It’s a brand new episode of The Flickcast and on this one Chris and Joe move into a different dimension: time. That’s right, time. As in they go back in time . . . back to the beginning.

If you’ve ever wondered how it all started and what shaped and created our intrepid hosts, then you’re in for a treat. This is that story.

But don’t worry. There’s no radioactive spiders, fleeing far away planets right before they explode or parents being killed in an alley next to a movie theater. And absolutely no pearl necklaces falling to the ground in excruciating slo-mo. Not this time, anyway.

Instead, the boys take it all the way back and talk about the things that made them they way they are today. Movies, television, music, games, comics and many of the other influences that shaped their impressionable young minds. In other words: This is their origin story.

It’s pretty epic. Thanks for listening.

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: NBC/Universal

Opening and end music by Kevin MacLeod under Creative Commons License

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That’s right. It’s time for a brand new episode of The Flickcast. And because we don’t really keep to a regular schedule these days, let’s just say this one arrived right on time. Cool? Cool.

On this week’s show Chris and Joe pretty much devote the entire episode to the latest Marvel blockbuster Captain America: Civil War. It’s a big movie and it deserves a lot of time for discussion. So, the boys take a lot of time.

They do manage to discuss a couple other things too, but that’s pretty much near the end. So if you’re looking for some Civil War talk, you’ve come to the right place. If you want something else, well, there’s always next week.

Picks this week include, you guessed it, Captain America: Civil War. Unanimously. But really, we don’t have to tell you to go see this one, do we?

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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That’s right, it’s time for an all-new episode of The Flickcast! Finally. We had some issues this week. What are you gonna do? At least it’s out now, so enjoy!

On this week’s show Chris and Joe get down to the end. Well, the end of a couple TV shows anyway with the season finales of The Last Ship and the much-discussed Mr. Robot. There’s also some talk about the new The Force Awakens teaser, Star Wars in general, the need for more Batman in the next Superman movie, the genius of Jack Kirby and a whole lot more.

Picks this week include Chris’ pick of the book Kirby: King of Comics and Joe’s pick of the new album from the band Spock’s Beard.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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You knew it was bound to happen. After all, it’s been years since the last cinematic incarnation of Marvel’s Fantastic Four. You know, the one that featured Captain America‘s Chris Evans in his first Marvel superhero role: Johnny Storm aka The Human Torch.

Well, have no fear, there’s a new version of the Fantastic Four coming our way. In fact, the first teaser for it just dropped and we have to say, it looks pretty good. Sure, you could argue about some of the casting or story choices (especially certain family ties, or lack of) but that’s not really the point.

This is a movie based on a comic book series. It may not satisfy everyone, especially hard-core comics fans, but it might just be a good movie anyway.

We’ll find out when it hits theaters on August 7. Check it out after the break.

That’s right folks, we’re going for the record. Two episodes … in a row! As always, no need to thank us. We do it for the love.

Speaking of love (or similar), Chris and Joe have a whole slew of new and recurring topics for the show this week. Some of these topics include the return of Agents of S.H.I.E.L.D., Star Trek movie casting rumors, the Marvel vs. Jack Kirby Estate lawsuit, the return of the Bionic Woman and a whole lot more, more, more.

Picks this week include Chris’ pick of the novel Patient Zero by Jonathan Maberry and Joe’s pick of the new Bionic Woman Season Four comic written by Brandon Jerwa with art by David T. Cabrera and cover by Sean Chen.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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That’s right, there’s a brand new episode of The Flickcast for you to enjoy. And on the correct day too. No, no need to thank us. We do it all for you.

As you would expect, this week Chris and Joe take on some new topics and revisit old ones. But really, they spend most of the episode talking about Captain America: The Winter Soldier and Agents of S.H.I.E.L.D. You got a problem with that? No. Okay then.

This week’s picks include Chris’ pick of the collected comic book trade of The Winter Soldier by Ed Brubaker and Joe’s pick of the band Sound of Contact. Just trying to keep it diverse. Don’t judge.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

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Marvel fans who have been dreaming about future sequels to Iron Man, X-Men, The Incredible Hulk and Spider-Man might be entering into a creative nightmare. According to The Hollywood Reporter the children of comic book icon Jack Kirby have officially sued Marvel to terminate copyrights and gain profits from such lucrative comic creations as Iron Man, X-Men, The Incredible Hulk and Spider-Man.

The suit, officially filed in U.S. District Court in Los Angeles, is a follow-up move from the 45 notices of termination the estate sent out to Marvel, and owner the Walt Disney Co., as well as Sony, Universal, Fox in September of 2009. Marvel responded in January, filing its own lawsuit, claiming the creations were “work-made-for-hire” and that Marvel was the real “author” of such works under the 1909 Copyright Act.

Kirby’s heirs are seeking declaratory relief, including copyright termination and profits, focusing on Kirby’s chief creative period, from 1958 to 1963, when Marvel existed in a tiny office with few employees and relied upon “freelancers to which they had little or no obligation.” As such, they are disputing Marvel’s claim that all creations were “work for hire.”

Before getting a chance to sit down and talk with Dean Haspiel (American Splendor, The Quitter, Billy Dogma) at the Alternative Press Expo, I met him at the Isotope Comics Lounge on the eve of APE weekend for a pre-APE Isotope in-store bash. Currently, Haspiel is but one artist that is part of a larger collective of storytellers at ACT-I-VATE.

Recently, October saw the recent release of The ACT-I-VATE Primer by IDW Publishing, featuring new and original stories. While at the Isotope, I discovered Haspiel is as gracious and as nice as I could have imagined just sitting and talking with him as he signed and sketched a head shot of Harvey Pekar in my copy of The Quitter.

That night talking generally about the unique positivity that courses through the comic industry, Haspiel signs my Pekar sketch advising me to “never quit.” It’s good advice.

Needless to say, I was excited to sit down and talk with Haspiel again on Sunday as APE was coming to a close.

Joey Pangilinan: How did you come to start working with Harvey?

Dean Haspiel: Here’s a long answer to a simple question. I grew up reading superhero comics. My dream was to become a penciler and draw for Marvel. I didn’t know there were other comics that could be non-superhero or not published by DC and Marvel. I started to expand my horizons and got hungrier for the medium.

In the early ‘80s, I discovered American Splendor, at a place called Soho Zat in lower Manhattan, which had a lot of alternative and underground comics, and I discovered a whole bunch of different types of works.

So, there I am reading the Fantastic Four, and suddenly I come across semi-autobiographical comics and stuff like Yummy Fur by Chester Brown, and it just blew my mind. I started out being a fan, like most people are, of Harvey Pekar, or whoever else they admire.

It would seem the children of legendary comic book creator Jack Kirby want some of that four billion dollars that changed hands between Marvel and Disney a few weeks back. Earlier this week, The Kirby estate issued 45 notices of termination of copyright against Marvel.  If acted on, it means Marvel could lose control of characters such as The Silver Surfer, Hulk, The Fantastic Four, and Thor (to name just a few).  Of course, Marvel would seemingly never let such a pantheon of characters go so this could end up turning into a windfall for the Kirby kids in the way of royalties.

It’s hard not to compare this case with the ongoing actions between Warner Brothers (specifically DC Comics/Entertainment) and the estate of Superman creator Jerry Siegel.  Siegel’s family is seeking to regain the rights to Superman from DC.   Actually, the connection is closer then you may think.  You see, the law firm representing the Siegel family, LA-based Toberoff and Associates, is the same one acting on behalf of the Kirby family.