It’s a brand new episode of The Flickcast. Still going strong. We’re doing this!

On this episode Chris and Joe get deep into all-things Dune as they discuss the new trailer for the highly anticipated film, casting highlights from the film, Ridley Scott’s Raised By Wolves, the basics of sci-fi films and tv shows, Amazon’s The Boys, the negative effects of not being able to binge watch, cancel culture and, most importantly, the return of Rick Moranis. 

They also manage to talk about a certain world event (but just a little), further developments in film and television production and how great it is to see so much Sci-Fi programming these days. Plus, of course, the usual more. 

WARNING: This episode contains discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

We’re back baby!

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It’s a brand new episode of The Flickcast. We’re still doing this! High fives all around.

Joe is off this week so Chris, and special guest Rick Marshall of Digital Trends, get deep into all-things movies, television and pop culture with discussions ranging from Zack Snyder’s Justice League to parenting during a pandemic to toxic fandom, the future of movies and movie theaters, their first “adult” movie experiences, what they’re watching and looking forward to and a whole lot more.

No really, they talk about a lot of stuff . . . and most of it’s pretty damn interesting. Why not give it a listen?

WARNING: This episode contains discussions about COVID-19, mental health, toxic fandom and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Also, here’s that Patreon Link again, just in case you missed it the first thousand times. Thanks!

We’re back baby!

Subscribe: Apple Podcasts | Android | Stitcher | TuneIn | Spotify | RSS

While this past week had a few fun trailers, unfortunately there wasn’t anything that I’m going to be waiting in line opening night to see.  It seems that we have fully transitioned out of the exciting summer films and are now getting prepared for the mediocre releases that didn’t quite make the summer block.

This week we have a couple big budget films that I feel obligated to talk about, a couple smaller indies I’m a little more excited for, and — Moon Nazis!

Real Steel

Click to see the trailer

There was an early teaser that came out for this last year, but this is the first chance that we really get to see the story of this film.  On one level you instantly want to dismiss this film as “Rock ‘Em Sock ‘Em Robots: The Movie,” sure to be filled with terrible dialogue and cheesy one-liners.  But on another level you hope that this interesting premise might actually turn out to be a fresh take on inspiring boxing films.

Hugh Jackman (X-Men, The Prestige) is usually pretty decent in whatever he does, but who I would be most interested to see is Evangeline Lilly in this role, who is most famous as Kate from Lost.  Although she was in The Hurt Locker for a bit, this will definitely be her biggest step into features.

While part of me is excited to see some fun robot violence, I feel ultimately this film has to disappoint.  Everyone is going to be expecting Transformers quality CGI, but there is no way they had the budget to pull that off.  And, I get the feeling that people are going to want this film to have more heart that it will end up having.

Though it was upsetting to see Darren Aronofsky to walk away from helming a reboot of the classic 1980’s sci-fi franchise Robocop, we knew that him working on a sequel to X-Men Origins: Wolverine may be a better fit. Also, we were sure MGM would find someone to take on the half-cop, half-machine.

It looks like that creative team is finally coming together. MGM already announced that foreign action director Jose Padilha will be taking on the role of director for the upcoming film, and now news is coming in that the studio has hired Josh Zetumer to pen the script.

Who exactly is Josh Zetumer? Well from what Deadline has been able to dig up, he looks to be Hollywood’s next big thing, if we ever get to see one of his films.

Zetumer first got on the radar when he wrote the script Infiltrator, which made the Black List. That spy thriller script is set at Warner Bros as a potential starring vehicle for Leonardo DiCaprio.

He also wrote drafts of Dune when Peter Berg was going to direct that remake at Paramount, and he scripted a fourth installment of The Bourne Identity before Universal instead developed a spinoff with Tony Gilroy. Zetumer just turned in Vale, a supernatural action thriller script at Warner Bros.

So while Detroit is still battling with getting their real-life RoboCop statue to kick off, we could be seeing more of this celluloid version very soon. The next question then becomes: who will they get to play protagonist Alex Murphy aka RoboCop? We’re sure to get an answer soon enough.

You have to love the Internets. Things tend to come out or people are more likely to release things these days because they know they will probably end up with a pretty decent sized audience. Recently, we had video of a young Eric Stoltz as the first Marty McFly in Back to the Future and now actress Sean Young brings us video she shot while making David Lynch’s epic, yet flawed, masterpiece Dune.

Shot during 1983 while Young was in production on the film in Mexico, the video shows much of the cast and crew (including co-stars Sting and Kyle MacLachlan) hard at work attempting to realize director Lynch’s vision. If only we could hear what they were saying instead of just seeing them. Oh well, still love the Super 8 camera.

It’s always interesting to watch videos like this and be able to go back and see how things used to be. Plus, insights into a film so many have mixed feelings about are always appreciated. For me, the film was somewhat confusing and a bit of a mess when I first experienced it. But as time has gone on I’ve started to have more of an appreciation for it but haven’t seen it in some time.

This video only serves to spark my interest again. Maybe it’s time for a re-watch? Check out the video after the break.