It’s been almost a year since we first brought you news of Jeremy Renner starring in the fourth film in the ‘Bourne’ franchise. All that time we’ve wondered how he would do as the new Bourne and if he would be able to make us forget about Matt Damon who, let’s face it, did a pretty good job.

Well, pretty much all of our questions have been answered now with the first trailer for The Bourne Legacy being released today. In it we see Renner in action as the new ‘Bourne’ (actually, as a character names Aaron Cross, but who’s counting?) and also get a better idea of where his character comes from.

We also get more of an idea who will be accompanying him on his journey. Fortunately, many of our favorite supporting players also make an appearance. All of it serves to make this trailer, and the upcoming film, look pretty darn good.

As to the question of Renner helping us to forget about Matt Damon, the answer to that is “Matt Damon who?” Plus, the movie has Rachel Weisz in it so we’re going no matter what.

Look for The Bourne Legacy, directed by Tony Gilroy and featuring Renner, Rachel Weisz, Edward Norton, Joan Alley and Albert Finney, to hit theaters on August 8. Check out the trailer after the break.

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Pretty much every guy has questioned their friends on who they would rather sleep with between Britney Spears, Lindsay Lohan and Paris Hilton. Just the same, every girl has probably questioned her friends if they’d rather marry Brad Pitt, George Clooney or Matt Damon.

But what about those times where you can’t say “I’d sleep with all of them” and had to decide to actually marry a hot mess like Spears, Lohan or Hilton instead of just kicking them to the hoe-side curb they deserve to be on? Or, what about choosing between killing off Batman, Superman or Spider-Man? Kill/Marry/Fuc by Sarah Huber combines all three.

The way it works, turn to a random page and you have decide one person / object / concept /etc. that you’d want to marry, one you’d want to kill and one you’d want to get down with. Some of these are easy decisions, but others really make you think. That’s right. A book about hooking up, marrying and killing really starts turning the gears for some people.

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Steven Soderbergh seems to have found his new Clooney, as Matt Damon has helped the man snag a #1 spot twice now with The Informant! and as of this weekend, Contagion.

Hard to believe a film about a virus wiping out the likes of Gwyneth Paltrow, Jude Law, and Laurence Fishburne could bring in $25 million worldwide in the first weekend, but that’s just what it’s done. Not terrible, considering the film’s budget was a measly $60 million (most of which likely went to the ensemble cast).

Following up in the top 5, The Help finally got knocked from its #1 spot for the first time in 3 weeks and finally hit the $140 million mark. In third, another new release, as the “Rocky of UFC” movie, Warrior, opened to a quiet response, with only $5.6 million.

In fourth place, political thriller The Debt managed to drop off significantly from last week and only pull in an estimated $5 million this weekend.

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Even though he’s said he’s going to retire from film directing soon, that hasn’t stopped Steven Soderbergh from continuing to make some pretty great films. From his first effort Sex, Lies and Videotape through one of my favorites The Limey, the Oceans 11 trilogy, Traffic and more he’s constantly demonstrated his skills as a storyteller.

This time around he’s turned his attention to something that scares the crap out of many people: a virus that can kill all humans. In his latest film Contagion, Soderbergh tells the story of a virus that mutates quickly and starts killing the world’s population faster than we can find a way to stop it.

The film features an amazing ensemble cast including Matt Damon, Jude Law, Laurence Fishburne, Marianne Cotillard, Kate Winslet, John Hawkes and Gwyneth Paltrow who, sadly, doesn’t seem to have a happhy ending in this one. We’ve got the brand new trailer for the film to share with you right here.

Gotta say this looks pretty good. Also, it looks pretty scary.

Check out Contagion on September 9th. See the trailer after the break.

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We’ve been following this one for a long time since the days when we only knew a bit about the story. Fortunately, over the months we’ve gotten more and more info about J.J. Abrams Super 8, including a poster and a couple trailers.

Now, as the movie is getting even closer to its release date, we’ve got more to share with you in the form of an actual clip from the movie.

In this one we’re given a bit more of the scene where the kids are making the film that causes all the trouble. Unfortunately, a lot of it is the same footage we’ve seen already including the truck versus train explosion and the kids running from it.

It does, however, play up the obvious budding romance between the main kid and the girl that almost gets away. I wonder if, during the course of the film, those two crazy kids finally get together? And by “get together’ I mean hold hands or have one very innocent kiss, much like Elliott did during the “free the frogs” sequence in E.T. It is a Spielberg homage, after all.

Even if we have seen a lot of it before in other trailers and whatnot, it only serves to enhance my desire to see the entire film. Damn you Abrams, you got me.

Check out the new video after the jump. Super 8 arrives in theaters on June 10th.

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It’s nice to see actors go from virtual unknown to multiple Oscar nominee to star of a mega-budget action franchise in just a few years — especially when they’re not in their teens anymore. Fortunately, this time around with actor Jeremy Renner, who’s done just that, we actually like him and don’t feel like he’s being shoved down our throats like certain other people (Sam Worthington, we’re looking at you).

Renner’s latest gig is the lead role in the Tony Gilroy-directed The Bourne Legacy. Renner, who as we mentioned above, has been nominated for Oscars the past two years for his work in The Hurt Locker and The Town, is expected to close his deal quickly to play a new character in the spinoff film that begins production in September.

This new character will reportedly be an operative from a covert government program even more dangerous than Treadstone, the program that created Jason Bourne. Other actors reportedly in contention for this coveted role were Joel Edgerton, Dominic Cooper, Garrett Hedlund, Luke Evans, Taylor Kitsch and Anthony Mackie. Of those, Renner seems like the best choice — especially given his strong performances in his last couple of films.

The Bourne Legacy begins filming this Fall for an August, 2012 release.

Not a bad weekend for Hollywood and the domestic box office, as Battle: Los Angeles took the top spot with a decent $36 million for a March opening weekend. That is just about 50% of the $70 Million production budget of the film. You know what that means: expect a sequel.

Other opening weekend movies didn’t fare as well including the family CG-animated film Mars Needs Moms, which opened with an unfortunate $6.8 Million (the budget was over $150 Million) and landed in the 5th spot. Catherine Hardwicke’s re-imagining of Red Riding Hood pulled in $14 Million and came in at the 3rd spot.

Movement from last weekend was quite significant, as Rango moved to the number two spot and went down almost 50%, pulling in $23 Million over the weekend, and $68 Million since it’s opening last weekend.

Matt Damon’s Adjustment Bureau must have had some terrible word of mouth, as it went down 45% since last week, and went all the way down to the number 4 spot, with $11.5 Million.

Next weekend Relativity’s Limitless goes head-to-head with the Matthew McConaughey vehicle, The Lincoln Lawyer, and the fanboy-crazed Paul. Could be an interesting weekend, if Battle: LA doesn’t retain for another weekend.

Matt Damon plays David Norris, a young politician who rose to prominence from “telling it is like it is” and now facing a lag in his career having lost his passion. As often occurs with politicians, his fire is reignited in a restroom by another human being. This time it’s the free-spirited Elise Sallas (Emily Blunt), who’s on the run from hotel security for crashing an upstairs wedding. The two flirt for a few minutes before kissing, and she scampers off without so much as dropping her name, and David goes on to deliver your standard “stick-it-to-the-phony-baloneys” speech, and, naturally it’s a hit with the voters.

Cut to three years later, when David takes the bus one morning and runs into Elise, much to the mysterious consternation of Harry (Anthony Mackie), a well-dressed gentleman who carries a tome that looks like a living circuitry grid. While he chases down the bus, David and Elise pick up their banter and he even gets her number.

However, when David shows up to his office, he walks in while it’s in a state of suspended animation, complete with scary-looking men in hazmat suits apparently performing some kind of containment. The men give chase, and David finds himself in a large room getting talked down to by the white-haired Richardson (John Slattery), who works for the shadowy-named Adjustment Bureau and evidently possesses the ability to control the environment. He tells David to stay away from Elise or else he’ll erase his mind.

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So yesterday, we ran part one of this post.  In case you missed it, here were my picks:

• Waiting for Superman
• Winter’s Bone
• The Company Men
• Rabbit Hole/Blue Valentine (tie)
• The Fighter

Now, without further ado, are the rest of my picks for best movies of the year.

5. The Kids Are All Right

This quirky drama won me over in no time. Annette Bening and Julianne Moore play a lesbian couple raising two children who were the product of an anonymous sperm donor. When the kids are old enough, they seek out and find their donor, who is played by Mark Ruffalo.

His character Paul is a perpetually laid-back restaurateur who drives a motorcycle and lives a bohemian lifestyle. The kids are instantly captivated, and develop a relationship with the guy, much to the chagrin of their uptight mom Nic (Bening).

I admire writer/director Lisa Cholodenko for her sensitive handling of the subject matter. A lesser director could have turned this into a slapstick farce, but ultimately the film is funny, touching, and wholly original.  It is also universally relatable.  Bening is a standout in the film for her performance.

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I was surprised at how much trouble I had narrowing down my top ten movies this year.  My top 20 were all very close, but here are the movies that I ultimately enjoyed the most. I readily admit that I did not see near as many foreign films as I would have liked, but by the time I cover most of the mainstream fare, there is simply no time left.

Honorable Mentions: Fair Game, Tiny Furniture, Greenberg, Cyrus, The Tillman Story, The American, Mother and Child, Scott Pilgrim.

10. Waiting for Superman
This Documentary was equal parts frustrating, inspirational, and heartbreaking. Director Davis Guggenheim (No End in Sight) sheds light on the dismal state of our public school system. He follows the plight of several children who live in various geographic regions who are placing all of their hope for an decent education into lottery systems for charter or private schools. Guggenheim relies on their compelling stories for a narrative, while interspersing lots of graphics and cartoons illuminating some pretty harrowing statistics.

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If the noontime opening day crowd for True Grit is any indication of how this film will do at the box office, I think I can safely predict a couple of things. First, seasoned citizens, like myself, who saw the 1969 original starring John Wayne, Glen Campbell, Robert Duvall, and Kim Darby, will warily pay for senior-citizen discounted tickets in large numbers and then proceed to give the movie a CSI-like scrutiny searching for any hint of anti-Wayne blasphemy.

Second, I feel just as strongly that people who have not seen the Duke’s portrayal of U.S. Marshal Reuben “Rooster” Cogburn, will come away from this iteration well-satisfied that they have been well and truly entertained. No one from either demographic should be disappointed with this version of Charles Portis’ 1968 serialized Saturday Evening Post of family duty, determination, and revenge.

In a recent interview, frequent John Wayne co-star, Maureen O’Hara, spoke about the 1963 movie, McLintock! One memorable scene had Ms. O’Hara running through town, being chased by Wayne, wearing only her bloomers. When, prior to shooting this scene, she asked Wayne if the bloomers could be shortened to display her dancer’s legs, he adamantly refused, stating, “We make family pictures!” And therein lies the genesis of many of the films’ differences.

There are several scenes in the 2010 Coen brothers’ version of True Grit that would never have made it past The Duke. Wayne’s Batjac Productions wouldn’t have allowed severed fingers, an outhouse interview, or snakes crawling from a desiccated corpse, to mention just a few things. But that doesn’t make one version better or the other worse, it only makes them different.

While some might say that John Wayne’s Oscar-winning performance as Rooster Cogburn could best be described as a little over-the-top (and it was), Jeff Bridges is able to provide a slightly more somber approach to this complicated, demon-driven character, while still being able to deliver an occasional light-hearted moment. It would be foolish, however, for anyone to try and compare the two actors as Mr. Bridges takes command of his role from the very beginning leaving all thoughts of a Wayne-Bridges comparison in the obscuring dust of the trail.

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By Jarrett Mellenbruch

Just go ahead and give Mattie Ross whatever it is she demands. Trying to bargain with this 14 year old , played by Hailee Steinfeld, will eventually leave you weakened and bewildered. Her relentless pursuit of justice for the murder of her father calls upon her vast reserve of cunning, quick wits, and masterful tongue.

Cast opposite the craggy and weathered drunkard U.S. Marshall  Rooster Cogburn, masterfully played by Jeff Bridges, she holds up her part and then some in this perfect balance between a game innocent and an extremely experienced, blunt yet perceptive hired gun.

Thanks to Hailee Steinfeld, the young actress who plays Mattie, women viewers who venture out to see one western every decade would do well to make True Grit their choice for the Teens. This may be the one movie where a mother/daughter night out to see a shoot-em-up may rival the father/son crowd. That’s not to say the men should stay away, only that there is something for everyone here, including the strong central heroine.

Matt Damon, Barry Pepper, and Josh Brolin nicely round out the cast and offer some extra color and comedic moments. Damon’s LaBoeuf is the cowboy nerd who rides the fine line between charming and annoying, and he rides it well. Pepper plays bad guy Ned Pepper, who probably is the grittiest part of the whole movie. And Josh Brolin is the seemingly simpleminded crook who killed Mattie’s father and kicked off this whole goose chase.

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