The Hollywood Walk of Fame is a lot like the Golden Globes. It is an honor in and of itself, but it is often awarded to someone whose project has a large advertising budget. This causes many cynics out there to feel it has no merit at all, but at the end of the day it is an honor and is part of the fabric of Hollywood.

The 2,459th star to adorn Hollywood Blvd is officially going to The Simpsons creator Matt Groening. Just in time for the 500th episode airing in two weeks, Groening will be honored with a star devoted entirely to him. A previous star honoring the Simpsons themselves already lines the famed street, close to where Groenings own star will soon be located.

Groening has forever left an indelible mark on society.   Voted the “Best Show of the 20^th Century” by Time Magazine, the [Simpsons] has left a path of catch-phrases (Homer’s “D’oh!” and Bart’s “Eat my shorts”) and societal commentary. It has also given birth to a theme park ride and United States postage stamps, personally designed by Groening. He served as producer and writer during the four-year process of the long-awaited hit feature film The Simpsons Movie, released in July 2007.  

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Last month we spent time reviewing the Golden Globe nominated film scores, at the time I had only listened to one of them going in so it was a nice way to start award season and catch up on some great scores. Now that the Oscar nominations have been released I was going to do the same thing, only I have already reviewed most of them

Thankfully I spaced out and didn’t review the second of John Williams two nominated scores yet, The Adventures of Tintin, so I can knock out the last of the major nominated scores and be all caught up in time for the big show next month. After this week I will move onto the two films with Oscar nominated songs to spice things up a bit.

The Adventures of Tintin is the second score from Williams this year and in tandem with War Horse showcases the Maestro’s range as a composer, even today. Based on the action/adventure films Williams has composed for in the past, Tintin  marks a bit of a departure as the music is not dominated by specific themes, it is more a collection of classic action music that sets the stage for the impressive animated film.

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You might not know the name H. Jon Benjamin, though you should, but you have probably heard his voice. The star of the FX animated series Archer has been a staple of primetime and late night animation for years. From Adult Swim to FX and even Fox, Benjamin has been almost anywhere animation is aimed at teens and adults.

TheFlickcast recently had the opportunity to hear insights on all things H. Jon Benjamin from the man himself. He discusses the process of Archer as well as the new season, how he is just like Sterling Archer and even the fate of his Comedy Central show.

On ad-libbing in the Archer recording booth 

Very little.  There is not a lot of room.  The scripts are tightly written and he encourages sometimes on occasion, he’ll be like do you want to add anything, and I’ll say no.  So it’s not the same kind of production as Bob’s Burgers, which is a lot improvising all the time, but the scripts don’t really require it.

On Archer‘s popularity with the masses

Well, the masses are idiots, so they don’t know any better.  They’re too busy just staring at the light and cartoons are colorful.  So don’t get me started about the masses.  I’m really not a fan.

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Stop-Motion animation is a craft, it takes time and true artistry to create convincing motion with tangible puppets. The end result is a rich, textured world that is more immersive than traditional animation. Next year promises to be a good year for the medium with two new stop-motion movies on the way.

The most intriguing of the two is called ParaNorman, which got an incredibly stylish and moody teaser a while back. Now we have are first taste of the story and some of the characters in a new teaser that was just released. In case you were unaware of what ParaNorman is all about here is a synopsis:

“In ParaNorman, a small town comes under siege by zombies. Who can it call? Only misunderstood local boy Norman (voiced by Kodi Smit-McPhee), who is able to speak with the dead. In addition to the zombies, he’ll have to take on ghosts, witches and, worst of all, moronic grown-ups, to save his town from a centuries-old curse. But this young ghoul whisperer may find his paranormal activities pushed to their otherworldly limits.”

The film looks tremendous and is high on our must see list for 2012. ParaNorman is set for a September 14th, 2012 release date.

You can check out the gorgeous new teaser after the jump.

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Family Guy is a popular show. It has legions of fans who have made it an institution. Once it gets dark outside you can almost certainly find an episode on TV somewhere, and it’s popularity doesn’t seem to be waning. I personally feel it’s hit and miss style of throwing everything on the wall and seeing what sticks makes for an inconsistent show. But credit where credit is due I watch the show all the time, and digging into this set was a generally very pleasant experience.

The show continues on in this ninth volume, which is anchored by one of the better episodes Family Guy has ever produced. ‘And Then There Were Fewer’ is clearly the gem of this collection as it is the inspiration for the box art and menu screens. The set also has some pretty solid special features and, annoyingly, an episode from The Cleveland Show.

Interestingly though this set doesn’t follow along with any typical season order. It includes the end of the eighth season and the beginning of the ninth. I am not sure when the show jumped off of season based sets, but this odd organizational decision makes for a rather frustrating time when looking for specific episodes from specific seasons.

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OK, I am calling it right now. Henry Jackman is a composer to watch. So far this year he has scored three films, all with a unique, interesting and fun sound. First it was the stellar X-Men: First Class, my review of which can be found here, followed by Winnie the Pooh which was really good in very different ways. Now Jackman brings his up and coming stylings to another animated feature, although this time one that has it’s roots in a decidedly different musical lineage.

Puss in Boots is the first spin off film in the Shrek franchise, and it follows the titular Puss (tee hee), played by Antonio Bandaras, in his own adventures. Puss was a highlight of the second film and one of the few good parts of the third and fourth movies so a stand alone feature might work.

The film is about sword-wielding avenger with a thick Spanish accent played by Antonio Bandaras, and if you immediately thought Zorro then you and Mr. Jackman might have something in common.

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In a time when digital HD, cable, and satellite TV bring us thousands (that’s right: thousands) of different channels to choose from in our day-to-day viewing schedule, doesn’t it make sense that one of those channels should be dedicated to one of the most popular animated sitcoms in American TV history?

That’s what News Corp. is thinking, as they’re toying with the idea of bringing us an entire channel dedicated to The Simpsons. Here’s the speculative report from LA Times.

Noting that “The Simpsons” shows no sign of slowing down as it prepares to start its 23rd season on News Corp.’s Fox network, News Corp. Chief Operating Officer Chase Carey said the company is starting to have internal discussions about how to create additional revenue streams for the animated hit that goes beyond reruns on TV stations and DVD sales.

Any effort at creating a platform just for “The Simpsons” may have to wait for the show to stop producing new episodes. Because the show is still in production after more than two decades, the rerun deals done years ago are still in effect. Once the show ends, so-called second cycle sales of repeat episodes can be sold. Although some shows might seem stale after 20 years, “The Simpsons” continues to be a solid performer.

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Whatever your feelings about Star Wars, and in particular the second trilogy, Cartoon Network is doing a pretty good job with their animated series The Clone Wars. The show has already been on the air for three seasons and is very popular with fans new and old.

With season four about to get underway, Cartoon Network has revealed today the premiere date for that season and also sent us a cool trailer to help get you ready for it. And this new season promises to deliver even more thrills and excitement for fans.

Here’s the scoop for season four directly from the network:

As the heroic Jedi Knights and their clone army fight to preserve order, their efforts continue to be met with strong resistance from the massive Separatist droid army. Escalating and expanding into uncharted corners of the galaxy, the scope and scale of Star Wars: The Clone Wars continue to grow – with exotic adventures and enhanced animation strengthening ties to the Star Wars saga.

Within the galactic battle, fearsome foes from the past return to settle the score. As unexpected alliances are formed on both sides of the battle, the action explodes and the course of the war takes an unforeseen turn!

Star Wars: The Clone Wars premieres on Cartoon Network, Friday, September 16 at 8PM (E/P). Click through to check out the trailer for the new season.

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When they first seated the cast and crew of the new Adult Swim animated comedy Black Dynamite at my table, I don’t think they realized we were there for the roundtable discussion.  Spending the first 5 minutes of the interview talking about YouTube videos and their co-star J.B. Smooth spitting all over the recording mic, I honestly was just enjoying seeing them hang out.  Eventually, they realized I was there for the interview and we got down to business.

Among those at the table were executive producer Carl Jones, best known for producing The Boondocks on Adult Swim, co-executive producer Brian Ash, and cast members Kym Whitley and Michael Jai White, who you can check out  in Matt Raub’s video interview later.

Quick background:  the Black Dynamite animated series is actually a spin off of a 2009 blaxploitation spoof.  Starring a lot of the same cast including Michael Jai White and Byron Minns, the film premiered at Sundance that year.  Director Scott Sanders shot the movie on Super 16 film as a direct homage/satire of the cult genre from the 70s.  Here is where I would give a quick plot recap, but I will never word it better than the description found on the official website:

“When ‘The Man’ murders his brother, pumps heroin into local orphanages, and floods the ghetto with adulterated malt liquor, Black Dynamite is the one hero willing to fight all the way from the blood-soaked city streets to the hallowed halls of the Honkey House.”

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Film composers for the Pixar films have been a pretty exclusive club up to this point. It began with Randy Newman, then stayed in the family when Thomas Newman came over to work with Andrew Stanton,. Finally Michael Giacchino came aboard with Incredibles and that was basically it. Randy Newman and Giacchino both won Oscars for their Pixar works and Thomas Newman has been nominated for three of his own. So when a new composer is signed to join those storied ranks it is exciting news.

The Scotsman is reporting that Harry Potter and the Goblet of Fire composer Patrick Doyle has been hired to write the music for the next Pixar film Brave. The new film centers on a Scottish princess and boasts many other departures from the normal Pixar mold.

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That’s right ThunderCats fans, you’re happiest day of days is almost here. The brand new, updated ThunderCats series is set to hit CartoonNetwork next month.

The series begins with an hour-long premiere on Friday, July 29, at 8PM E/P. Following the premiere, the show will air regularly on Cartoon Network Friday nights at 8:30PM E/P beginning August 5.

Here’s the scoop on the show, direct from Cartoon Network:

On Third Earth, the kingdom of Thundera is being threatened by the evil sorcerer Mumm-Ra, and Lion-O, the young heir to the throne, embarks on a great quest to take his rightful place as king. The unlikely champion must work with his faithful comrades Tygra, Cheetara, Panthro, WilyKit, WilyKat, and his loyal pet, Snarf, who join him on his journey to save their world from darkness.

As someone who loved this series when he was a kid, I’m looking forward to checking out the new one. Of course, it’s probably not meant for me so i hope it attracts a whole new generation of fans.

Expect more on this show during Comic-Con in San Diego. Meantime, for more deets, check out the full press release from Cartoon Network after the break.

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PIXAR began taking the cinematic world by storm in 1995 with the original Toy Story. Part of what made that film so good was the songs and score by Randy Newman, who would go on to write music for the next three PIXAR films. For the fifth film by the studio, Randy’s cousin Thomas Newman stepped up to the plate for the Finding Nemo score. It began to look like the Newman scoring dynasty had the monopoly on Disney’s golden goose.

That was until PIXAR brought in an outsider to direct their sixth film, The Incredibles. Brad Bird brought on young TV composer Michael Giacchino to write the Bond-tastic music and the rest is history. Giacchino has since won an Oscar, and was nominated for another, for his work with PIXAR and now has come full circle with another international spy influenced score for Cars 2.

There are few things that are a certainty in life, and it is starting to become obvious that one of them is Giacchino’s PIXAR scores are some of the greatest pieces of music written in the last decade. Cars 2 is absolutely not an exception to that rule. The music is fun, exciting and catchy as all hell, I instantly find myself whistling and humming along with the tracks. I have only been with the CD for a week and I already count it as being as good as the best scores from last year.

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