A little while back, we brought you the first clip from the upcoming rock biopic, The Runaways, in which Joan Jett (Kristen Stewart) and Cherie Currie (Dakota Fanning) meet for the very first time. With the film’s release less than a month away, we’re now getting even more stuff to share, including some great clips of the rest of the band.

The film is written and directed by artist Floria Sigismondi, and covers the formation and eventual break up of one of the first all-girl rock bands. The film is sure to get the attention of a younger crowd as it teams Twilight: New Moon’s Kristen Stewart and Dakota Fanning.

Also along for the ride is Halloween’s Scout Taylor-Compton and Arrested Development’s Alia Shawkat. The film looks to fall in the ranks with other great music biopics such as Almost Famous and Ray, while adding a younger appeal.

Check out four brand new clips from The Runaways after the jump, and be sure to catch the “cherry bomb” when it hit’s theaters on April 9th.

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With his film Tucker & Dale vs. Evil playing the crowds at Austin, director Eli Craig is looking to become the American Edgar Wright. We recently had a chance to sit down with him to chat about his new movie, classic horror in general, and plans for the future.

The Flickcast: What are some of your classic horror influences?  I see some Texas Chainsaw in there.

Eli Craig: I really tried to put a lot of different films into this one; I like a lot of the older horror films going back to Sam Raimi and The Evil Dead and a lot of Peter Jackson’s older films—the old zombie slasher films. Texas Chainsaw Massacre, a bit of Friday the 13^th, Cabin Fever, and even threw in a little bit of Fargo.

And definitely Wrong Turn. This is basically the opposite of Wrong Turn. And then sprinkled on top is just a little bit of I Love You, Man.

TFC: Is there something about the splatter genre that attracts you?

EC: In regards to I Love You, Man?

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Much Like District 9, Cloverfield and Paranormal Activity before it, Monsters exists in a world where filmmakers with a singular vision just decide one day to go out and make the film they’ve always wanted to make. Packing his cast and a small crew into a van, writer/director Gareth Edwards traveled for several months throughout Central America in an attempt to realize that vision. Monsters is the result.

Part alien invasion, part road movie and part love story, Monsters balances all three well and manages to entertain and generate quite a few thrills and suspenseful moments. It also has other moments of genuine humor, emotion and character which are often lacking in other more mainstream films and doesn’t rely on heavy-handed spectacle to get its points across.

It’s also the strength of the developing relationship between the two leads, Kaulder (Scoot McNeary) and Sam (Whitney Able), which gives Monsters its emotion center. Perhaps it’s because the two leads developed a real romantic relationship over the course of making the film that their onscreen relationship works so well. You believe it because it’s actually happening.

As they go through the ordeal of the film, you trust they are experiencing what is happening to them and as they do, this brings them closer together. At first, of course, they are far apart but as the film progresses and the danger increases, they draw closer and must fight together to survive. Adversity, as it often does, brings people closer together, and these two are no exception.

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Make no mistake about it, Chloe Moretz (500 Days of Summer) owns this movie. She may only be 11 years old, but her performance as Hit-Girl is spunky, sassy, and exciting. Hit-Girl is poised to become a new comic cult icon, and Kick-Ass is quite simply a rollicking good time.

At one of the panels I attended this weekend, someone likened Kick-Ass to a comic type Pulp Fiction, which I would say is a pretty accurate description. British Actor Aaron Johnson plays Dave Lizewski, a nerdy high school type whose only interaction with the popular kids is when he brushes up against one at his locker.

One day out of the blue he decides he is going to become a vigilante superhero. He concocts a hideous green costume that resembles a wet suit, sets up a social media homepage for his alter ego, and starts “training.” When someone asks his name, he proudly proclaims, “I’m Kick-Ass!”

Completely inept and not blessed with any actual powers, Dave gets the living crap beat out of him by a few thugs mere moments after his official debut as Kick-Ass. This results in a multitude of injuries requiring steel plates and rods being placed throughout his body, which makes him a little more impervious to injury, but still not in possession of actual powers.

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I’ve never heard of Bill Hicks before this movie. In fact, when I first heard about the film, I thought it was a fan mockumentary about Kevin Smith’s character Gil Hicks, the sorry sap from Mallrats whose idea of showing a girl a nice time opened with letting her shop at the places she wanted to shop. But it wasn’t about Gil, it was about Bill.

Bill Hicks was an American comedian in the vein of Sam Kinison or more recently Lewis Black—the angry, shrieking outragers who savage the spirit of their times and stomp around the stage menacingly, careful not to slip on their own froth. And he was also very funny, too.

However, it takes An American: Bill Hicks a while to get to them—the first half hour or so focuses on his early life, his entrance into the world of stand-up at a precocious 15, his heavy reliance on drugs, alcohol, and cigarettes, and his early rise to fame. This is done through a few interviews with his mother (who was in attendance), his brother (in attendance as well), and some fellow stand-up friends (check and check). Their words play over photographs of the young Hicks that turn static, 2D photos into 3D animations with fore and backgrounds, movement, and charm.

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Feeling a little bummed that you couldn’t make it to SXSW this year?  Feeling even worse because the people that did get to go got a sneak peak at Robert Rodriguez’s upcoming Predators film?  Well, you can start feeling a  little better because The Flickcast has you covered!

Fox was nice enough to post the premiere footage online for everyone to see and  it looks pretty darn awesome. Directed by Nimród Antal, Predators follows the same kind of plot as the first film but with a fresh take on the subject matter:

“Official Plot Synopsis: Royce, a mercenary who reluctantly leads a group of elite warriors who come to realize they’ve been brought together on an alien planet… as prey. With the exception of a disgraced physician, they are all cold-blooded killers mercenaries, Yakuza, convicts, death squad members human “predators” that are now being systemically hunted and eliminated by a new breed of alien Predators.”

The synopsis sounds bad ass enough, but when you watch the clip you’ll certainly get that original Predator vibe (which is a good thing in this case). Predator 2 and subsequent films involving these intergalactic hunters really haven’t cut it (no pun intended) in my opinion.  As such, it’s great to see Predators get back to the roots of this interesting character/creature.

Predators are set to invade movie theaters July 7, 2010. Click through to check out the sneak peak.

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Tucker & Dale Vs Evil is a film I went into with low expectations and, for the most part, I was not disappointed. Showing at midnight on the first day of SXSW, it was a perfect way to start off the late night screenings. However, the film works best and can be most enjoyed if you don’t take it too seriously or expect too much from it.

While the two leads, Tucker (played by Firefly and Dollhouse’s Alan Tudyk) and Dale (Tyler Labine, recently of Reaper and the upcoming Sons of Tucson), are immensely likable and have good chemistry and banter, the film falls short and doesn’t live up to their potential. This is unfortunate on many levels because given more effort and time, it probably would have turned out a lot better and been a more fitting vehicle for these two actors.

The premise of Tucker & Dale is very simple and in most cases when it comes to filmmaking, simple is a good thing. Sadly, a simple premise alone does not a complete movie make and as the movie progresses, the slender thread of that premise starts to unravel. This is where this film chiefly falls in that while it does have a simple premise, it doesn’t expand much beyond it and instead offers a string of somewhat uninspired and progressively repetitive “accidents” that go along, leading the film to its inevitable conclusion.

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It may not have taken home a lot of Oscar gold, but many might argue that the jangly coins in Avatar’s pocket might mean a lot more to Fox and James Cameron.  But despite the massive success they’ve enjoyed in theaters, Cameron and Fox want a little more of your hard earned cash.

They noticed that the demand in digital 3D immediately went up when the IMAX run was up. They’re concerned that giving up their screens to Alice in Wonderland may have cost them, in Cameron’s words,  “a couple hundred million dollars.” They know people will eat up more Avatar. So they’re planning a summer re-release.

According to The Hollywood Reporter,  discussions are underway to bring the film back this summer with additional footage. Cameron feels that he was forced to rush the film into theaters to make its December 18 date, and had to leave too many scenes on the cutting room floor.

There’s actually some debate as to how much extra footage there is — Cameron claims there’s about 10 to 12 minutes of scenes that he could toss right back into the film, whereas IMAX CEO Richard Gelfond claims there’s 40 extra minutes. However, an IMAX analog theater can’t handle a film over 170 minutes, so even if Cameron has 40 minutes of unused footage, he can only add 10 or 12 to come in under the IMAX limitations.

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Ryan Reynolds and Jason Bateman are both very handsome men. Both are very funny men, too.  If you put them together, would the result be a comedy that melts the screen in sheer charisma? We’ll find out, because according to Variety, Bateman and Reynolds are set to star in Universal’s Change-Up.

Directed by David Dobkin and penned by Jon Lucas and Scott Moore, the two nuts behind The Hangover, the film centers on a comedic trope as old as the hills — body swapping. The plot centers on a responsible family man (Bateman, of course) who switches bodies with his best friend.  Naturally, his best friend is the polar opposite of his buttoned-up self, and is lazy, childless, and immature.  There will be lessons learned, and hilarious misunderstandings.

I worry it could be another Role Models (another film that had a pretty good comedy pair at its core, but just didn’t gel), but I’m hoping that The Hangover duo can make this work. I didn’t think that the film was the second coming of comedy, but there’s no doubt that it was nicely balanced between three very funny guys.  Besides, Bateman and Reynolds can sell even the thinnest role and they’ve been the highlight of just about everything they have played in.

The film is set to begin shooting in September.  Sounds like just the thing for the Green Lantern to have some downtime in, and is far enough away that we’ll have forgotten Bateman swapped something else for Jennifer Aniston in Disney’s The Switch.

As we’ve been doing all week so far in anticipation of the start of the SXSW Film Festival in Austin, TX we’ve got another preview for you of a film making its world premiere at the fest. The film in question, Cherry, stars Kyle Gallner, Brittany Robertson and Laura Allen and tells the coming of age story of a sheltered college freshman learning about life.

Aaron (Gallner), is said college freshmen and as he embarks on his journey it soon turns out life is more complicated than dorm parties, co-eds and the college’s elite engineering program when Aaron meets Linda (Laura Allen). When Linda invites him home for dinner, Aaron thinks he’s getting lucky.

Instead he meets Beth (Robertson), Linda’s punk, sarcastic and intense 14-year-old daughter who immediately develops a huge crush on him. Once that happpens, Aaron is then caught between these two powerful women and he soon learns that life and love are much harder to calculate than he ever expected.

Cherry will have its world premiere at SXSW. Check out the trailer after the break.

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