It’s time for brand new episode of The Flickcast podcast. We promise it’s not quite as lengthy as last week, so don’t worry.

We realize some of you may have short attention spans. But when we’ve got something to say, we say it. Even if it takes an hour and a half to do it. That’s just how the world works sometimes. 

This week’s episode of the podcast, however, is shorter, but still manages to pack in all kids of stuff. Some of the stuff include the recent Joss Whedon and Gina Carano controversies, more WandaVision including Chris’ new theory on what it’s all about, continuing discussion of how show business works, how most plots of TV series are derived from OG Star Trek episodes and the career of Nicholas Cage. 

Speaking of Mr. Cage, Chris’s pick this week is a recent movie, starring the man himself, called Willy’s Wonderland. In it Cage players a drifter who must survive the night by doing battle with animatronic creatures at a Chuck-e-Cheese-like establishment. It’s pretty crazy.

Joe didn’t make a pick this week, but feel free to listen to a Marillion album in his honor. Thanks for listening. 

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Opening and end music by Kevin MacLeod under Creative Commons License

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What more can be said? The upcoming Avengers: Age of Ultron looks amazing. We can’t wait for it to arrive. Until then, we keep getting cool trailers and more to keep everyone interested until the release.

As if that was needed at all. However, Marvel keeps releasing new promos, so we will keep bringing them to you. This time around it’s a new TV spot featuring the whole gang and a whole lot of action.

Pay particular attention to what Captain America can do with a motorcycle, other than just looking cool while riding it. You’ll enjoy it.

Check out the new spot after the break. Look for Avengers: Age of Ultron to hit theaters on May 1.

And now, without further ado, here’s the first teaser for Gareth Edwards’ Godzilla. Gotta say, this one looks pretty cool. If he can do for Godzilla what he did with his debut film Monsters, this one may just be one to watch.

Check out the trailer after the break. Look for Godzilla to hit theaters next Summer.

Let’s just say right off the bat we were big fans of the first Kick-Ass movie. In short, it was great and a fitting companion to the comic, even if it was a bit different.

Kick-Ass 2 promises to be more of the same and maybe even better. How can we tell? There’s a new redband trailer that debuted at Comic-Con and has just dropped and in it there’s all the profanity, violence, blood, gore and more you could possibly want.

“We put (these characters) through a meat grinder in this one,” director Jeff Wadlow said during the panel at the Con. If you watch the trailer, you’ll see exactly what he meant.

Jim Carrey, Aaron Taylor-Johnson, Chloe Moretz and Christopher Mintz-Plasse star. Look for Kick-Ass 2 to arrive on August 16th.

Get the redband after the break.

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This is the third adaptation of a novel Joe Wright has made with Keira Knightley and the second of a beloved classic. The problem is that most of the belovees have actually read Pride and Prejudice, while the many who approached Anna Karenina got about twenty or so pages into it before throwing up their hands in frustration trying to sort out the -iliaviches from the -oliaviches.

That’s not a problem for the film, however; rather I think it may hurt its chances at the box office. Then again, the novel did find new life due to the Gospel According to Oprah, and this provides what I imagine is an excellent primer.

For one, Russian novels may suit the screen even better than their English counterparts as it’s much easier to keep track of faces than names. And Wright seems aware of this, as the names are totally unimportant. A few are bandied about, but it’s never difficult to tell Anna apart from, say, Princess Myagkaya or Countess Vronskaya or Yppikaya (notably absent from the film).