It’s a grab bag of items on the radar this week. Wolverine and Sabretooth have dinner together, Bruno himself could be the next Man in Black, and in honor of The Flickcast crew attending SXSW some Predators love (of which they may get a taste).

Predators get dark and scary…finally!

Robert Rodriquez’s Predator reboot, Predators, is starting to get some buzz.  While the first film of the series was a great sci-fi/action hybrid subsequent films have been less than stellar.  Predators star, Alice Braga talked a little about the new film and what we can expect:

“The new Predators are dark. They are really, really scary. So I think the fans are really going to be happy with it. I hope so. The director Nimród Antal, he’s a fan of the Predator films. So it’s like a fan directing this, [it was] like a kid on set, and having that energy was very special. I wish I could tell you more.”

Here’s hoping “dark” and “scary” means an R-rated film and not a watered down PG-13 movie.

Conan will square off against Avatar villain

As an update to our last ‘On The Radar’ article, it has now been confirmed that actor Stephen Lang will indeed play Conan’s villain, Khalar Singh.  Speaking with MTV, Lang stated:

“I have no idea how I’m going to do it,” Lang laughed. “First I’m going to find out how I’m going to sound. I’m going to get back on a Mongolian pony and ride like the wind. I’m going to flash my scimitar. I’m going to cut the nuts off Conan and his father.”

That last threat may seem really out there, but after seeing Lang’s bad ass side in Avatar I have no doubt he can make good on it.

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It may not have taken home a lot of Oscar gold, but many might argue that the jangly coins in Avatar’s pocket might mean a lot more to Fox and James Cameron.  But despite the massive success they’ve enjoyed in theaters, Cameron and Fox want a little more of your hard earned cash.

They noticed that the demand in digital 3D immediately went up when the IMAX run was up. They’re concerned that giving up their screens to Alice in Wonderland may have cost them, in Cameron’s words,  “a couple hundred million dollars.” They know people will eat up more Avatar. So they’re planning a summer re-release.

According to The Hollywood Reporter,  discussions are underway to bring the film back this summer with additional footage. Cameron feels that he was forced to rush the film into theaters to make its December 18 date, and had to leave too many scenes on the cutting room floor.

There’s actually some debate as to how much extra footage there is — Cameron claims there’s about 10 to 12 minutes of scenes that he could toss right back into the film, whereas IMAX CEO Richard Gelfond claims there’s 40 extra minutes. However, an IMAX analog theater can’t handle a film over 170 minutes, so even if Cameron has 40 minutes of unused footage, he can only add 10 or 12 to come in under the IMAX limitations.

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It was an interesting show for the Oscars this year.  From the “Kanye” moment to Sean Penn somewhat proudly proclaiming he’s not part of the Academy.  Sandra Bullock won an Oscar for Best Actress in a Leading Role (The Blind Side) the very same year she accepted a Razzie for Worst Actress (All About Steve).  And, of course, the gross upset of Avatar at the hands of The Hurt Locker.  With 41 million viewers, this year’s Oscars had something for everyone but, perhaps more interestingly, it best reflected the two sides of Hollywood which exist today.

How fitting to have two hosts on the one Oscar night that would truly exemplify both faces of Hollywood.  For so long many have seen Hollywood as one massive, filmmaking entity but that really isn’t the case.  Now more than ever there’s a division between what I’m calling (for the purposes of this article) “mainstream” Hollywood and “performance” Hollywood.  The names pretty much say it all.

Films in the mainstream category are all the summer blockbusters, tent pole movies studios rely on to turn a healthy profit year over year (e.g. Iron Man, The Dark Knight, Avatar).  In contrast you have the performance pictures, lesser known films with limited release and all too often far less money behind them (e.g. Slumdog Millionaire, No Country for Old Men, The Hurt Locker).  These are two very different types of films, each vying for the attention of movie goers.

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The Winners

Just call her the giant slayer. Kathryn Bigelow and her modest little Iraq War drama The Hurt Locker beat out the behemoth box office champ Avatar for best picture, best director, best original screenplay, best editing, best sound editing, and best sound mixing. Bigelow made history, becoming the first female ever to win the award for directing.

James Cameron and company (Avatar) left with a total of three trophies: best visual effects, best art direction and best cinematography. The cinematography award seemed a little odd. After all, most of this film was computer generated, wasn’t it?

There were no real surprises in the acting categories. Best supporting actress went to Mo’nique for Precious, best supporting actor Christoph Waltz for Inglourious Basterds, best actress was Sandra Bullock for The Blind Side, and Jeff Bridges finally won for Crazy Heart.

Up won best animated feature and best original score, while El Secreto do Sus Ojos (Argentina) won best foreign picture. The Cove won best documentary. For an expanded list of major category winners, scroll to the bottom of the article.

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There’s a lot of interesting stuff on the radar this week. An Avatar alumni could face off against Conan, Modern Warfare developers bring a fight to Activision, and director Guy Ritchie may be breathing new life into the heroes of Camelot.

Fox finds its shadow for $1 million and David Slade may be the man

Fans of the comic book series The Shadow rejoice as it seems the reboot continues to move forward.  While it was thought Sony and director Sam Raimi (Spider-Man, Army of Darkness) would bring a new version of the character to the big screen things have changed somewhat.

After Raimi began shopping the property around Fox decided to purchase the rights. Sadly, it sounds like Raimi may no longer direct, possibly replaced by David Slade.  Slade directed the vampire film Thirty Days of Night which, unfortunately, felt just that long in the theater. Here’s hoping he can put a little more adrenaline into The Shadow.

How I Met your…Smurf?

Neil Patrick Harris will be venturing to the land of blue, three apples tall creatures in Smurfs: The Movie.  The How I Met Your Mother star won’t be playing a Smurf though.  As this film will be a mix of live action and animation, Harris will be playing the lead live action character.  Too bad, I would have liked to know just which Smurf he’d play.  ”Awesome” Smurf maybe?  Let us know your picks in the comments.

‘Wolverine 2′ starts shooting next January

X-Men Origins: Wolverine was pretty good, but it was missing one thing: ninjas!  Hopefully that will be rectified in the sequel which is set to begin shooting next January.  Delving into Wolvie’s Japanese mythos the script follows stories penned by two pretty big names:

“Based on a story cycle by Frank Miller and Chris Claremont, Wolverine’s adventures in martial arts will be a love story featuring a Japanese actress, I am told. ‘It’s a beautiful story,’ says a source, ‘and will be very different than the first film.’”

Okay, I’m not really sold on the “love story” angle but considering the number of women that went to see Wolverine (pretty much for mutant hunk, Hugh Jackman) at least this will be one you can take your girlfriends to.

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This week on The Flickcast, Chris and Matt are once again joined by Elisabeth Rappe to discuss all things Oscar. With the Academy Awards airing this Sunday, the team discusses the nominees, argues about who might take home a statue, makes their predictions and generally has a great time.

So, fire up your iPod or browser, get your list of nominees ready, listen to the show and follow along and see if your picks match those of our team. Of course, be sure to catch the Oscars live on Sunday, March 7th at 8/5 Pacific on ABC.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, at Facebook and MySpace or via email.

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There was no runaway hit this weekend at the box office, as the top three movies were only separated by a few million dollars. When it was all said and done, Shutter Island managed to hold on to the top spot with $22.2 Million. The movie has managed to gross $75 Million to date.

The Kevin Smith directed Cop Out did not seem to be hindered by horrific reviews. It still came in at the number two spot, and made $18.5 Million. This is the largest opening weekend for a Kevin Smith film. With a $30 Million budget, this movie should be profitable.

Overture films scared up $16.5 Million with the horror flick The Crazies, and it should easily recoup its $20 Million budget.  I was hoping to see a little higher total, but good word of mouth should help this in the next few weeks.

Avatar stuck around yet again, and made $14 Million.  It has now exceeded $700 Million domestically. Next weekend Alice in Wonderland will be taking over a lot of the screens, so there is certain to be a drop in its box office totals.

Holdovers Percy Jackson and Valentine’s Day both brought in about $9M.

This was a big week for news, especially of the comic book movie variety. Surprisingly, even with all that coming out we still have even more items worth talking about on the radar. Batman beats Superman…again, a Star Wars character makes a bid for a mascot job, MGM is still looking for money, Brian De Palma may get paranormal and what cities will Michael Bay reign destruction upon next?

Batman trumps Superman on the auction block

Looks like Batman wasn’t content with beating Superman at the box office, he had to do it at an auction as well. The 1939 first appearance of The Dark Knight sold for a whopping $1,075,500. This beats Superman’s first appearance in comics which sold for 1 million. Sorry, Supes…but, hey, you did land an awesome writer for your upcoming reboot.

Blockbuster struggles to remain relevant in the digital age

Video rental store Blockbuster continues an uphill battle to compete against digital alternatives.  The brick-and-mortar business reported a “$435 million in the fourth quarter, compared with $360 million in red ink in the year-ago frame. Revenue dropped 18% to $1.1 billion.” As companies like Netflix and Redbox continue to steal market share some believe Blockbuster has some merit left:

“The drying up of retail competition from the ongoing closures of most Movie Gallery and Hollywood Video stores; major studios aren’t making their new releases immediately available to Redbox; and Warner Bros. will begin a 28-delay before giving Netflix access to new-release DVDs.”

Personally, I don’t see a rebound at this point and beyond the legit competition Blockbuster still has piracy to content with. Is this the end? We’ll see.

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Between Avatar raking in more money than any other film in the history of Hollywood, and other studios jumping around to upgrade their films for that extra 3D bump, such as Warner pushing back Clash of the Titans so they can go back and convert the film to a more 3D-happy stock, it looks like even more films will be getting this treatment.

IESB recently reported that Lionsgate’s upcoming reboot of Conan the Barbarian (now just titled Conan) will be going 3D, hoping that the film will bring in some of those fans that made Pandora a cash cow. Many other studios have fallen in line with this method, such as MGM changing the release date more than a year so that Joss Whedon’s Cabin in the Woods can get the 3D changeover.

Conan, based on the pulp series by writer Robert E. Howard, will begin filming next month, with Stargate Atlantis actor Jason Momoa stepping in as the sword-swinging barbarian. Mickey Rourke is also rumored to be joining the cast.

Director Martin Scorsese and frequent collaborator Leonardo DiCaprio proved to be a lethal combination at the box office this weekend, as Shutter Island sold the most tickets. The psychological thriller scared up a healthy $40 Million during its first weekend in release, buoyed by mostly favorable reviews. The film piqued the interest of horror fans, DiCaprio fans, and  Scorsese loyalists.

Despite tumbling a massive 69% from its opening weekend, Valentine’s Day still managed to snag an additional $17 Million. Avatar is still comfortably hanging out in the top five, and added $16m to its staggering totals. Ten weeks, people. Unbelievable.

Number four Percy Jackson dropped about 50% for $15 Million. Universal’s worst fears about The Wolfman have come true. The film dropped 68% from last weekend, and made a measly $9.8 Million.  That $150 Million budget looks impossible to make back at this time.

You can’t blame it strictly on bad word of mouth-I have yet to hear of one single person who actually enjoyed Valentine’s Day, yet people still flocked to see the film. Quite frankly, I am scratching my head over this turn of events. There’s a reason I don’t write box office predictions.

Outside of the top five, Dear John is shaping up to be a nice hit for Sony. After 3 weeks in release, the film has more than doubled its budget of $25 Million, and has made a solid $65.9 Million.