The funny thing is that movie games have a pretty terrible reputation in the gaming world. Most are quickly put together knock-offs of what could be considered a full game that depend upon riding on the fame of the established franchise. But back in 2004, Spider-Man 2 based off the Sami Rami take on the franchise changed all that.

Without reliance upon the movie, Spider-Man 2 as a game was just good. It was a great movie game, a great super hero game and most importantly a great Spider-Man game (considered the best of the character up to this point). But ten years later, the game and movie franchises have both gotten a reboot and that’s not always a good thing.

The Long…

First let’s talk about the story of The Amazing Spider-Man 2. While I applaud the writers trying to separate themselves from the movie slightly be adding in a whole new subplot connecting the scenes between the movie as previous games often do, the beats in this one just feel off. The early beat that introduces the game’s main antagonist also directly messes with the whole Uncle Ben story and what happens to Ben’s killer. It feels about as accurate to the character as Superman killing in Man of Steel.

Taking a cue from the designs of Pacific Rim, The Art of Titanfall shows the titans as less than beautiful pieces of hardware that feel like lumbering hulks meant to take a beating as well as delivering them. With only three basic units, there is a great balance in diversity and design of each titan. During the fast paced battles of the Titanfall game, it’s incredibly challenging to try and notice these details but the art book allows you to really appreciate it from the pulled back perspective.

The Art of Titanfall does an awesome exploration of the maps as well. Though not giving a full breakdown as if it was a strategy guide, The Art of Titanfall allows a player to again appreciate the care put into each map that they’d never get to during the heat of battle.

These kids today have it too easy. Back in our day there were certain aspects of being a gamer you just had to deal with. Polygons could be maxed out on screen. You’d have to use your imagination to see what the little collection of blocks represented. And one thing we all knew was that if you made it into the beta testing phase of a game, things were bound to be broken. But that was to be expected. A beta wasn’t a finished product and you “paid” for the early gameplay by dealing with the bugs. Kids today don’t get betas. They just get an extended demo and that’s why they don’t know the pain we went through growing up.

What brought on this jaded old man tirade you ask? The Titanfall beta of course. Don’t misinterpret, there is nothing wrong with the Titanfall beta. Between the beta and the awesome art book I got today (don’t worry, a review is coming soon), I am going to be picking up Titanfall on launch. But when playing it, it hasn’t been a beta experience. The game runs smooth, controls great and looks fantastic. The only limits are some of the maps and weapons not being fully unlocked. It’s basically a smaller version of the final product. And that’s not a beta. It’s a demo. But they’ve changed the name because beta access is a better buzz phrase for marketing.

Tomorrow, a new Free-To-Play FPS takes the field to take on the king of the hill, Team Fortress 2. There are a lot of the same sensibilities and even certain aspects of the art style that can be seen in both Loadout and Team Fortress 2 but Loadout looks to deliver a much more over the top and immaturely “mature” experience. Loadout will be releasing tomorrow on Steam for PC.

As you’ll see in the trailer below (or if you watched any of their Let’s Play footage), the team from Rooster Teeth can’t help but fill the internet with their foul mouths when playing Loadout. The game lends itself to it so naturally.

With over 44,000,000 combinations of weapons that can be created and mashed together, it’s hard not to swear when you see your character survive an explosion that has blown most of their face off or left a hole clear in the center of their chest.

Yesterday, Activision gave the first detailed glimpse at Onslaught, the first DLC pack for Call of Duty: Ghosts. As has become the standard, the pack will include four regular multiplayer maps, one new weapon and one survival map, this time for the Extinction game mode. As you’ll see in the trailer after the break, the multiplayer levels are more goal oriented than ever before with a “reward” system that looks to really change the dynamic of each individual match.

The most exciting new map has to be Fog. A dark and spooky backwoods map with cabins and a barn, the real excitement comes from the completed field order which turns a player into Michael Meyers. Yes, from Halloween. When you’re Michael, you get armed with an axe… and his signature theme music. When you get close, your victim knows it’s coming and hear it before you take them out.