contest yesterday for a college to get a special screening of the film before it hits theaters. For those that don’t go to one of the lucky schools, here’s a little something to tide you over until opening day. Youtube sensation DeStorm, along with MysteryGuitarMan, has made a video answering Fox’s question, “What would YOU do with telekinesis?” See DeStorm’s answer HERE.

Chronicle, the found footage thriller about a trio of high school students who gain super powers, opens in theatres everywhere February 3rd. Check out the “viral” campaign to convince New Yorkers that men can fly after the jump.

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I think George Lucas deserves some credit where it’s due, and say what you will about the prequels, the opening to Revenge of the Sith, with the dogfight over the planet was pretty awe-inspiring. So when the trailer for Red Tails came out, I was excited to see a Lucasfilm production that focused mainly on one of the strengths he still had.

And I’m pleased to say that he’s still got it. The dogfights in Red Tails look good, give a good sense of whose plane is whose (with the exception of the opening battle), further the plot, and build on each other. You can see the Lucas touch of following one plane during its flight then latching on to another.

In one sequence, a group (squadron?) take down a train, with one pilot taking it head on. Another shows how the under-equipped planes of the heroes are able to fight with lightning-fast German jets.

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This past weekend we saw the release of Beauty and the Beast in 3D, the most recent in a string of classic films getting a 3D face lift.  The next big re-release is only a few weeks away with the first of the Star Wars 3D updates. Lucas is starting with Episode One, and is moving on through the franchise with a new re-release every year.

Even though the prequel trilogy lives in infamy among most film fans, the impending arrival of a Star Wars film on the big screen still holds some weight. In advance of the February launch a new set of five posters has hit the web, each with a wildy different design and most of them actually pretty cool.

It is gratifying that the posters excise the existence of Jar Jar Binks completely, although it would have been nice had Jake Lloyd received the same treatment. The upcoming 3D versions of these films represents the greatest perk of the 3D post conversion era we live in.

To have an opportunity to watch classic films on the big screen again in new and exciting ways is an exciting proposition. Hopefully lesser films like the prequel trilogy don’t ruin it before we get back to the original trilogy.

You can see the whole set of new posters after the jump.

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There are 50 scripts out there somewhere, 50 episodes of a TV series that most fan boys can’t wait to see. The Star Wars live action show has been discussed for years, Lucas has the scripts ready but is waiting for technology to be cost effective enough to make a show that looks like the prequel trilogy every single week.

That is a daunting goal, and requires a bit of a waiting period while the world of digital effects catches up. In the mean time small tidbits about the show keep getting dropped like bread crumbs leading us through the forest. In a recent sit down with IGN, Rick McCallum let slip that the working title of the show is Star Wars: Underworld.

What we know so far about the show, is that it takes place in the twenty year gap between Episode III and Episode IV and will revolve around bounty hunters. This is a very intriguing concept for a show, showing the rise of the Galactic Empire from the perspective of the criminals who thrive under it’s rule. It is also very encouraging to hear McCallum discuss the darker nature of the scripts.

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2011 might go down as the year Hollywood finally figured out how to make a great prequel. Between the “X-cellent” X-Men: First Class and Rise of the Planet of the Apes we have seen two high profile franchises recieve a much needed quality boost back into the lime light.

The most impressive part of this movie is the performance of Andy Serkis as Caesar the ape. Millions of words have been written on the subject of his brilliant digital performance, and every single one of them speaks the truth. We are seeing the line between animation and performance blends so much that it is almost impossible to tell the difference.

This Blu-Ray presents the film, and a whole bunch of features that help you understand what exactly went into the astonishing effects work on the film. Of all the films that have come out in the last few years, this is one of the most worthy of a great set of features.

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The Simpsons are the kings of prime time animation. Lasting an astounding twenty-three seasons and counting, The Simpsons is an institution that has spanned generations. So the collecting of these episodes is something that fans have enjoyed since the earliest days of TV on DVD. Fox has been releasing these sets for over a decade now and we find ourselves in an interesting era of the show.

Most people consider these early and mid 2000s seasons of the show to be the worst era during the impressive run. The show seemingly was stale and the spark was missing. At the end of the day the show survived and has since rebounded to become a relevant, often hilarious show.

One of the things I was most excited about when I dug into this set was the plethora of special features. The Simpsons sets have always set the standard for insightful and worthwhile special features, anchored by the amazing cast and crew commentaries that have accompanied every single episode since season one, making over 300 episodes worth of anecdotes, insights and inside knowledge of the creation of an institution.

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This week’s Monday Pick is the John McTiernan holiday action classic Die Hard. It stars Bruce Willis as tough New York cop John McClane who arrives in Los Angeles during the Christmas holidays to reconcile with his estranged wife Holly (Bonnie Bedelia) who works as an executive with the Nakatomi corporation.

As McClane and his wife try to patch up their troubled marriage, the Christmas party is crashed by a group of thieves demanding that the CEO of the company open the vault which houses over six hundred and forty million dollars in barrow bonds. Alone and outgunned, McClane maneuvers through the building bumping off as many terrorists as he can while he tries to find out what their real plans are.

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Two of the best filmmakers working today have giant blockbusters planned for 2012. Christopher Nolan and Ridley Scott are both bringing continuations of their star making franchises to the big screen. While Nolan is ending his run in the Batman universe with The Dark Knight Rises, Ridley Scott is breathing new life into the dormant Alien franchise with a prequel that may or may not have all that much to do with the previous films.

The Dark Knight Rises poster focuses on Bane walking away from a shattered Batman cowl. This really sells the concept of finality that this film brings. It is also nice to see the filmmakers not shying away from the fact that the character of Bane was created for one purpose, to break the bat.

Prometheus on the other hand is a far more intriguing one-sheet. The large head that dominates the poster raises more questions then can be answered. There are also a lot of small little design choices that echo the fact that this movie is set in the Alien universe. That posters sits rater nicely next to previous Alien films.

Check out both new posters in their full glory after the jump.

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