It’s a brand new episode of The Flickcast. Yes, that’s right. We’re doing this!

On this episode Chris and Joe are joined by “first guest” Matt Raub. He’s one of the original co-host of The Flickcast. Oh, and he’s also done some other stuff with online gaming or something.

Oh yeah, he’s the VP of Smosh and Smosh Games, some of the most popular YouTube and streaming channels ever created. That’s pretty cool. We’re glad to have him back.

Besides discussing all of Matt’s accomplishments, the trio also manage to talk about a certain world event (but just a little), further developments in film and television production and how streaming content is going to be the “new normal” from now on. They also take a moment to discuss the tragic loss of Chadwick Boseman. Plus, of course, the usual more. 

WARNING: This episode contains discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

We’re back baby!

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That’s right. It’s time for a brand new episode of The Flickcast. And because we don’t really keep to a regular schedule these days, let’s just say this one arrived right on time. Cool? Cool.

On this week’s show Chris and Joe pretty much devote the entire episode to the latest Marvel blockbuster Captain America: Civil War. It’s a big movie and it deserves a lot of time for discussion. So, the boys take a lot of time.

They do manage to discuss a couple other things too, but that’s pretty much near the end. So if you’re looking for some Civil War talk, you’ve come to the right place. If you want something else, well, there’s always next week.

Picks this week include, you guessed it, Captain America: Civil War. Unanimously. But really, we don’t have to tell you to go see this one, do we?

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

Subscribe: Apple Podcasts | Android | Stitcher | TuneIn | Spotify | RSS

Get On Up does two things magnificently well, and they’re related: It conveys the batshit craziness of both James Brown and Little Richard, which is quite a feat and aided in no small part from Chadwick Boseman as Brown and Brandon Mychal Smith as Richard. The two give performances so captivating that it’s worth seeing the film simply to indulge in their fascinating performances.

That Get On Up would be well acted is probably no surprise, but it is a surprise that they can almost carry the entire 138-minute film. Almost. And that the music is phenomenal shouldn’t be a surprise either. I’m not sure if Boseman performed all the songs, but I’m fairly certain he did his own dancing, and both are wisely indulgent, wisely for this film, which at least does know how to put on a show.

Director Tate Taylor (The Help) and writers Jez and John-Henry Butterworth nail many of the character moments, but never quite get around to understanding their subject. The first thirty minutes or so jumps back and forth through so many different periods that if there’s a linear story buried in there, I missed it. Even more, if there’s something that “made” Brown the man he became, the film doesn’t seem very interested in it, which would be fine, but it does need some kind of connecting thread to tie the movie together.