This week’s pick is the adventure-comedy classic The Goonies (1985). Richard Donner (Superman I, II, Lethal Weapon series) and Steven Spielberg craft this cult classic, which has entertained countless fans for over twenty-five years.

The Goonies centers around a group of seven outcast teens from Astoria, Oregon whose homes are about to be demolished due to a real estate venture to expand the ritzy Astoria country club into their neighborhood. Facing their last weekend together, Mike Walsh (Sean Astin) and the rest of his friends rummage around his father’s attic and uncover a map, and a Spanish doubloon.

Mikey begins to tell the story of a Seventeenth Century Pirate known as One-Eyed Willie who stole a large assortment of treasure from the English back in 1632, and it was rumored to have been buried somewhere along their coastline. At first, Mikey’s friends seem reluctant to go on one last Goonie adventure but change their minds when they realize that if they were to find One-Eyed Willie’s treasure, they and their families wouldn’t have to leave Astoria.

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Last month we spent time reviewing the Golden Globe nominated film scores, at the time I had only listened to one of them going in so it was a nice way to start award season and catch up on some great scores. Now that the Oscar nominations have been released I was going to do the same thing, only I have already reviewed most of them

Thankfully I spaced out and didn’t review the second of John Williams two nominated scores yet, The Adventures of Tintin, so I can knock out the last of the major nominated scores and be all caught up in time for the big show next month. After this week I will move onto the two films with Oscar nominated songs to spice things up a bit.

The Adventures of Tintin is the second score from Williams this year and in tandem with War Horse showcases the Maestro’s range as a composer, even today. Based on the action/adventure films Williams has composed for in the past, Tintin  marks a bit of a departure as the music is not dominated by specific themes, it is more a collection of classic action music that sets the stage for the impressive animated film.

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More and more, YouTube is become less of a place to watch cats beat up other cats, and more of a place to watch premium content that you are lucky to get for free on demand. In the past few years, one of those premium content trends has been “supercuts” and “movie mashups” where talented editors take clips from films and put them all together in one splendid masterpiece (if we do say so ourselves).

With that, one talented YouTuber named Kees van Dijkjuizen, an 18 year old films student from the Netherlands, who has been doing two series. One of which is a year-in-review Cinema supercut, that he’s done every year since 2008, and the other is his [the films of] series in which he showcases some of the most critically acclaimed directors of our time, from Christopher Nolan, to Tim Burton, and Ridley Scott.

His latest cut is the finale of the latter series, and it’s is a dedication to Steven Spielberg. This was a big one for him, which he lays out in the description.

Film as we know it today was shaped by thousands of creative minds working together to create something special for the audience to experience. Among those is Steven Spielberg; considered by many to be the true master of modern day cinema, Spielberg’s 26 feature films have each taken us to magical worlds, introduced us to fantastic characters and on adventures we will never forget. [the films of] has honored many filmmakers, but none of them as significant to film history as the genius featured in this final episode.

Take a look at the supercut after the jump, and check out his YouTube channel here.

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Daniel Day Lewis is a badass. The There Will Be Blood star is infamous for never breaking character during a film’s production, and it seems that his latest portrayal of the iconic American president in Steven Speilberg’s Lincoln is no exception.

Spotted at a local cafe in Richmond, Virginia by Michael Phillips, this image has been making the rounds as the first glimpse of what this film could look like.  Even though he’s enjoying his meal in jeans and a turtleneck, his hair an makeup certainly make a spot-on Abraham Lincoln.

Take a look at the candid image in full after the jump.

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Often times a filmmaker and a composer find a shared voice, a common approach that allows both to make the project they share truly remarkable. One of the highest profile partnerships is that of Steven Spielberg and John Williams, arguably the two greatest artist in their chosen fields. This winter brings us not one, but two brand new collaborations between these two heavyweights, and today we are going to dig into the first of the two, War Horse.

I was extremely excited when I began listening to this music, every time Williams composes music for a Spielberg film there is a good chance he is crafting something remarkable. The first 25 seconds of the War Horse score immediately let me know this music would be no exception. The score is classic Williams, with a somberness that is just subtle enough to be noticed, but not get in the way of the idealistic sheen that Williams uses so well.

The main theme of War Horse is beautiful, Williams is the greatest theme writer in the history of ever and some how he manages to still do it to this day. The theme is simple, but evocative of early 20th century hopes and dreams as well as the nobility of the soliders fighting in the first two world wars. Which makes sense due to the fact that the film is about the incredible journey of a boy, too young to enlist going to the war torn trenches in France to save his friend, the titular horse. 

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In the interest of full disclosure, I have to reveal I’ve had Stephen King’s Under the Dome on my Kindle for about a year and still haven’t gotten around to reading it. Not that I think it won’t be good, it’s just that other things have come up.

Fortunately, it seems I may not ever have to bother reading the book. Why? Well, today it was announced Showtime is partnering with Steven Spielberg and Stephen King for an Under the Dome drama TV series, which will be produced by DreamWorks Television.

In case you haven’t had the time either and don’t know the story of Under the Dome, it’s a supernatural thriller which revolves around locals at a Maine vacation spot who battle one another when a force field suddenly surrounds their town and cuts them off from the rest of the world. Wasn’t that the premise of an old Twilight Zone episode? Huh.

Anyway, now that the deal appears to be done with Showtime, the search is now underway for a writer (or writers) to adapt the novel into series form. No word yet on who that may be.

However, if I may make a suggestion, I hear Frank Darabont is available. I think he would be a great choice.

Showtime, you listening?

This week’s pick is Clint Eastwood’s World War II masterpiece Flags of Our Fathers that depicts the famous flag raising on Mt. Suribachi on the Pacific island of Iwo Jima. The film stars Ryan Phillippe (Navy Corpman 2^nd class John “Doc” Bradley), Jesse Bradford (Corporal Rene Gagnon), Paul Walker (Sgt. Hank Hansen), and Robert Patrick (Col. Chandler Johnson).

The film is told through a series of flash-forwards and flashbacks, through the three remaining men who were responsible for the flag raising which helped to raise America’s morale as the Pacific war raged on with no foreseeable end in sight. The seven Marines that are the focal point of the film begin their training at Camp Tarawa in Hawaii with mountain climbing and other P.T. drills.

As they set sail towards their destination, it is revealed that the target in question is the Japanese held island of Iwo Jima, which sits just seven hundred miles away from the Japanese mainland.

During a debriefing, the company commander, Captain Severance (McDonough) tells the men that they will meet stiff enemy resistance than ever before because Iwo is Japanese soil and its defenders will fight to the last man in order to prevent the Americans from gaining a closer foothold toward Japan.

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If you’ve been following the saga of a group of ragtag survivors agains seemingly overwhelming alien invaders, aka Falling Skies, then you’re going to be happy about this news. TNT has ordered a second season of the show.

Coming from Steven Spielberg and DreamWorks TV, the show premiered last month with 8 Million viewers, making it cable’s top series launch of the year. Since that time the series has averaged 6.4 Million viewers for its first three episodes and is attracting strong ratings overseas as well.

The network has ordered 10 episodes for Season 2, which is slated to air in Summer 2012. Although that may not seem like a lot of episodes, it’s about average for basic cable.

Falling Skies stars Noah Wyle, Mood Bloodgood, Will Patton, Sarah Carter and Drew Roy. It airs Sundays at 10/9C on TNT.

Things seem to be coming up Spielberg lately, as the iconic director/producer has been on a roll with new projects and productions. He recently turned heads everywhere when he teamed up with modern geek god J.J. Abrams for Super 8, then the first trailer for his Tin Tin film hits the web, and then Transformers 3 arrives.

Now his newest adaptation, War Horse, gets a hot new trailer.

Here’s the full scoop for the film from THR:

The World War I-set movie centers on a horse named Joey and his friendship with a farmer’s son named Albert (Jeremy Irvine). When the two are forcefully parted, the movie follows the horse’s journey through war as he changes and inspires the lives of everyone he meets.

Tom Hiddleston, Benedict Cumberbatch, Patrick Kennedy, Emily Watson, Toby Kebbell, David Thewlis, Eddie Marsa and Peter Mullan also star.

The movie is based on a children’s fiction novel by Michael Morpurgo, first published in 1982, and the 2007 stage adaptation of the same name.

The film is set to arrive in theaters on December 28th, just in time to hit what is now called the Avatar rush. But you can check out the very first trailer after the jump.

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With Comic-Con in San Diego coming next month it stands to reason we will start to get a better idea of what film, TV and comic book creators and studios are going to be bringing to the show. Today the news comes from Fox, who will be brining 13 shows down to San Diego and in particular will be showing off their brand new Steven Spielberg pre-historic time travel drama Terra Nova.

Other shows making an appearance at the Con include the animated Napoleopn Dynamite, Awake, Bones, Bob’s Burgers, The Finder, Allen Gregory, Glee, Bones, Family Guy, The Simpsons, American Dad, The Cleveland Show, and Futurama. So basically, it’s pretty much the Seth McFarland show with a bit of Spielberg thrown in for good measure. Plus, it will be nice to see Stephen Lang get to play a good guy finally.

Oh yeah, those kids from Glee will be there too. Plus, and this isn’t related to Fox, Twilight will also be in attendance and taking over Hall H this year as well. Good times.

Click through for Fox’s schedule. Comic-Con in San Diego goes from July 21 – 24. Of course, as we were last year, we’ll be there this year to bring you all the fun.

So, check back early and often right here for all your Comic-Con 2011 news, reviews, interviews and more.

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While most analysts thought that the famous team-up of JJ Abrams and Steven Spielberg would be box office gold, but it looked like the film failed to draw a massive audience, as Super 8 only opened to an estimated $38 million this weekend.

The film only cost roughly $50 million to make, so the profit margin is larger than it would be on a bigger blockbuster. With critics knocking last week’s X-Men: First Class opening weekend draw of $55 million, this measly $38 million is just that. It turns out mediocre marketing and nameless on-screen talent isn’t all you need to have a big box office weekend.

After it’s big(ger) first weekend, First Class dropped about fifty percent, bringing it to $25 million in the domestic box office and almost $100 million worldwide since last weekend. Coming up in third place this week is the ever popular The Hangover Part 2 with an estimated $18 million.

Next week, we expect big things for the box office as Warner Bros’ Green Lantern opens in over 3,000 screens, and is one fourth of the big superhero blockbusters of 2011.

I’m hesitant to write a summary of Super 8 because I went in knowing nothing about it, had some reservations at first, but was so surprised at around the 10-minute mark that I immediately came on board. So if you’d like to enjoy it cold, read no further. Though I suspect that warning could apply to any film.

Super 8 takes place during the summer of 1979 and follows an outcast group of kids deeply engaged in one of the great pleasures of childhood: making movies. There’s the director Charles (Riley Griffiths), Joe, the makeup guy (Joel Courtney), a few of their bucktoothed, gangly friends, and the female lead Alice (Elle Fanning). Of course, these kids invest much more into their movies than my friends and I ever did (makeup? Multiple angles?), and one of the running gags is Charles’ insistence on production values, regardless of whether it endangers the cast and crew.

While shooting one of the scenes at an abandoned depot, a train barrels past and is derailed by a truck driving down the tracks. The magnificent crash is caught on film and the kids discover that the driver of the truck, who miraculously survives, is their science teacher Mr. Woodward (Glynn Turman), who tells them to get the hell out of there just as the feds arrive.

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