This is an open letter to anyone at 20th Century Fox, with how I would handle their X-Men Universe in the wake of The Avengers and their successful First Class Pre-Boot-quel-thing. 

The X-Men cinematic universe was the first major franchise launched in this modern era of comic book blockbusters. The original X-Men film managed to successfully lay in the groundwork of how these types of films can be a success without losing their comic book soul.

The sequel was a massive leap forward in both action and general cinematic quality. While the other sequels have received mixed reviews, it was clear that despite the reboot happy tendencies of modern hollywood. Fox remained committed to the continuity of the universe they established in 2000.

Just a few weeks ago The Avengers made more money than conceivable in its debut, representing the culmination of a five-year, 6 movie plan. The newly established ‘shared universe’ model demonstrated by Marvel Studios could be a new gold standard for what a studio can do with these types of properties.

So it is with that context that I present my plan for a smaller scale ‘shared X-universe’ that can allow Fox to use it’s already established property in an exciting new way.

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There are times in my life when I look at myself in the mirror and ask why? Why don’t I let go of the childish things from my past? Why do I choose to allow myself to be swept away in the adventures of superheroes, dashing knights and evil wizards?

Why do I dream of miracles increasingly fantastic and take for granted the miracles all around me? I never have an answer. I’m nowhere near wise enough to truly understand the machinations of my mind.

That doesn’t stop the asking though, and I would wager that I am not the only one in the geek community who feels the same way. So, if I can’t answer the question why, perhaps I can answer a different question and start the long road to personal understanding? What do I get out of a life as a geek?

It’s a dangerous business, going out your door. You step onto the road, and if you don’t keep your feet, there’s no telling where you might be swept off to. - Bilbo Baggins

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To say when gamers find something they really care about, they take it to extremes can sadly sometimes be an understatement. Back in 2007, Mass Effect was released for the XBox 360 and PC to much critical acclaim and commercial success. The game’s follow up, Mass Effect 2, would release in January 2010 for the XBox 360 and PC and almost a full year later on the PlayStation 3. The final part of the Commander Shepard trilogy was released on March 6th of this year with, as you guessed it, Mass Effect 3.

One of the biggest draws for Mass Effect was the promise of an epic storyline that not only spanned three full games, but contained choices that would affect the rest of the player’s story throughout the remainder of the story. Destroy a race in Mass Effect and they would not appear in Mass Effect 2. Let a character die in Mass Effect 2 and don’t expect to see them in Mass Effect 3.

So in a series all about choice, many players were floored to learn that upon completion of Mass Effect 3 and whichever choices they ultimately made, the game presented them with one of six different endings. The “perfect” ending would feature an additional five seconds of footage. The six “different” endings however were merely palette swaps. No matter what choices were made through the entire story or even in the ultimate decision of the player, they just received a different color explosion, particle effect and small changes in animation, but essentially the same ending.

Look at the side by side comparisons in the video from Crosscade (obviously, spoiler warning).

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Talk to almost anyone you meet and they will probably admit to playing a game at some point in their life. Interestingly enough, many would never consider themselves gamers. Some would even scoff at the idea.

For the purposes of this article, let’s consider our definition of gamer as someone who spends a majority of their free time playing games, regardless of what format, board, video or whatever, said game is in. Being considered a gamer also requires active participation, so watching and betting on sports is not a part of the definition. Although, someone who is participating in games of chance like cards and casino gambling may fall into this category as well.

The world stepped into modern gaming as far back as 1947 with the first video game, Cathode Ray Tube Amusement Device. It wasn’t until Pong was released in 1972, and later the home version in 1975, that playing a video game began to work its way into everyday life. Because of the high cost of entry, the first to play Pong on their home tv were fairly well off and gaming took some time before making its way to the masses.

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There’s a lot at PAX East, which takes place this upcoming weekend, to be excited for- the show floor will be jam packed with tons of exciting games, the concerts at night will be rockin’, and there’s endless free play areas for console, PC, tabletop, and card games.

But one other thing you should definitely make some time for is the panels- they’re a chance to catch up with some of your favorite people in the industry, learn more about making videogames a career, or ask your favorite developer or community manager a question. Here’s some of the panels I’m most excited for this weekend.

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PAX East rapidly approaches, which means you’re probably starting your packing list right about now. And whether you’re a PAX East veteran or attending for the first time, it may be tricky, downright overwhelming even, figuring out exactly what to bring with you.

Well, allow me to pack for you. Here are some things you must absolutely bring with you this weekend. This stuff, and underwear. You may need underwear.

Portable gaming device

Believe me, whether you’re waiting in line to play a game on the floor, sitting and waiting for a panel to start, or killing time in the bathroom line, you’re going to want a portable gaming system with you.

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It is really easy to sit behind a keyboard and bitch. It is really easy to fling bile at filmmakers who make films that don’t match our personal version of the movies we want to see. This has been true for as long as there has been the internet, and will likely be true for our children’s children and their children as well.

There has been a disturbing trend in the general internet fan community that has played off that universal truth. It has manifested as one of the biggest problem facing Hollywood today, there is no trust anymore. There is no faith that the professionals, who are talented and/or driven enough to make this their career, can actually make quality cinema from our beloved franchises.

The most recent example of the internet’s pigheadedness is the backlash to Michael Bay’s comment that the new Teenage Mutant Ninja Turtles film will feature an expanded back story that exposes potential Alien origins for everyone’s favorite heroes in a half shell.

Kids are going to believe one day these turtles actually do exist when we are done with this movie. These turtles are from an alien race, and they are going to be tough, edgy, funny and completely loveable. – Michael Bay

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At the start of the month, rumors consumed PC and console gamers alike at the thought of a Steam created console. Most PC gamers thought to themselves, “Well I’ve already got a Steam box. It’s called my PC.” Console gamers had mixed reactions whether it was excitement at the thought of Steam powered games being available on a home console for the first time while others worried about the thought of adding a fourth major console to their home collection, especially with the impending release of the Wii U, next XBox and PlayStation 4 within the next few years.

These rumors were dispelled in under a week when Valve spoke to gaming site Kotaku saying that the company was a long way off from releasing a home system and that the rumored boxes that had been created were meant for internal purposes only to test streaming content from a PC to television, not acting as a console in and of itself. Valve told Kotaku, “We’re always putting boxes together,” he said. “Going all the way back to the Half-Life 1 days, we built special boxes to test our software render…it’s just part of development.”

While on the surface the concept of a Steam box might sound good, there are a few essential problems it must overcome before this idea should attempt to become a reality. The first is the current state of the home console market. Right now, the console market is dominated by the big three: Nintendo, Sony and Microsoft. While Nintendo diverged from the hardcore gamer with the Wii, they claim to be aiming at taking a hold back on that market with the release of a more powerful Wii U.

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It’s hardly controversial to say that most nerds are not fashionistas. There probably isn’t a lot of demographic crossover between The Twilight Zone and Project Runway. Those nerds who are sew-inclined tend to spend their time on cosplay; their catwalk is the convention floor. The majority of us simply have no idea what fashion is about or how it fits into the Campbellian Monomyth.

It’s not a coincidence that most classic sci-fi depicts the future populace in shiny matching coveralls. We just don’t pay that much attention to clothing. The only thing most nerds wish was in their wardrobes was the magical land of Narnia.

But we have to wear something.

Hence the Nerdy Tee. A simple, classic article of clothing that never seems to go out of style, the T-shirt is the epitome of casual cool. It looks equally at home on a guy or a girl. It can be worn tight for those of us who want to show off our shape or loose for those of us who’d rather not. It’s relatively cheap and easy to launder. And since there’s nothing nerds like more than showing off their obsessions (with buttons, stickers, lunchboxes, action figures, posters, etc.), adorning our T-shirts with nerd iconography is a no-brainer.

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That’s right. You heard it here last. It seems that the newest film featuring our favorite Henson classics The Muppets is yet another “plan for the left to bad mouth affluent businessmen” as the film’s main antagonist is an evil oil baron.

According to a report (yes, they felt the need to do an entire segment on this) from Fox Business, Jason Segal’s Muppet film is guilty of negatively portraying a simple business owner in the form of Chris Cooper’s “Tex Richman”, an evil baron who’s set on destroying the Muppet studios to drill for oil.

The fact that Fox, or anyone for that matter, would think that it’s news that The Muppets, a creation of Jim Henson, is just now taking aim at the aptly labeled 1%, is just preposterous.

Note that the news report barely mentions the existence of Statler and Woldof, who were doing the “old, rich, white antagonist” act before this reporter was able to walk. Take a look at the downfall of modern journalism in true form after the jump, and catch The Muppets in theaters now, or the oil barons of the world win.

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This week’s Monday pick is the action thriller Blue Thunder (1983) directed by John Badham (Dracula, War Games). The film stars Roy Scheider (Frank Murphy), Malcolm McDowell (Colonel Cochrane), Daniel Stern (Richard Lymangood), Candy Clark (Kate), and in his final film performance, Warren Oates (Captain Jack Braddock).

“Blue Thunder” is the codename given to an advanced new helicopter that is chosen to be deployed over Los Angeles in an attempt to quell public disorder in preparation of the upcoming Olympic games and general crowd control from the air.

Scheider stars as officer Frank Murphy, a former U.S. Army helicopter pilot who suffers from PTSD due to his combat experiences in Vietnam. Scheider is chosen to fly the five million dollar prototype that he observes at an army proving ground in the California desert. Murphy is impressed with the chopper’s capabilities such as the ability to record a whisper from two thousand feet, search targets by infrared heat signatures, travel by silent “whisper mode”, and level a city block with a six barrel 20 mm electric cannon.

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This week’s pick is John Carpenter’s independent horror classic hit Halloween that held the record as the highest grossing independent film of all time. Halloween helped to usher in a new era of slasher films throughout the 1980s and 1990s. Carpenter’s use of camera angles, music, photography, and story help create one of the most frightening films of all time.

Carpenter sights many influences ranging from Howard Hawks, John Ford, and Orson Welles. Carpenter’s then girlfriend and producer at the time Debra Hill had a concept about a group of teenage babysitters stalked by a masked killer. The script was called “The babysitter murders.” Producer Irwin Yablans suggested the title Halloween. Carpenter and Hill reworked the script to have it occur on Halloween night, and changed the title to Halloween.

Graduating from USC film school in the early 1970s, Carpenter’s first big break was the action hit Assault on Precinct 13 which producer Irwin Yablans viewed at the Milan Film Festival along with financier Moustapha Akkad. Both men liked Carpenter’s style and approached him about making a film for them. Akkad fronted the film’s three hundred and twenty thousand dollar budget and Carpenter was given four weeks to come up with the film.

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