When you go to as many film festivals and see as many movies as I do, it is refreshing to find a film from out of virtually nowhere that gives you renewed faith in the filmmaking process. During SXSW I was lucky enough to discover such a film: Gareth Edwards’ Monsters.

As I said in my review, Monsters takes several elements and blends them together well to create a director’s singular vision. It was one of my favorite movies from SXSW. I had a chance to sit down with the talented Mr. Edwards during the fest and over a couple of beers discovered the man behind the Monsters.

The Flickcast: First off, let’s talk a bit about your background.

Gareth Edwards: Sure, well, like a lot of people it all began when I saw Star Wars. I basically decided I wanted to join the Rebel Alliance and blow up the Death Star. But then I learned that it was all made up by someone called a filmmaker so I decided I wanted to be one of those instead.

TFC: A lot of directors like to plan out shots, do storyboards, etc. You didn’t even really have a completed script for Monsters, right?

GE: I had a scene by scene outline but I didn’t want to write dialog. Although, it’s funny when you say to an actor “I don’t want to write the dialog” then they say “Well I have to write it then.” But that’s not what I wanted.

Continue Reading →

Much Like District 9, Cloverfield and Paranormal Activity before it, Monsters exists in a world where filmmakers with a singular vision just decide one day to go out and make the film they’ve always wanted to make. Packing his cast and a small crew into a van, writer/director Gareth Edwards traveled for several months throughout Central America in an attempt to realize that vision. Monsters is the result.

Part alien invasion, part road movie and part love story, Monsters balances all three well and manages to entertain and generate quite a few thrills and suspenseful moments. It also has other moments of genuine humor, emotion and character which are often lacking in other more mainstream films and doesn’t rely on heavy-handed spectacle to get its points across.

It’s also the strength of the developing relationship between the two leads, Kaulder (Scoot McNairy) and Sam (Whitney Able), which gives Monsters its emotion center. Perhaps it’s because the two leads developed a real romantic relationship over the course of making the film that their onscreen relationship works so well. You believe it because it’s actually happening.

As they go through the ordeal of the film, you trust they are experiencing what is happening to them and as they do, this brings them closer together. At first, of course, they are far apart but as the film progresses and the danger increases, they draw closer and must fight together to survive. Adversity, as it often does, brings people closer together, and these two are no exception.

Continue Reading →

A father, concerned for his autistic daughter’s health, sees her immediate removal from the hospital as her only option. An elevator break-down prevents a smooth exit and renders them trapped with others. This is only the beginning of their descent into hell. When the doors finally open, the hospital appears mysteriously deserted. As mutilated bodies are found, creatures from a dark world start a frightening attack. It soon becomes clear that the survival of the group may rest solely on the little girl.

The one thing that needs to be known before watching Dark Floors is that this film is primarily a showcase for the Finnish metal band Lordi. Those unfamiliar with the band should consider them like Rob Zombie meets GWAR. The international subtitle for the film is even “The Lordi Motion Picture”. The band, along with the leader Mr. Lordi, came up with the idea for the film, and star as all of the “monsters” in the film (in quotes because if you see a picture of the band, you know that this is what they normally look like, professional makeup and all).

The members of the band are essentially playing themselves in the film. Sadly, this is probably the coolest part of the film. The plot takes itself a little too seriously, and with a weak and confusing resolution at the end, it really should have just been about the band members.

Continue Reading →