It’s hardly controversial to say that most nerds are not fashionistas. There probably isn’t a lot of demographic crossover between The Twilight Zone and Project Runway. Those nerds who are sew-inclined tend to spend their time on cosplay; their catwalk is the convention floor. The majority of us simply have no idea what fashion is about or how it fits into the Campbellian Monomyth.

It’s not a coincidence that most classic sci-fi depicts the future populace in shiny matching coveralls. We just don’t pay that much attention to clothing. The only thing most nerds wish was in their wardrobes was the magical land of Narnia.

But we have to wear something.

Hence the Nerdy Tee. A simple, classic article of clothing that never seems to go out of style, the T-shirt is the epitome of casual cool. It looks equally at home on a guy or a girl. It can be worn tight for those of us who want to show off our shape or loose for those of us who’d rather not. It’s relatively cheap and easy to launder. And since there’s nothing nerds like more than showing off their obsessions (with buttons, stickers, lunchboxes, action figures, posters, etc.), adorning our T-shirts with nerd iconography is a no-brainer.

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That’s right. You heard it here last. It seems that the newest film featuring our favorite Henson classics The Muppets is yet another “plan for the left to bad mouth affluent businessmen” as the film’s main antagonist is an evil oil baron.

According to a report (yes, they felt the need to do an entire segment on this) from Fox Business, Jason Segal’s Muppet film is guilty of negatively portraying a simple business owner in the form of Chris Cooper’s “Tex Richman”, an evil baron who’s set on destroying the Muppet studios to drill for oil.

The fact that Fox, or anyone for that matter, would think that it’s news that The Muppets, a creation of Jim Henson, is just now taking aim at the aptly labeled 1%, is just preposterous.

Note that the news report barely mentions the existence of Statler and Woldof, who were doing the “old, rich, white antagonist” act before this reporter was able to walk. Take a look at the downfall of modern journalism in true form after the jump, and catch The Muppets in theaters now, or the oil barons of the world win.

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This week’s Monday pick is the action thriller Blue Thunder (1983) directed by John Badham (Dracula, War Games). The film stars Roy Scheider (Frank Murphy), Malcolm McDowell (Colonel Cochrane), Daniel Stern (Richard Lymangood), Candy Clark (Kate), and in his final film performance, Warren Oates (Captain Jack Braddock).

“Blue Thunder” is the codename given to an advanced new helicopter that is chosen to be deployed over Los Angeles in an attempt to quell public disorder in preparation of the upcoming Olympic games and general crowd control from the air.

Scheider stars as officer Frank Murphy, a former U.S. Army helicopter pilot who suffers from PTSD due to his combat experiences in Vietnam. Scheider is chosen to fly the five million dollar prototype that he observes at an army proving ground in the California desert. Murphy is impressed with the chopper’s capabilities such as the ability to record a whisper from two thousand feet, search targets by infrared heat signatures, travel by silent “whisper mode”, and level a city block with a six barrel 20 mm electric cannon.

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This week’s pick is John Carpenter’s independent horror classic hit Halloween that held the record as the highest grossing independent film of all time. Halloween helped to usher in a new era of slasher films throughout the 1980s and 1990s. Carpenter’s use of camera angles, music, photography, and story help create one of the most frightening films of all time.

Carpenter sights many influences ranging from Howard Hawks, John Ford, and Orson Welles. Carpenter’s then girlfriend and producer at the time Debra Hill had a concept about a group of teenage babysitters stalked by a masked killer. The script was called “The babysitter murders.” Producer Irwin Yablans suggested the title Halloween. Carpenter and Hill reworked the script to have it occur on Halloween night, and changed the title to Halloween.

Graduating from USC film school in the early 1970s, Carpenter’s first big break was the action hit Assault on Precinct 13 which producer Irwin Yablans viewed at the Milan Film Festival along with financier Moustapha Akkad. Both men liked Carpenter’s style and approached him about making a film for them. Akkad fronted the film’s three hundred and twenty thousand dollar budget and Carpenter was given four weeks to come up with the film.

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With Footloose, the remake, now out in theaters, it seemed only appropriate to take a look at the top ten dance movies of all time. We all know and love them, regardless if we’ll admit it or not. And now, in the words of Kevin Bacon in the original Footloose, “Let’s dance!”

1. Dirty Dancing – In 1987, Patrick Swayze and Jennifer Grey had young girls everywhere swooning and begging their parents for dance lessons. There’s drama, edgy dance moves, and of course, steamy love scenes. Pack all this together, and you have not only one of the best dance movies of all times, but also one of the great love stories. After all, “nobody puts Baby in a corner.”

2. Footloose – If you were a teenager in the ‘80s, then surely you know the lyrics to the Kenny Loggins song, “Footloose,” by heart. That’s because Kevin Bacon and Lori Singer, not to mention young Sarah Jessica Parker and Sean Penn, danced their way into teenage hearts in 1984’s Footloose. It’s the classic case of good versus evil (or young verses old) with the end dance scene being one that has gone done in history as one of the best of the best.

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To boldly be published in comic book format!

Star Trek #1 is an ongoing series by IDW Publishing. The new comic book series is based on J.J. Abrams’ 2009 Star Trek while telling stories that are “re-imaginings” of the adventures of the 1960′s classic Star Trek TV show. Basically, take the fun, hip crew you liked from the 2009 film, mix them with the classic, brilliant drama of the 1960′s TV show, and you have an intriguing concept that appeals to new and old Star Trek fans alike.

Based on the original series episode titled Where No Man Has Gone Before, Star Trek #1 begins with the Enterprise finding the distress beacon from the Valiant, a vessel thought to be lost. After crossing the galactic barrier, Enterprise crewman and one of Kirk’s best friends, Gary Mitchell gets sick and begins to display psychic and telekinetic powers. Gary is now temparmental and angry. Captain Kirk has decide what to do about his good friend before he harms himself or worse, the Enterprise.

The issue follows the same basic first act of the episode it is based on with minor changes. Spock and Uhura are still dating like in the movie, and Kirk is still very new to command. Gary Mitchell even makes a joke about how he was ahead of Kirk in the Academy, and now Kirk is his superior officer. Robert Orci, one of the screenwriters for the 2009 Star Trek, is listed as creative consultant on the issue which I believe is the reason why the story feels fresh and modern even though it’s based on an episode over 40 years old.

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There’s an old adage that says, “If it ain’t broke, don’t fix it.” If there was any character in the DC Universe that didn’t need a reboot, it was Batman. Batman had been strong before the reboot.

He fought Darkseid, traveled through time, discovered his lost son, Damian, and founded Batman Inc., an international corporation devoted to stopping crime funded by his alter ego, Bruce Wayne. The stories and characters of the Batman mythos did not need a reboot.

So how is Batman in the New 52 DC Universe?

I’m pleased to report that he is still awesome. In fact, Batman hasn’t changed much at all post-reboot. His costume is different, but every detail of his story is exactly the same as it was before the relaunch.

Batman #1 is truly meant for old comic fans, and people who have never read a comic before but know who Batman is. Although, the writer could have spent a little more time explaining who the various Robins were; the book does use a clever exposition device that gives you their name, their current code name, and their relation to Batman.

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Yesterday, we brought you our first batch review of DC’s newest line of rebooted books, and today, we’re finishing up on the massive 15 books that were released.

Hawk and Dove #1

Written by Sterling Gates | Art by Rob Liefeld

Hawk and Dove #1 is the worst book of the DC ‘New 52″ week one. The plot is a mess as it mentions and references things specific to old DCU continuity. The art is only good if you like to see characters constantly grit their teeth in every panel.

Seriously, how is Rob Liefeld still getting work? Unless you have read Brightest Day, this story will not make any sense. Do not buy this book.

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The first week of DC Comics New 52 has past. Following the release of Justice League #1, last Wednesday DC released its first week of full comic releases of the new relaunch. Excitement has never been higher for DC Comics, and one single question has been asked by comic fans, new and old, everywhere.

Are the books any good?

That’s what the DC Comics ‘New 52′ report card is here to answer! Each and every week, I will read and review each and every book of the ‘New 52.’ Letting you, the reader, know exactly which ones to buy, which ones you should avoid, and which ones you should give to your friend that has never read comics before.

So let’s get started. This week’s books are Action Comics, Animal Man, Batgirl, Batwing, Detective Comics, Green Arrow. All books will be graded on a scale of A to F. Check in tomorrow morning for our second half of last week’s comics. Withoutt further adieu, let’s get started with our first book: Action Comics #1.

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You will believe that man can fly, no wait, run really fast.

More so than any of the other DC Comics #1′s, including Justice League #1, Action Comics #1 is the flagship book of DC. Superheroes were created in the original Action Comics #1 way back in June of 1939.

The editors of DC Comics must have realized this as well so they gave the job of reinventing their original book and superhero to Grant Morrison, superstar comic writer and creator of one of  the best Superman stories of all time known as All Star Superman. So how is Action Comics #1? Well, it can be summed up in one simple sentence.

Welcome back, Superman.

Action Comics #1 is a refreshing, brand new take on the character of Superman. By going back to the roots of Superman, in his humble beginnings in 1939, Grant Morrison has created a Superman that is more modern and relevant than ever.

The issue begins with a young Superman. He can’t fly, but he can run real fast and leap buildings in a single bound. His costume is nothing but a t-shirt, a cape, and a pair of jeans. Superman grabs a CEO of a company that mistreated his workers, bribed city officials, and used illegal cheap labor.

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As a fan of the Star Tours attractions on both coasts, I was excited to go to the D23 panel on the making of Star Tours: The Adventures Continue… I crowded into the 1,000+ seat ballroom, not knowing what Imagineer insights awaited me.

In true Disney fashion, the panel was a professionally crafted presentation, with no room for questions..errr, I mean error. In this panel, lead Imagineer, Tom Fitzgerald, spoke with the aid of Powerpoint and took us on the journey to bring this attraction into the future.

Tom Fitzgerald, began his Star Tours story in 1998 when George Lucas summoned the Imagineer team to his ranch to watch the pod race, and only the pod race. After seeing the infamous scene, the Imagineers decided to wait to see the rest of the film, hoping against hope that it would the pod race would be scrapped for something way cooler.

Ok, so Tom said, “In fact, we did think it was a great idea”, but I can read between the lines. Interestingly back in 1998, way before the 3D onslaught, the Imagineers knew the ride was going to be in 3D.

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Comic-Con in San Diego is great event that excites the senses like no other. The sights and sounds are unlike any others (and unfortunately, sometimes so are the smells). Those of us lucky enough to see Comic-Con in person would be remiss not to allow others the opportunities to see them as well.

From beautiful women in sexy costumes to guys decked out in full combat gear and gigantic booth displays and monstrously oversized robots, visually Comic-Con has everything. And you can’t forget the celebrities.

Where else in the world could someone see Hulk Hogan signing autographs and ten minutes later find Wonder Woman having a beer at the bar. (Wonder Woman wanted to make sure everyone knows she does not encourage underage drinking). We had some other great photo galleries during the show and now we’ve got a brand new one with a bit more epicness.

As always, we send out a special shout out to the fanboys and fangirls who spent hours of hard work creating some of the best costumes we have seen. Each year, people keep getting better and this year’s Con was proof again of that.

Take a peek below at more amazing pics from Comic-Con 2011 from San Diego.

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