This week’s pick is the adventure-comedy classic The Goonies (1985). Richard Donner (Superman I, II, Lethal Weapon series) and Steven Spielberg craft this cult classic, which has entertained countless fans for over twenty-five years.

The Goonies centers around a group of seven outcast teens from Astoria, Oregon whose homes are about to be demolished due to a real estate venture to expand the ritzy Astoria country club into their neighborhood. Facing their last weekend together, Mike Walsh (Sean Astin) and the rest of his friends rummage around his father’s attic and uncover a map, and a Spanish doubloon.

Mikey begins to tell the story of a Seventeenth Century Pirate known as One-Eyed Willie who stole a large assortment of treasure from the English back in 1632, and it was rumored to have been buried somewhere along their coastline. At first, Mikey’s friends seem reluctant to go on one last Goonie adventure but change their minds when they realize that if they were to find One-Eyed Willie’s treasure, they and their families wouldn’t have to leave Astoria.

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This week’s pick is yet another John Carpenter classic. Kurt Russell stars as the first ever action hero of the 1980s in Escape From New York (1981). After success with Halloween and the horror classic The Fog, Carpenter’s next project would be a unique blend of science fiction, action, noir and a western. The result is one of the finest multi genre classics of its time.

Set in a dystopian future (now the past) the United States’ crime rate rises to an astonishing four hundred percent in 1988. To combat the growing crime rate, the United States becomes a totalitarian police state and the great city of New York is turned into the one prison for the whole country. A fifty-foot containment wall is erected around all of Manhattan Island, all the bridges and waterways are mined, and the United States Police Force patrols the wall perimeter to insure no one escapes. Once you go inside the prison, you never come out.

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This week’s pick is the John Carpenter exploitation classic Assault on Precinct 13 that stars Austin Stoker, Darwin Joston, Laurie Zimmer, and Carpenter regular Charles Cyphers. Before Carpenter hit it big two years later in 1978 with the critically acclaimed financial blockbuster Halloween, his first commercial attempt came with Assault on Precinct 13.

Carpenter was a graduate of USC film school and had recently shot the now cult classic Dark Star which failed to give the young idealistic filmmaker the big break he was hoping for. Carpenter went looking for financial backers and found the CKK Corporation of Philadelphia, PA who gave Carpenter carte blanche to make whatever kind of film he wanted.

Carpenter hoped to make a Howard Hawks inspired western much like El Dorado or Rio Lobo. Due to funds in the range of only one hundred thousand dollars, Carpenter changed his mind and decided to make an action exploitation film instead.

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This week’s pick is the final chapter of the Mad Max Trilogy, or at least it is until George Miller gets Fury Road out of the film can and into theaters after almost thirty years since the franchise dried up. Mel Gibson stars for the last time as the post apocalyptic do-gooder in Mad Max Beyond Thunderdome (1985).

Thunderdome is my least favorite of the films for several reasons, mostly because of how soft Max has gotten in his old age. The film opens where it’s obvious that it has been several years (namely by Mel’s long 80s metal do) since Max helped the outpost settlers of the wasteland battle the Humungus and his barbarians.

As Max is trucking across the desert, he is knocked clear off his camel driven monster truck by a plane piloted by Jedediah (played by Bruce Spence from The Road Warrior). Jedediah steals Max’s rig and leaves him marooned in the desert with nothing. Following the tracks, Max arrives at what is known as Bartertown, a desert outpost where survivors of the nuclear holocaust come to trade precious materials.

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This week’s pick is The Road Warrior (a.k.a. Mad Max 2: The Road Warrior) (1981). Mel Gibson dons his black leather uniform once again in this second installment of the franchise.

The Road Warrior begins with a narration sequence with an elderly man’s voice as it is shown to the audience the widespread pandemonium, which has steered the world towards nuclear Armageddon. Mad Max I shows the audience the beginning of the end. The Road Warrior picks up after the world has been destroyed and society hangs by a narrow thread.

Max roams the wasteland of Australia with his battle-torn black V-8 interceptor and his cattle dog foraging for supplies mainly food, and fuel for his gas-guzzling supercharger. Much like the first film, the first several minutes of the film offer an amazing chase sequence where Max is being pursued by a band of marauding punks led by the vicious Wez (Vernon Wells) who plan to kill Max and take his vehicle and what precious supplies he has left.

Max foils their attempt and wreaks two vehicles in an amazing crash sequence. Max commanders what fuel he can from one of the wreaked cars and fends off an attack by Wez who was shot in the arm with an arrow.  Collecting what he can Max sets off again with his dog and his even more damaged vehicle.

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This week’s Monday Pick is the 1979 action thriller Mad Max, a film that lunched one of the most lucrative franchises in film history. The Mad Max trilogy has spawned many imitations over the last thirty plus years, but they fail to add up to George Miller’s fantastic vision of the ultimate dystopian future.

Mel Gibson (who was virtually unknown at the time) stars as police pursuit man Max Rockatansky. He patrols the highways of the not too distant future Australia that is on the verge of complete anarchy and lawlessness. In the first installment of the series, Miller shows the audience that in this future, resources like food, water, and gasoline are becoming scarce and society is beginning to break down. The Main Force Patrol (MFP) is the uniformed highway safety enforcement whose main purpose is to stop marauding gangs who pose a threat to the society they are desperately trying to preserve.

The first ten minutes of Mad Max are filled with some of the most impressive and dangerous stunts ever performed in any film before or since. The MFP is in pursuit of an escaped convict who calls himself the Night Rider. Along with his girlfriend, the two take off in one of the force’s fastest V-8 pursuit vehicles and are successful in evading several pursuit units.

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Happy New Year and welcome to another year of your favorite films here at Monday Picks. This week’s feature to ring in the New Year is the 1972 Spanish horror classic Horror Express a.k.a. Panic on the Trans-Siberian Express. The film stars both Hammer Films greats Peter Cushing and Christopher Lee who battle an alien life form which has existed on Earth for millions of years.

The film opens in 1906 Manchuria where English naturalist and explorer Alexander Saxton (Lee) has discovered an ape-like creature that has been frozen for thousands of years. Convinced he has found the missing link, Saxton and his party crate up the fossil and prepare to transport the cargo by train to Moscow, Russia.

While in Shanghai, Saxton encounters his fellow Royal Society member Doctor Wells (Cushing) who also plans to board the train bound for Moscow. While under guard, Saxton’s crate is picked by a thief who turns up dead on the station platform, his eyes turned white. A crazed monk and spiritual advisor to a Polish Count believes Saxton’s cargo is unholy. Saxton dismisses the monk’s ranting as spiritual nonsense.

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Merry Christmas to all the fans of Monday Picks. This week’s pick in celebration of the holiday season is Scrooged. Richard Donner (The Omen, Superman I & II, Lethal Weapon series) directs this modern comedy version of Charles Dickens’ A Christmas Carol.

Bill Murray stars as media mogul Frank Cross, the head of IBC Networks who has risen to the top of the company by being a cynical, conceited, and cruel individual. Frank is in charge of a forty million dollar production of a live television broadcast that is to air on Christmas Eve.

When company executives show Frank the latest commercial for the broadcast, Frank belittles and insults his staff and shows them an incredibly offensive and violent commercial he has produced for the broadcast, which he plans to air in place of the original. Corporate executive Eliot Loudermilk (Bobcat Goldthwait) confronts Frank on the commercial saying that the ad is in poor taste and will frighten people. Frank goes along with Loudermilk’s suggestion and then has him fired just days before Christmas.

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This week’s Monday Pick is the John McTiernan holiday action classic Die Hard. It stars Bruce Willis as tough New York cop John McClane who arrives in Los Angeles during the Christmas holidays to reconcile with his estranged wife Holly (Bonnie Bedelia) who works as an executive with the Nakatomi corporation.

As McClane and his wife try to patch up their troubled marriage, the Christmas party is crashed by a group of thieves demanding that the CEO of the company open the vault which houses over six hundred and forty million dollars in barrow bonds. Alone and outgunned, McClane maneuvers through the building bumping off as many terrorists as he can while he tries to find out what their real plans are.

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Seasons greetings! This week’s pick is a comedy holiday classic from the successful National Lampoon’s Vacation series. Chevy Chase stars as Clark W. Griswold in National Lampoon’s Christmas Vacation.

This third installment of the series follows the Griswolds and Clark’s quest for the best family Christmas. The film’s opening sequence follows the family into the wilderness in the ultimate quest for the perfect Christmas tree. As Clark and the fam enter a clearing a beam of light falls on the perfect tree.

Like the two previous films, Clark’s expectations exceed the rest of the family’s and he is completely oblivious to everything. As they gather around the tree, Rusty asks if Clark brought a saw. Clark’s toothy smile turns to an immediate frown as he realizes his first mistake. In the last scene the tree is strapped to the roof of the car, completely torn from the ground, roots and all. Ridiculous yet brilliant.

As the in-laws and assorted family members arrive at Clark’s home for Christmas, things begin to go horribly awry, especially when cousin Eddie (Quaid) and his family arrive unexpectedly. Greatest line ever when Eddie asks Clark if he’s surprised to see him “Eddie if I woke up tomorrow with my head sewn to the carpet I wouldn’t be more surprised than I am right now.”

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In celebration of the holiday season, this week’s pick is the 1984 cult classic Night of the Comet written and directed by Thom Eberhardt. Night of the Comet is a terrific throwback to 1950′s horror and sci-fi with a unique 80s spin to it. The film stars Catherine Mary Stewart, Kelli Maroney, Robert Beltran, Mary Woronov, and Geoffrey Lewis.

With Christmas right around the corner, the world prepares for the arrival of a comet that predicts a stellar light show that will be seen all around the world. As billions gather to await the arrival of the comet, a group of scientists have secured themselves in a secret research facility in the California desert fearing that the last time a comet like this arrived on Earth, spelled extinction for the dinosaurs.

Stewart stars as Regina Belmont, a movie theater usher who awakens the morning after the comet passes over a deserted LA. Things seem amiss when Reggie gets locked out of the theater and discovers that her boyfriend, who went to pick up some rare film cans belonging to the theater, has not yet arrived back.

Reggie sees Larry’s (Michael Bowen) motorcycle still parked in the alley and she is attacked by a zombie in overalls. Regina fights him off and takes off on the motorcycle.

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This week’s Monday pick is the Charlton Heston Sci-fi classic The Omega Man (1971) directed by Boris Sagal. The film co-stars Anthony Zerbe (Mathias), Rosalind Cash (Lisa), Paul Koslo (Dutch), and Eric Lanueville (Ritchie).

The Omega Man was adapted from Richard Matheson’s brilliant sci-fi novel I Am Legend that depicts one man’s struggle in a plague-ravaged world. The concept was tried before in Hollywood first with Planet of the Vampires and then in 1964 with Vincent Price’s amazing performance in The Last Man on Earth, which borrows heavily from Matheson’s novel.

Charlton Heston stars as Col. Robert Neville, an army doctor who survives a biological war that begins in the mid 1970s between the Soviet Union and China. Most of the world’s population succumbs to the horrible effects of the bio weapons and countless millions meet certain death.

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