It looks like Funny or Die’s viral hit Drunk History may soon be a full fledged TV series. Comedy Central has request a pilot presentation of a Drunk History Across America. 

The pilot is set to be produced by Will Ferrell, Adam McKay and Chris Henchy’s Gary Sanchez Prods. The trio will executive produce with Derek Waters, creator of the Drunk History series of shorts, Jeremy Konner, who directed them, and Owen Burke. Konner will also direct the pilot presentation.

Just like the web series, Drunk History Across America will feature historical reenactments that are based on the way the historical events are described by drunk narrators. The television show will expand on this idea by include some travel elements and interviews with city locals, who will drunkenly narrate local and personal history which. As with the current shorts, all the re-enactments will all be acted out by guest actors.

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There are very few things Pixar could do that would get me more excited to see one of their films. Between the overall popularity of Toy Story, Up, The Incredibles and tons more, there is very little the animation studio can do that would be considered a bad move (Owen Wilson vehicles not included).

With that said, it’s hard to believe they’ve found a way to speak to their audience even more with their upcoming video game parody film, Wreck-It Ralph, but it looks like they just might. Here’s the official synopsis of the film. Consider it Donkey Kong from the gorilla’s perspective.

Wreck-It Ralph (voice of John C. Reilly) longs to be as beloved as his game’s perfect Good Guy, Fix-It Felix (voice of 30 Rock’s Jack McBrayer). Problem is, nobody loves a Bad Guy. But they do love heroes… so when a modern, first-person shooter game arrives featuring tough-as-nails Sergeant Calhoun (voice of Jane Lynch), Ralph sees it as his ticket to heroism and happiness. He sneaks into the game with a simple plan—win a medal—but soon wrecks everything, and accidentally unleashes a deadly enemy that threatens every game in the arcade.

Ralph’s only hope? Vanellope von Schweetz (voice of Sarah Silverman), a young troublemaking “glitch” from a candy-coated cart racing game who might just be the one to teach Ralph what it means to be a Good Guy. But will he realize he is good enough to become a hero before it’s “Game Over” for the entire arcade?

As if the concept of several video and board games being parodied in a Pixar film isn’t enough to guarantee your $10, the studio has recently released some images that will give us an idea of how this video game-based world will look. Take a look after the jump, and catch Wreck-It Ralph in theaters this November.

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Tim Heidecker and Eric Wareheim work best in sketches. If you’re reading this, I suspect you’re a fan of Tim and Eric Awesome Show, Great Job!. If not, it’s a sketch show that’s best bits mock public-access television, from the strange and self-aggrandizing programs to those car commercials from the local dealer who insists on inserting himself into nearly every frame, regardless of appearance or vocal stylings.

All this is done with hyper editing, bizarre imagery, and hopelessly cheesy special effects. The trailer gives a pretty good idea.

Either way, it’s very creative but can’t last beyond a minute or so. And that’s the biggest failing of Tim and Eric’s Billion-Dollar Movie – the sketches are great, the main storyline is horrible.

I was in utter stitches at the opening commercial with Chef Goldblum (Jeff Goldblum, and the movie gets at least a star for capturing the only non-bad-ass image of Goldblum) and loved the actual billion-dollar movie itself, but then the lights go up and it all goes downhill.

Imagine if the sublime Jackass films actually forced the gang into an actual plot—and how traumatic an experience that would be.

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Roman Polanski may get some heat for personal things going on, but that isn’t stopping the man from cranking out some quality films in the immediate future. The first of which is Carnage based on the play God of Carnage by Yasmina Reza. Here’s the premise.

A showdown between two kids: about eleven, in a local playground.  Swollen lips, broken teeth…  Now the parents of the  “victim” have invited the parents of the “bully” to their apartment to sort if out.  Cordial banter gradually develops a razor-sharp edge as all four parents reveal their laughable contradictions and grotesque prejudices.  None of them will escape the ensuing carnage.

A plot like this, with such thick character development, could only get justice from a director like Polanski. The play has starred such great actors as Jeff Daniels and James Gandolfini, but the film will bring names like Jodie Foster, Kate Winsley, John C. Reilly, and Christoph Waltz together to discuss this battle.

Check out the trailer for Carnage after th jump and see it in theaters later this year.

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Terri is the latest entry in the “oh God, high school sucked” genre (will we ever get a film that puts us in the eyes of the “popular” kids?) that tells the story of Terri (Jacob Wysocki), a sullen, picked-on, overweight underachiever who knows as much about who and where his parents are as we do. Terri lives with and cares for his senile Uncle James (The Office’s Creed Bratton); pines for the pretty-girl Heather (Olivia Crocicchia); shares detention with the hair-pulling-kid Chad (Bridger Zadina); and sparks an interest in quirky-assistant-principal Fitzgerald (John C. Reilly). The pieces fit into place, and the actors perform with talent and aplomb.

Unfortunately, Terri doesn’t offer anything new to the genre. As the poster says, “We’ve all been there,” and I suppose we have, whether it be in high school, college, or work. But a thought occurred to me near the end of the film: What is the point of this movie? Is it “Don’t pick on the fat kid”?

Terri isn’t really picked on for the bulk of the film, and those who do pick on him are never punished; they’re simply forgotten. Perhaps it’s the old axiom, “Don’t judge a book by its cover.” But no one’s opinion of Terri really changes—even Fitzgerald sees the good in him from the outset.

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What do Will Ferrell, Danny McBride, Elijah Wood, Jack Black, John C. Reilly, Will Arnett, Susan Sarandon, Rainn Wilson, Seth Rogan, Ted Dansen, Stanley Tucci, and a whole bunch of other named celebrities have in common?

They’re all in a brand new semi-biographical, semi-science fictional short film by The Beastie Boys, about The Beastie Boys, titled Fight For Your Right-Revisited.

The film is done in conjunction with the trio’s highly anticipated eighth album, “Hot Sauce Committee Part Two”, and has got Ferrell, McBride, Black, Reilly, Rogan, and Wood playing both the Beastie Boys from the past and the Beastie Boys from the future.

Expect zany, wacky, convoluted awesomeness when the 30-minute film hits DVD (as well as the the web) when Hot Sauce Committee Part Two hits music stores on May 3. In the meantime, check out the star-studded trailer after the jump.

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This little comedy  features a terrific ensemble cast anchored by the ever more endearing Ed Helms.  After his break-out performance in The Hangover, and a regular role on television’s The Office, this is icing on the cake. Helms shows some range in this unexpectedly sweet, but raucous comedy.

Helms plays Tim Lippe, quite possibly the worlds most naive grown man. He’s never left his home-town, never been on a plane, and never been in a hotel before. He’s blissfully unaware of the world outside his job and home. Speaking of home, he spends his evenings bedding his old junior high teacher, played by Sigourney Weaver.

Lippe has managed to hold down a job at an insurance company, and thanks to his kind demeanor, he has a nice portfolio of clients. When the company’s golden boy dies under particularly embarrassing circumstances, Lippe is called upon to represent the company at a convention held in Cedar Rapids, Iowa.  It might as well be Paris or Rome, because Lippe is giddy as a schoolboy at the prospect of going to the convention.

He’s also quite nervous, because he has the responsibility of making the case for his office to win the “Two Diamond” award, which is tops for the folks heading to this convention.

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The Thin Red Line (1998) marks the triumphant return of American film maker Terrence Malick’s return after a twenty year hiatus from the studio system. Anyone who was anyone in Hollywood circles jumped on the production of the film, even if it was just a brief walk on role. In fact, many A -list talents like Robert De Niro, Robert Duvall, Bill Pullman, Leonardo Dicaprio, Brad Pitt, Peter Berg, Dermot Mulroney, Edward Burns, William Baldwin, Edward Norton, Matthew McConaughey, Nicolas Cage, and Johnny Depp were very interested in joining the cast or were either cut from the film due to editing and budget constraints.

Malick was best known for two films in the 1970s which were Badlands (1973) and Days of Heaven (1978) which were renowned for their breathtaking cinematography and for Malick’s ability to capture magnificent exterior shots much like John Ford’s sweeping westerns Stagecoach (1939), and The Searchers (1956). The beautiful cinematography of the film is credited to John Toll who is an absolute genius.

Malick wrote the screenplay based on author James Jones 1962 novel which chronicles his experiences during the campaign. Pvt. Fife (Brody) is actually Jones who serves as the main character in the book, yet in the film is reduced to a minor character.

The film stars some of Hollywood’s most celebrated actors such as Sean Penn (1st Sgt. Edward Welsh), Adrien Brody (Pvt. Geoffrey Fife), Jim Caviezel (Pvt. Robert Witt), Ben Chaplin (Pvt. John Bell), George Clooney (Capt. Charles Bosche), John Cusack (Capt. John Graff), John Savage (Sgt. McCron), John Travolta (Brig. Gen. Quintard), Arie Vereen (Pfc. Charlie Dale), Kirk Acevedo (Pvt. Tella), Mark Boone Junior (Pvt. Peale), Woody Harrelson (Sgt. Keck), Elias Koteas (Capt. James Staros), Tim Blake Nelson (Pvt. Tills), John C. Reilly (Sgt. Storm), and Nick Nolte (Lt. Col. Gordon Tall).

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Cyrus is the kind of independent movie that makes me love independent movies, so it might seem paradoxical that I don’t want to write this review. I just want to tell you to go directly to your nearest theater and see it, without knowing anything about it beforehand. But I do have to write something, so as much as possible, I will eschew plot summary, and only endeavor to persuade you to go see it, right away.

Cyrus is made by the Brothers Duplass (Mark and Jay), who have climbed into Hollywood by way of the Mumblecore trapdoor. The Duplasses made their name with their first two features, Puffy Chair and Baghead, but they’ve matured with incredible speed, and Cyrus is a big step up.

A love triangle such as you’ve never seen before, Cyrus is the story of John, a shambling mess of a man (John C. Reilly) who describes himself as “like Shrek,” Molly, the lovely woman who accepts him as he is (Marissa Tomei), and Cyrus, the twenty-one-year-old son (Jonah Hill) who still lives with her.

Those are capsule character descriptions, and as such, they are wholly inaccurate. For this movie is all about character, and the ways character can manifest and change, all in an instant. You would think this movie was a thriller, the way it places you on alert. The tone is so wobbly (which is not to say inconsistent, or uncontrolled) that from moment to moment, scene to scene, I literally had no idea what was going to happen next. It made me realize how formulaic almost all scripts are. They follow the three-act or five-act rules and the audience obediently holds on for the predictable ride.

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In the past week, I got a chance to sit down and talk to Mark and Jay Duplass about their movie Cyrus with a handful of journalists at the SXSW Film Festival.  Cyrus stars Jonah Hill, Marisa Tomei, Catherine Keener,  and John C. Reilly.

How long had you guys been working on the script?

Mark Duplass: Good question. You know, we normally write our scripts pretty quickly when it’s just us producing them, because we know we’re going to improvise the dialogue a bit, so once their structure is rock solid, we are production ready. But you know, this was a script where you have to write it well and make it attractive to writers and to the studios so that they want to green light it. So we did spend a little time making it look pretty. I think we worked on it maybe a year or so.

Do you have any experience as children of single parents dating again or knowing people in that situation?

MD: None, really. We are good little Catholic boys and our Catholic parents have been married for 42 years and they are still together.

Jay Duplass: What we do have a lot of experience with is desperation.

MD: and interpersonal dysfunction, we’re good at that.

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I got a chance to sit down for a round table discussion with Jonah Hill and John C. Reilly, two of the stars of Cyrus, which premiered at the 2010 SXSW festival. Hill plays Cyrus, a 21 year old living with his mother (Catherine Keener) who develops an antagonistic and competitive relationship with his mom’s boyfriend played by Reilly.

So do you think the John C. Reilly era of a romantic lead in a comedy is finally here?

John C. Reilly: I hope so. I’m a very romantic type person. I like doing parts like this, and I think that there are a lot of people out there who are not represented in movies, whose stories don’t get told.

You know what I’m talking about (to a male journalist.) Neither of us look like Brad Pitt, let’s not fool ourselves.

Your characters had some similarities and some differences, you both have a co-dependence thing, did that come into play when you preparing as far as how your characters related to each other?

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Mark and Jay Duplass caused a bit of a commotion at Sundance and SXSW in 2005 when their feature film The Puffy Chair debuted to rave reviews and serious buzz. The brothers’ approach to filmmaking was so innovative that they had a new genre of film named after them: mumblecore.

Mumblecore is an indie genre characterized by low budget, improvisation, “non-actor” actors, and plots dealing primarily with personal relationships. The brothers followed up The Puffy Chair with Baghead (2008.)

Even though Cyrus cannot be categorized as pure mumblecore, it is certainly heavily influenced by the Duplass brothers’ earlier films. The movie stars well known comedic actors Jonah Hill (Superbad) and John C. Reilly (Walk Hard: The Dewey Cox Story), as well as Oscar winner Marisa Tomei (The Wrestler.)

John C. Reilly is wonderful as John, a downtrodden divorced man who finds out that his ex-wife Jamie (played by Catherine Keener) is getting remarried, and wants him to attend an engagement party. Humiliating stuff for even the most confident of men, and John is far from confident.

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