This week On the Radar George Lucas seeks to capture the minds of even younger viewers, Image Comics takes a shot at Marvel, and one of the most famous music videos of all time may go 3D.  All that and whole bunch of other fun stuff!

Crispin Glover talks Back to the Future controversy

Personally, I didn’t realize Back to the Future was mired in any kind of controversy, but it is.  Speaking at a promotion for Hot Tub Time Machine, Crispin Glover, who played Marty McFly’s (Michael J. Fox) Dad spoke about the raw deal he was dealt after the first film came out:

“On the DVD to the Back to the Future trilogy, Bob Gale has said something that’s totally fabricated,” Glover told a group of reporters at this weekend’s press junket forHot Tub Time Machine. “He said I asked for twice the amount of money that Michael J. Fox asked for in the first film. In the negotiation for the second film, they offered me less than half of what any of the actors that were being asked to come back in the film—Michael J. Fox, Christopher Lloyd, Lea Thompson and Tom Wilson. They had all done studio films, and they’d made a lot more money. I was being penalized.”

Interesting stuff.  Mind you, considering the somewhat lackluster opinions of the second and third film maybe Glover got off easy by not being in them.

Jamie Foxx to star in Kane & Lynch video game adaption?

There hasn’t been a lot of talk about the film adaption of video game Kane & Lynch other than it could star Bruce Willis as Kane.  Now, another big name is being tossed around to play opposite Willis, Jamie Foxx.  Developed by IO Interactive Nu Image/Millennium is set to finance with Lionsgate distributing.  While I’m confident in the actors involved, video games are not well known for the best of translations to the big screen.

George Lucas bringing Galactic Heroes to TV

Ask any “real” Star Wars fan and they will probably tell you that The Clone Wars cartoon is pretty childish.  Well, prepared to consider that more mature entertainment.  Looking to draw in even younger viewers to the Star Wars universe, George Lucas is working on a cartoon adaption of the Star Wars: Galactic Heroes toy line.  You know, those chunky figures with a whopping two points of articulation (usually the arms).  Worse yet, this problem means more screen time with the one Star Wars character that can relate best to 3 year olds-Jar Jar Binks.

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Winter’s Bone is  stark, bleak and haunting. It won the Grand Jury Prize and a screenwriting award at the 2010 Sundance Film Festival. This is the second film by director Debra Granik.  Her debut film Down to the Bone played at the 2004 Sundance Festival, and earned her a Best Director Prize.

At the heart and soul of this drama is Ree, a seventeen year old girl living in the wooded Ozarks with her mother and two younger siblings.  It is never made  apparent why, but Ree’s mom is completely incapable of caring for the family. She is non-communicative and just sort of stares into space all the time.

That leaves Ree to man the household, so to speak. She chops wood, shoots and skins squirrels, and cares for their animals the best she can. As played by an astonishing Jennifer Lawrence, Ree is the embodiment of a girl forced to be a woman and caretaker far before her time.

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Today begins the official one week countdown for the release of potentially one of the funniest movies of this year, Hot Tub Time Machine. We’ve been gearing up our coverage of the film, with some great clips and a review of the official iPhone App, now we’ve got an even better goodie for you.

Straight from our pals at MGM, we got our hands on a restricted (or “red band”) clip from the film, starring the four main characters played by John Cusack, Rob Corddry, Craig Robinson, and Clark Duke. The clip is restricted for some shouting and violent dialogue, but nothing that you should be timid about if you plan on seeing the movie next week.

We don’t want to spoil it for you, so check out the hilarious clip after the jump, and be sure to catch our coverage of Hot Tub Time Machine all next week, leading up to the film’s national theatrical release on March 26th. By clicking through, you certify you are 18 years of age or older.

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In the past week, I got a chance to sit down and talk to Mark and Jay Duplass about their movie Cyrus with a handful of journalists at the SXSW Film Festival.  Cyrus stars Jonah Hill, Marisa Tomei, Catherine Keener,  and John C. Reilly.

How long had you guys been working on the script?

Mark Duplass: Good question. You know, we normally write our scripts pretty quickly when it’s just us producing them, because we know we’re going to improvise the dialogue a bit, so once their structure is rock solid, we are production ready. But you know, this was a script where you have to write it well and make it attractive to writers and to the studios so that they want to green light it. So we did spend a little time making it look pretty. I think we worked on it maybe a year or so.

Do you have any experience as children of single parents dating again or knowing people in that situation?

MD: None, really. We are good little Catholic boys and our Catholic parents have been married for 42 years and they are still together.

Jay Duplass: What we do have a lot of experience with is desperation.

MD: and interpersonal dysfunction, we’re good at that.

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Last week during Austin’s South By Southwest film festival, producer and co-writer Robert Rodriguez unveiled the first footage from his upcoming film, Predators. We got to see lots of chatter from the cast, including stars Adrien Brody and Laurence Fishburne. Unfortunately, there was very little seen of the titular alien race.

Now, a brand new trailer has hit the web, this time giving us just the right amount of violence, Predators, and Danny Trejo that we could possibly ask for. The new film is set as a reboot/prequel to the original Predator franchise, which first gave geek-cred to stars like Schwarzenegger, Danny Glover, and Gary Busey.

Check out the official trailer after the jump, and be sure to catch Nimron Antal’s Predators, starring Topher Grace, Adrien Brody, Laurence Fishburne, Danny Trejo, and Alice Braga, in theaters on July 7th.

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I got a chance to sit down for a round table discussion with Jonah Hill and John C. Reilly, two of the stars of Cyrus, which premiered at the 2010 SXSW festival. Hill plays Cyrus, a 21 year old living with his mother (Catherine Keener) who develops an antagonistic and competitive relationship with his mom’s boyfriend played by Reilly.

So do you think the John C. Reilly era of a romantic lead in a comedy is finally here?

John C. Reilly: I hope so. I’m a very romantic type person. I like doing parts like this, and I think that there are a lot of people out there who are not represented in movies, whose stories don’t get told.

You know what I’m talking about (to a male journalist.) Neither of us look like Brad Pitt, let’s not fool ourselves.

Your characters had some similarities and some differences, you both have a co-dependence thing, did that come into play when you preparing as far as how your characters related to each other?

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For those not in the know when it comes to British pop musicians (we won’t blame you), Mika is a pretty big name in the world of UK Pop. He’s basically what Justin Timberlake is the US, but “across the pond.” He’s been on such shows as So You Think You Can Dance and Jimmy Kimmel Live, and now he’s even branching out into the world of comic book films, as his recent single is dedicated to the upcoming film Kick-Ass.

The song, appropriately titled “Kick Ass”, is a sort of anthem for the film, in which a teen wallflower decides to do something with his life and become a superhero. Other critics have referred to the song as “an updated version of the Highlander theme by Queen”, which makes complete sense. We can definitely see Mika becoming the modern day Queen, if only we could get an updated pop version of the Flash Gordon theme. Then we’d be in business.

Until then, check out Mika’s newest music video for the single, starring some of the cast of the film including Aaron Johnson, Chloe Moretz, and Christopher Mintz-Plasse. Be sure to catch Kick-Ass in theaters on April 16th of this year (or April 2nd if you’re in the UK.)

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When you go to as many film festivals and see as many movies as I do, it is refreshing to find a film from out of virtually nowhere that gives you renewed faith in the filmmaking process. During SXSW I was lucky enough to discover such a film: Gareth Edwards’ Monsters.

As I said in my review, Monsters takes several elements and blends them together well to create a director’s singular vision. It was one of my favorite movies from SXSW. I had a chance to sit down with the talented Mr. Edwards during the fest and over a couple of beers discovered the man behind the Monsters.

The Flickcast: First off, let’s talk a bit about your background.

Gareth Edwards: Sure, well, like a lot of people it all began when I saw Star Wars. I basically decided I wanted to join the Rebel Alliance and blow up the Death Star. But then I learned that it was all made up by someone called a filmmaker so I decided I wanted to be one of those instead.

TFC: A lot of directors like to plan out shots, do storyboards, etc. You didn’t even really have a completed script for Monsters, right?

GE: I had a scene by scene outline but I didn’t want to write dialog. Although, it’s funny when you say to an actor “I don’t want to write the dialog” then they say “Well I have to write it then.” But that’s not what I wanted.

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For a few years now there has been plenty of talk about the possible remake of the 1972 film The Mechanic, which starred Charles Bronson and Jan-Michael Vincent. Many different major action players were considered for the role that Bronson originally played, including Sly Stallone and Vin Diesel, but it wasn’t until recently that pen hit paper and Jason Statham was signed to play hitman Arthur Bishop.

From there, it was a pretty easy decision to cast up-and-coming star Ben Foster as Steve McKenna, a role first made famous by Jan-Michale Vincent. In the film, Bishop is a hit man who is on his way out of the business and takes McKenna under his wing as a protege to pass along his legacy. Things, of course, go awry from there in an action-packed cacophony of violence.

Now, with both Statham and Foster filling in, it almost carries the same the same impact, with Statham coming off of a nearly 10 year run as an action star, and Ben Foster still working his way up the “leading man” ladder. The remake is also directed by action director Simon West, who has brought such films as Con Air and Lara Croft: Tomb Raider to the screen.

Check out the first trailer for the film after the jump, and be sure to catch The Mechanic in theaters on December 15th.

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I’m still anxiously awaiting the day I get to see Kick-Ass, and be as cool as our SXSW team that caught its Austin premiere. (Be sure to check out Shannon Hood’s review.)   But at least I could content myself with Mark Millar’s Kick-Ass: Creating the Comic, Making the Movie which the gang at Titan Books was kind enough to let me review.

Anyone who viewed the trailer knows that Kick-Ass is going to be a unique movie. One look at Chloe Moretz’s Hit Girl can tell you that much. But I hadn’t realized just how unusual its page-to-screen transition was. Millar was still in the process of sketching the book out when he approached Matthew Vaughn (licking his wounds after leaving Thor) about directing.

The movie took shape as the comic did, with Millar running back and forth between the production offices and his own keyboard, incorporating ideas from Vaughn and screenwriter Jane Goldman as he went. Characters who were meant to be minor players such as Red Mist took on a life of their own after they were cast, and ended up becoming major players in Kick-Ass’ story arc. If there’s a sequel to Kick-Ass, it may be entirely due to Christopher Mintz-Plasse single-handedly rewriting his character.

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