This week’s episode is another Deep Dive where we go, well, deep into the body of work and life of a particular creator. This week’s subject is Director and Producer Ridley Scott. whose career has been quite interesting, to say the least. 

His somewhat eclectic roster of films including Alien, Blade Runner, Legend, Back Hawk Down, Thelma and Louise, Gladiator and The Martian demonstrate his keen sense of style and storytelling prowess. His films have been lauded as groundbreaking and stylistically influential to a generation of filmmakers that followed. He’s also won numbers awards, including the Academy Award for Best Picture for Gladiator. In short, he’s pretty badass. 

As with our previous Deep Dive, this episode was recorded and released first for our Patrons, but now we want all of you to hear it too. It’s just that good. 

If we’re being totally honest (which we try to be), we weren’t going to release this episode this week, but due to unforeseen circumstances, here it is. It’s better this way, really, the actual episode we were going to do for this week would probably have been shit. So, consider yourselves lucky.

Thanks for listening!

WARNING: This episode may contain discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Photo: 20th Century Fox/Alamy Photo/Screen Prod

Subscribe: Apple Podcasts | Spotify | iHeartRadio | Stitcher | TuneIn | RSS

That’s right, it’s time for a brand new episode of The Flickcast. It’s a new years gift just for you!

On this week’s episode Chris and Joe finally discuss everything Rogue One. They also discuss new trailers for Alien: Covenant and Blade Runner 2049. Plus, the usual more.

Beer selections this week include Mosaic IPA from Community Brewing Co. for Chris and Steel Bridge Porter from Widmer Brothers Brewing for Joe. Picks this week include Chris’ pick of the FujiFilm Instax camera and Joe’s pick of latest Raspberry Pi device.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

Subscribe: Apple Podcasts | Spotify | iHeartRadio | Stitcher | TuneIn | RSS

Even if you’re a fan of Apple or the iPhone and iPad, that doesn’t mean everyone is. In fact, Google’s Android OS is also very popular and powers many devices people use every day.

One thing that’s been a bit lacking on the Android front is the amount of movie and TV content available from Google’s Play store. Well, thanks to a deal Google just finalized with 20th Century Fox, that’s about to get a lot better.

That’s right, Google Play will start selling and/or renting 600 titles from 20th Century Fox including Family Guy, Glee, Modern Family, Black Swan, X-Men and Ice Age. In addition, to help get the deal started off on the right virtual foot, Google Play will offer Ridley Scottt’s Prometheus 3 weeks ahead of its Blu-ray, DVD and video-on-demand release. In other words, today.

The rest of the content will be releasing during the coming weeks. Pretty cool. It’s always nice to have alternatives, especially if you’re already invested in the Android ecosystem as many are.

Despite a divided reception among fans and critics, Prometheus still managed to be a mild financial success for Fox this summer. So much so that the studio is actively working on a sequel to the prequel-ish film.

The Hollywood Reporter has learned directly from Fox that the potential continuation of this new branch of the Alien universe is in go mode:

Scott and the studio actively are pushing ahead with a follow-up (stars Michael Fassbender and Noomi Rapace are signed) and are talking to new writers because Prometheus co-scribe Damon Lindelof might not be available. “Ridley is incredibly excited about the movie, but we have to get it right. We can’t rush it,”… A Prometheus sequel would be released in 2014 or 2015.

People give Fox a lot of gruff for how they have been handling their genre franchises in the last decade, but recently they have shown a commitment to those franchises that goes beyond the new standard of reboot. It is almost refreshing to see a studio stubbornly standing behind the good and bad of what came before.

In the case of Prometheus, even though some people didn’t like the film, few people disagree that heady sci-fi like that should be encouraged. So this news is met with cautious optimism, if for no other reason than the hope that we get the definitive Fassbender as a decapitated head film.

Keep it tuned to The Flickcast for any new updates on Prometheus 2: Electric Boogaloo.

Ted has set the new standard for original R-Rated comedies, bringing in just over $54 Million dollars during the weekend. The Seth McFarlane directorial debut has established a record for comedies not based on an existing franchise, and led the pack of a very big box office weekend.

In addition to the big Ted weekend, Magic Mike came out strong for an R-Rated male stripper opus. The duel R-Rated comedies actually both over performed estimates to combine for an incredibly strong June weekend.

Magic Mike was able to capitalize on the fervent female movie going audience that was more than ready to swarm to the theater to see Channing Tatum swing his groove thing. Even though the film brought in a very respectable weekend number, it was very top-heavy, with more than half of its opening weekend coming from Friday alone.

Disney/PIXAR’s Brave rounds out the top three with another $34+ Million. The solid third place finish places the PIXAR film well on the path for another $200+ Million domestic total for the venerable animation studio. That said, the 48.7% drop represents a higher than normal number for PIXAR.

Many people have been quick to judge PIXAR to be in a slump. Saying that their last film, Cars 2, was horrible and Brave is just mediocre. I have a feeling that sentiment will erode over time, when people look back and see that Mars Needs Moms received reviews more or less the same as Cars 2, people will realize they might have been too quick declare PIXAR’s creative death.

This, however, is a nuts and bolts box office report, so the most important thing is that Brave has brought in PIXAR’s 13th strait number one opening. A staggering string of success that shows no sign of letting up in the near future. Brave‘s $66+ Million opening weekend is pretty par for the course for a PIXAR film.

Coming in second place is Madagascar 3, cooling off from back to back number one weekends with a cool $20 Million. This good hold comes as a bit of a surprise with the seeming direct completion from the new PIXAR film. The sequel seems to have strong enough word of mouth to potentially make this the most successful Madagascar yet. 

Prometheus might have been the polarizing talking point over the weekend, but there is no debate that it made a ton of money over the weekend. Of course even it’s impressive haul was only good enough for second place in a competitive first frame for two new pictures.

Madagascar 3 came from behind after getting slightly edged on Friday with $60+ Million three-day weekend. The third film in the animated series was basically par for the course for the series, which is kind of impressive considering the general perception of the last film.

Coming in second on the weekend was the previously mentioned Ridley Scott film. Prometheus managed to top the $50 Million mark over the weekend which is a major win for the R-Rated horror/sci-fi film. Even though the film is polarizing audiences, its financial success is a win for fans of thought-provoking and edgy sci-fi.

For all of you who have been buying into the ‘drama’ surrounding Prometheus’ ultimate rating, we have some good news for you. Fox has confirmed that the moody, dark and probably terrifying sci-fi film will indeed be rated R for sci-fi violence including intense images, and brief language.

Many people never believed that a PG-13 rating was possible for the subject matter, so when it took this long to get a confirmed rating people were getting nervous. It also didn’t help that Ridley Scott has been telling people conflicted things about the movie, the process and the rating for months now.

Speaking of which, Prometheus must be setting a new record for the most outright and open deception from a filmmaker to his audience. Scott has gone on record with several quotes that don’t seem to right based on the footage we are seeing. He already famously said the film would not be a prequel to Alien and only have a core DNA similarity with that franchise. Watching the trailer for 2 seconds pretty much disproves that concept.

Universal has announced that it is looking to bring The Mummy franchise back from the dead once again. The studio is planning on a reboot of the already rebooted series, which like a lot of Hollywood is a safe move.

And no, Brendan Fraser probably won’t be attached.

Universal has already rebooted the series once with Stephen Sommers’ loose 1999 remake of 1932’s original Mummy movie. That film spawned a myriad of sequels, including spinoffs of like the Scorpion King,which had spinoffs of its own.  Now the film is getting a reboot by Prometheus co-writer Jon Spaihts.

Often when searching the vastness of the Internets for interesting things to bring you, our very important readers, we come across people doing cool things with video. This time around it’s Doug King and his show Trailer Shots.

In this particular show, King combines two of the things we love the most: movie trailers and booze. The premise is simplicity itself, he highlights a few trailers for upcoming movies and then details a themed cocktail recipe that fits in perfectly with the trailers presented.

The most recent episode features trailers for upcoming movies Abraham Lincoln: Vampire Hunter, Battleship and Ridley Scott’s highly anticipated Prometheus. Then, King introduces viewers to a new libation known as the Alien Secretion. We haven’t tried it yet but it sounds pretty good.

We’ve also got an earlier episode of the show after the break to share with you. In this one, look for trailers from upcoming movies Dark Shadows, Rock of Ages, and The Bourne Legacy. And, of course, a cocktail recipe called Barnabas Collins, which works well if you’ve seen the trailer for Dark Shadows.

Take a look at Part One of the Horror 2012 movie preview here. We’ve already talked about Women wearing Black, Ravens, and a few other things that go bump in the night, but this spring and summer is when we’re going to get some true horror in theaters. Let’s get started, shall we?

April 13, 2012 – Cabin in the Woods

The Cabin in the Woods (Distributed by Lionsgate Films) Produced by Joss Whedon, this film promises a new spin on the basic remote thriller concept in this voyeuristic slasher.

April 20, 2012 – House at the End of the Street

(Distributed by Relativity Media) Based on a treatment and short story written by Jonathan Demme and Mostow, the story focuses on a girl’s discovery of the murder in the home across the street from her new home.  Things become complicated when she befriends the victim’s son.

Two of the best filmmakers working today have giant blockbusters planned for 2012. Christopher Nolan and Ridley Scott are both bringing continuations of their star making franchises to the big screen. While Nolan is ending his run in the Batman universe with The Dark Knight Rises, Ridley Scott is breathing new life into the dormant Alien franchise with a prequel that may or may not have all that much to do with the previous films.

The Dark Knight Rises poster focuses on Bane walking away from a shattered Batman cowl. This really sells the concept of finality that this film brings. It is also nice to see the filmmakers not shying away from the fact that the character of Bane was created for one purpose, to break the bat.

Prometheus on the other hand is a far more intriguing one-sheet. The large head that dominates the poster raises more questions then can be answered. There are also a lot of small little design choices that echo the fact that this movie is set in the Alien universe. That posters sits rater nicely next to previous Alien films.

Check out both new posters in their full glory after the jump.