On day two of WonderCon, Fox did its best to take over the convention in Anaheim. The studio showed footage from several of its upcoming films and politely remained mum on Director Bryan Singer’s recent legal troubles.

The clip from X-Men: Days of Future Past, which included a faceoff between Iceman and Sunspot, certainly excited audiences in the Anaheim Convention Center’s Arena. Fox slyly avoided audience questions by saving X-Men to the end of the presentation. In truth, fans had already gotten their fill of footage and Q&A from the other movies’ cast and crew.

Perhaps trying to answer the YA smash hit The Hunger Games, Fox now has its own teen post-apocalyptic movie in The Maze Runner. Director Wes Ball and author James Dashner were both inspired by Ender’s Game, Lord of the Flies and Lost when creating The Maze Runner and it showed in the brief but thrilling preview seen in Anaheim.

Attention The Lizzie Bennet Diaries fans. Emma Approved is coming your way this Fall.

The team of showrunner Bernie Su, producer Hank Green, and Pemberly Digital announced their newest Jane Austen web video adaptation at VidCon 2013. Heroine Emma Woodhouse will be modernized as a confident entrepreneur who, of course, places a bit too much faith in her matchmaking prowess.

Su and Green’s first Austen outing, The Lizzie Bennet Diaries, was a resounding success. Over 216,000 subscribers watched the 100 episode series. The program won two Streamys and was nominated for five more. A Kickstarter to fund the DVD raised over $462,000, nearly 800% of the $60,000 goal. The series was followed by Welcome to Sanditon, based on one of Austen’s short stories and starring some of the Lizzie Bennet characters.

There’s no word yet on any casting decisions for Emma Approved. However, with the show hitting YouTube in the Fall, fans should know soon enough who is playing the iconic Emma, Mr. Knightly, Frank Churchill and the rest of Highbury.

World War Z is probably the most solid zombie flick we’re going to get for a while. The characters are well-defined, the acting is better than it needs to be, the look is good, and the story is constructed as a pretty compelling mystery. That’s both a plus and a minus for the film. The detective aspect is an innovative take on a genre that already has, within its endless sub-genres, the romantic comedy (this year’s Warm Bodies), and the movie wastes no time getting straight to it. On the other hand, its commitment to the mystery narrative makes the action sequences feel like they were brought over from another movie.

When Gerry (Brad Pitt), the ex-UN agent (his original job function is never made explicitly clear) gets a lead that takes him to Israel, he meets up with an official who apparently foresaw the zombie outbreak and constructed a massive wall around Jerusalem. The guy’s reasoning is simple: “We ignored warning signs before and suffered because of it, this time, I figured, ‘What the Hell?'”

As soon as Gerry’s finished asking questions, someone in the crowd starts performing an impromptu song. No reason, just because. And the static from her microphone alerts the zombies outside the city, who form a massive pile and (SPOILER, though it’s in the trailer) spill out over the wall and overtake the city.

Do you remember the lead up to John Carter? How most people had a big problem with the marketing but many held a faint glimmer of hope that remained until the first reel ran in theaters opening weekend. Yeah, World War Z wishes it was generating that kind of reaction.

Basically, all of the worst parts of the bible would be an upgrade over the current approval rating of the upcoming PG-13 zombie epic. The stench of the film has been brewing for years, delays and behind the scenes instability have not provided any faith of a good adaptation of a book that is already hard to envision in cinemas. The problem is the structure of the book, it is an oral history not a linear narrative, and no one understands how a Brad Pitt saves the world film was the best that could be done.

So consensus is the film will be a terrible, no good, very bad adaptation and the best we are hoping for is a fun diversion wearing a WWZ pelt for warmth. Of course this leads to all the bitching and moaning about how the film’s existence is an affront to the loyal book fans who deserve better. Well cool your jets book worms and hipster wanna bes, there is a silver lining to this story and it alone more than justifies the looming horror of the upcoming film.

When I told my girlfriend I was off to review to the new Stephenie Meyers movie and that, having seen one of the Twilight movies, I had low expectations, she responded, “It could be worse. She could have teamed up with Nicholas Sparks.” “Good point!” I said, and then, a half hour into the film, the two main characters kiss in the rain. Damn.

The Host opens with a voiceover by Donald Sutherland (or at least a very Donald-Sutherland-sounding narrator) stating that war, famine, poverty, and the like have been eradicated from earth. It has been taken over by an alien race of what I’d refer to as “Solar Centipedes” if the film hadn’t bashed the symbol of glowworms into my noodle.

The glowworms apparently are implanted into humans through a delicate process that makes you wonder how they were able to do it seven billion times (and how was the first one implanted?) and the quickest way to tell them apart from the regular humans is that the glowies have blue rings around their eyes — chances are you’ve seen something like them before in a better film. I’m certain.

Their latest victim is Melanie Stryder (Saoirsa Ronan), a plucky teen who tried to avoid capture by leaping through a window. Fortunately, the glowworms have some magic healing spray to bring her back to life and implant one of their kind, known as “Wanderer” into her neck. But Melanie resists, and in one of the worst decisions of the film, is in constant voiceover arguments with Wanderer.