Another day, another trailer (or two) for the reboot of a movie you probably loved from the past. Case in point this time is Sam Raimi’s reboot of the Tobe Hooper classic Poltergeist.

To be fair, the reboot isn’t directed by Sam Raimi. The director is actually a guy named Gil Kenan, who’s known for films like Monster House and City of Ember. But since everyone knows Raimi’s name, especially in the horror world, it’s being touted as his film.

Don’t feel too bad for Kenan, though, we’re sure his check cleared and he does get directing credit on the actual film. Plus, we’re reasonably sure he did the job. He’s gonna be okay.

Anyway, the movie looks pretty scary, but also kinda like quite a few other horror movies of late. Still, that’s not necessarily a bad thing.

Check a couple trailer after the break. Look for Poltergeist, starring Sam Rockwell, Rosemarie DeWitt and Jared Harris, to hit screens on July 24.

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You knew it was bound to happen. After all, it’s been years since the last cinematic incarnation of Marvel’s Fantastic Four. You know, the one that featured Captain America‘s Chris Evans in his first Marvel superhero role: Johnny Storm aka The Human Torch.

Well, have no fear, there’s a new version of the Fantastic Four coming our way. In fact, the first teaser for it just dropped and we have to say, it looks pretty good. Sure, you could argue about some of the casting or story choices (especially certain family ties, or lack of) but that’s not really the point.

This is a movie based on a comic book series. It may not satisfy everyone, especially hard-core comics fans, but it might just be a good movie anyway.

We’ll find out when it hits theaters on August 7. Check it out after the break.

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That’s right, it’s an all-new episode of The Flickcast for your listening pleasure. We’re back to being on a roll: two weeks in a row!

On this week’s episode Chris and Joe discuss a bunch of new and recurring topics. Some of these include the newly released teaser for Star Wars: The Force Awakens,  the Flash / Arrow crossover epic extravaganza, new thoughts on the mid-season finale of AMC’s The Walking Dead and a whole lot more, more, more.

Picks this week include Chris’ pick of director Peter Hyams’ film Capricorn One and Joe’s pick of the still-in-beta Google Inbox. (If you need an invite, drop Joe a line. He might be able to hook you up.)

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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That’s right folks, it’s that time. Time for the brand new teaser for the trailer for the next Star Wars movie, The Force Awakens. And at only about 88 seconds, quite a tease it is.

In it you do get a few glimpses of some of the new faces coming up in the new movie. You also get to revisit some old friends (at least one) in the form of the ever-reliable Millennium Falcon.

You know the ship. It made the Kessel run in less than twelve parsecs. That is, if you believe a certain scoundrel’s account of past events.

At any rate, it’s here and it’s after the break. And yes, we kinda dig it and yes we’re pretty darn excited for the movie. But really, who isn’t?

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Director M. Night Shyamalan has partnered with Jason Blum of Bloomhouse Productions in order to produce a self-financed, low budget project he had been keeping under wraps. The film, called The Visit, is intended as a return to his earlier work and to productions outside the ‘traditional’ studio system.

The Visit concerns a brother and sister visiting their grandparents’ isolated Pennsylvania farm. Eventually, the youngsters discover the seniors are keeping a dark secret and it quickly becomes apparent to the children they may not be going home.

The Visit was written, directed and self financed by Shyamalan and shot near the director’s Pennsylvania home. The partnership with Blumhouse Productions allowed for a first-look arrangement with Universal and the company specialized in low budget genre pictures. Blumhouse’s most recent successful production was Ouija.

M. Night Shyamalan produced the film with Blum and Marc Bienstock, with Steven Schneider and Ashwin Rajan executive producing.

Universal Pictures has set September 11, 2015 as the release date.

Danny Trejo has become a versatile, and well liked action star with the unique ability to seamlessly transition between cheesy B flicks to summer blockbusters without loosing fan loyalty. Trejo is also equally comfortable taking minor or supporting roles as well as lead roles, and the fact that Danny Trejo’s name  receives top billing definitely allows for low budget films gain a wider recognition than they normally would should his name not appear on the box.

Trejo’s latest film project is no exception; the actor plays “Night Wolf” in The Burning Dead. The film centers on a sheriff evacuating a family from a mountain during a volcanic eruption. The slightly unique twist here is; not only have the dead been resurrected by a curse, but the zombies are also filled with lava, which may make killing them quite a challenge.

The Burning Dead U.S. film rights have been acquired by Uncork’d Entertainment. The film is expected to have a 2015 release, although a date has yet to be set.

Given that it already leaked, we have to guess Disney saw the writing on the virtual wall and decided to let this one out early. Or, it’s all Hydra’s fault.

Whatever the reason, we’re thrilled to see the first real look at the upcoming Avengers: Age of Ultron. In short, it looks awesome.

There’s just no other word to describe it. Check it out after the break.

Look for Avengers: Age of Ultron to hit theaters next April. We can’t wait.

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Get On Up does two things magnificently well, and they’re related: It conveys the batshit craziness of both James Brown and Little Richard, which is quite a feat and aided in no small part from Chadwick Boseman as Brown and Brandon Mychal Smith as Richard. The two give performances so captivating that it’s worth seeing the film simply to indulge in their fascinating performances.

That Get On Up would be well acted is probably no surprise, but it is a surprise that they can almost carry the entire 138-minute film. Almost. And that the music is phenomenal shouldn’t be a surprise either. I’m not sure if Boseman performed all the songs, but I’m fairly certain he did his own dancing, and both are wisely indulgent, wisely for this film, which at least does know how to put on a show.

Director Tate Taylor (The Help) and writers Jez and John-Henry Butterworth nail many of the character moments, but never quite get around to understanding their subject. The first thirty minutes or so jumps back and forth through so many different periods that if there’s a linear story buried in there, I missed it. Even more, if there’s something that “made” Brown the man he became, the film doesn’t seem very interested in it, which would be fine, but it does need some kind of connecting thread to tie the movie together.

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Ebert would have loved this: It does not gloss over major events that tarnish his star – his alcoholism, his pettiness, even his face. This is not simply a chronicle of the critic’s final few months, rather it’s an overview of his life, aptly so, I suppose, as it’s adapted, in part, from Ebert’s memoir Life Itself.

Ebert was born in Urbana, Illinois, about an hour and a half south of Chicago, and grew up early on recognizing that he had a considerable talent for writing. In his mid-twenties, he began writing movie reviews for The Chicago Sun-Times, winning a Pulitzer Prize for his work in 1975. Around that time, too, he teamed up with Gene Siskel, forming something of the U.S.’s popular critical consensus for nearly 25 years.

Most of those beats you probably know, and director Steve James (Hoop Dreams) does an excellent job filling them in, yes, with interviews from those who knew Roger best during those times, and passages from the book, but even more so with a deft pace aided by short interspersions of Roger today, or at least Roger in 2012. These diversions are, thankfully, less a study in courage than a testament to stubbornness, wit, or another key personality trait that maintained while the body faded away.

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The apes are back and there’s gonna be trouble … Yes, we like songs. We also like movies where apes run amuck and kick a lot of ass. Fortunately, we won’t be disappointed with the upcoming Dawn of the Planet of the Apes. It’s got all that, and more.

In this sequel to 2011’s Rise of the Planet of the Apes, Cloverfield director Matt Reeves brings us the beginnings of the war between man and ape. Our money is on the humans. We cheat.

Look for Dawn of the Planet of the Apes to drop on July 11. The trailer is after the break.

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