You may not realize it but there’s a lot of film festivals and other film-related events and organizations around the county. One such organization is the Tribeca Film Institute.

This organization was formed to “help foster and nurture relationships between film industry executives and filmmakers from traditionally underrepresented communities.” Today, the institute announced the winners of its Creative Promise Awards, which took place last night in New York.

Recipients of awards included the narrative Rhymes for Young Ghouls and the documentary The New Black, which were selected from 11 projects “based on the strength of their vision and filmmaking promise.”

Each project received $10,000, as well as an original piece of art from a contemporary artist. Rhymes for Young Ghouls took home Stephen Hannock’s Study: A Recent History of Art in Southern California, 2012 and The New Black received Hugo Tillman’s The Echeverria, 2008.

The Institute also announced this year’s TAA alumni grants and fellowships during the 2012 Tribeca Film Festival. The grants, all presented last night, total $92,000 in funds.

For more, check out the full press release after the break.

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After many years of happily reading John Romita Jr.’s work on Wolverine’s “Enemy of the State” Arc, Spider-Man and Kick-Ass, I was thrilled to be able to interview John Romita, Jr. (or JR. Jr.) for Marvel’s return to a bright, new day with the “Heroic Age.”

I caught up with the delightful John while he was working hard on the Avengers.  It seems this is one man who can draw and answer in-depth questions at the same time.

As always he was humorous, insightful, and well…in need of a nap.  Read on, true believers, and enjoy the latest from the desk of the modest legend himself.

The Flickcast: Marvel takes the entire Avengers line of titles into “The Heroic Age.” You’ve been paired up with Brian Michael Bendis on the core “Avengers” title; is your opening run contained to the first arc or two, or do you plan on being involved for the foreseeable future?

John Romita, Jr: In the first year I’m doing it [Avengers] for a minimum of 2 arcs and I’m enjoying myself.  If the book is still doing well, I’ll do it for a second year.  It’s so difficult, though, that I may not survive the first year— it’s intense work.

I have to finish 25 pages in the next 17 days.  So, after doing Avengers, I may want to sleep for a year.  But doing the Avengers with Bendis is an amazing experience.  If I get through the year and I’m still healthy enough, I will do another one.

TF: What are the benefits and challenges of drawing iconic characters like Thor, Spidey, Iron Man, Wolverine, and Captain America vs. drawing characters you create?

JR: Oh, that’s on a strictly selfish scale, it’s much more fun to do a character you create because you create them and there’s a lot of gratification for that, but working on iconic characters is like driving your father’s classic car, it’s spectacular and fantastic, but it’s better off when it’s your own.

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Often around the Internets you find many different kinds of videos. Some are produced by people who obviously have no business using  a camera to do anything except filming their vacations.

Then, you find those rare gems produced by people who obviously have talent and know what to do with it. Often these filmmakers don’t have a lot of money but what they lack in funds they more than make up for in sheer creativity.

Case in point is the awesome new Batman fan film City of Scars. Produced by the team of Aaron and Sean Schoenke through their Bat in the Sun productions this film shows, once again, what talented people can do with a little money and a lot of imagination and creativity. It is well worth the time it will take you to watch it and the time it will take to sit through the commercial beforehand.

Check out this awesome fan made movie after the break.

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Every once and awhile, a groundbreaking idea creeps into the world of film and has experts and connoisseurs puzzled at exactly how it will play out to a mass audience. Whether it’s something like 3D that hits it big, or something that flops like “4D”, there is always room for new ideas and potential leaps in technology when it comes to the theatrical experience.

13th Street, a production company out of Germany, has recently tested out their newest project, which combines the classic horror film with the interactivity of a modern game show. Each viewer uses their cell phone to call in to the service and at the beginning of the film, one of them is chosen at random to “speak directly” with the film’s protagonist. From there, that person gives voice commands that dictate which direction the character will go, and what they will say.

Obviously, there are some pretty big potential flaws with this idea, such as “who wants to watch a movie when it’s encouraged for some jerk to scream at the screen?” or “why would I spend money for somebody else to interact with the film?” These are all valid points, which means that we could still be years away from seeing this project take off internationally.

The sheer idea that something like this is on the way only means that we’re getting that much closer to a Back to the Future 2-like lifestyle, which is exciting in it’s own right. Check out the trailer for Last Call and see exactly how it all works after the jump.

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While most eyes are on Austin, Texas this week for SXSW, many people on the East Coast eagerly await a closer show as this year’s Tribeca Film Festival kicks off on April 21st. The festival is mainly for indie pictures, rather than the larger, blockbuster films, but is also a great place for up-and-coming directors and writers to showcase their work.

With the festival coming up in just over a month, they are already rolling out this year’s schedule and have announced the first 34 films out of a total of 85 feature length and 47 shorts screening at this year’s fest. Among the titles were those submitted to the World Narrative and Documentary competition, as well as the Showcase and Special Events.

Some of the titles look to be quite intriguing, and could include some of the bigger names of the next decade. Be sure to check out the first 34 films to be announced after the jump, and keep it here, as we bring you extensive coverage of this year’s Tribeca Film Festival.

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If you happen to be an aspiring director then this is for you. Film Independent, the non-profit devoted to artists and independent filmmaking is now accepting applications for its 9th Annual Director’s Lab, an eight-week course designed to help directors who are in the midst of prepping films. Sound good? Well, read on to get all the latest details on the program, how to apply and other goodies.

FILM INDEPENDENT NOW ACCEPTING APPLICATIONS
FOR 2010 DIRECTORS LAB

* Deadline is October 5, 2009  -

Film Independent’s 9th Annual Directors Lab is an intensive eight-week incubator designed to help directors who are prepping their feature films, and is sponsored by Kodak.

Taking place in Los Angeles during the winter, the Lab assists directors with strong, original voices develop new narrative feature films, improve their craft, and advance their filmmaking careers in a nurturing, yet challenging creative environment.

To apply, please visit: http://filmindependent.org/fellowships/filmmaker_labs/directors_lab

Application fee is $55 for Film Independent Members and $75 for Non-Members.

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