What more can be said? The upcoming Avengers: Age of Ultron looks amazing. We can’t wait for it to arrive. Until then, we keep getting cool trailers and more to keep everyone interested until the release.

As if that was needed at all. However, Marvel keeps releasing new promos, so we will keep bringing them to you. This time around it’s a new TV spot featuring the whole gang and a whole lot of action.

Pay particular attention to what Captain America can do with a motorcycle, other than just looking cool while riding it. You’ll enjoy it.

Check out the new spot after the break. Look for Avengers: Age of Ultron to hit theaters on May 1.

And now, without further ado, here’s the first teaser for Gareth Edwards’ Godzilla. Gotta say, this one looks pretty cool. If he can do for Godzilla what he did with his debut film Monsters, this one may just be one to watch.

Check out the trailer after the break. Look for Godzilla to hit theaters next Summer.

Let’s just say right off the bat we were big fans of the first Kick-Ass movie. In short, it was great and a fitting companion to the comic, even if it was a bit different.

Kick-Ass 2 promises to be more of the same and maybe even better. How can we tell? There’s a new redband trailer that debuted at Comic-Con and has just dropped and in it there’s all the profanity, violence, blood, gore and more you could possibly want.

“We put (these characters) through a meat grinder in this one,” director Jeff Wadlow said during the panel at the Con. If you watch the trailer, you’ll see exactly what he meant.

Jim Carrey, Aaron Taylor-Johnson, Chloe Moretz and Christopher Mintz-Plasse star. Look for Kick-Ass 2 to arrive on August 16th.

Get the redband after the break.

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This is the third adaptation of a novel Joe Wright has made with Keira Knightley and the second of a beloved classic. The problem is that most of the belovees have actually read Pride and Prejudice, while the many who approached Anna Karenina got about twenty or so pages into it before throwing up their hands in frustration trying to sort out the -iliaviches from the -oliaviches.

That’s not a problem for the film, however; rather I think it may hurt its chances at the box office. Then again, the novel did find new life due to the Gospel According to Oprah, and this provides what I imagine is an excellent primer.

For one, Russian novels may suit the screen even better than their English counterparts as it’s much easier to keep track of faces than names. And Wright seems aware of this, as the names are totally unimportant. A few are bandied about, but it’s never difficult to tell Anna apart from, say, Princess Myagkaya or Countess Vronskaya or Yppikaya (notably absent from the film).