Welcome back to a brand new episode of The Flickcast. Episode 423: Here Comes the Juice!

This week Chris and Joe dive right back into it. First up is WandaVision where they provide insight and analysis of episode 5 of the Marvel/Disney+, where the show might go from here and that very interesting character who popped in at the end. They’ve got some pretty wild theories, but they just might turn out the be correct. We’ll know soon enough.

Then, the boys shift gears to talk about the last two episodes of Amazon Prime’s amazing series The Expanse. Some of the discussion focuses on the penultimate episode of the season with the rest all about the season finale. They also talk about the direction, writing, cinematography and effects of the show, some of the standout acting performances during the season as well as the departure of a series regular and the death of a major character in the season finale (Spoilers).

And yeah, with the actor leaving The Expanse, Chris and Joe do get into some of the reasons why he might have been let go, other examples around the industry and, yes, a bit about “cancel culture.” Sorry, it had to be done.

It’s another big show. Probably the longest episode ever, but it’s chock full of goodness so give it a try. Thanks for listening!

WARNING: This episode contains discussions about COVID-19, mental health, self care, quarantine and trauma. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone. If you need help, please reach out. Here’s some places to call.

National Suicide Prevention Lifeline: 1-800-273-TALK (8255)

SAMHSA Treatment Referral Helpline: 1-877-SAMHSA7 (1-877-726-4727)

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

Artwork: Jakub Masłowski  – Characters: Disney/Marvel

Opening and end music by Kevin MacLeod under Creative Commons License

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This week on the season finale of American Horror Story: Coven a Stevie Nicks video starts playing, with her singing some song called Seven Wonders. This serves as the backdrop as we see Queenie, Madison, Misty, and Zoe preparing for the test of the seven wonders.

Myrtle and Cordelia oversee the tests. Cordelia explains that this may be the first time the seven wonders are used to name the new Supreme, not to confirm the incoming one. Fiona was supposed to find her replacement, but instead tried to kill anyone she thought might be the new Supreme.

The tests begin, and all four pass the first two. Misty is unable to return from Hell during the third test, and dies. This leaves Madison, Zoe, and Queenie.  During the transmutation test, the three play a game of tag, finally having fun for the first time in forever. Cordelia warns them to be careful, and lo and behold, Zoe somehow ends up spiked on top of the fence.

Zoe is near death, and Queenie tries to bring her back to life, but is unable. I guess this means Queenie is out of the running for Supreme. Cordelia tries to guilt Madison into doing it, but Madison gives them an ultimatum – make her the Supreme or she’ll leave. Zoe is dead, and Madison doesn’t care. They all knew the risks going in.

Fiona delivers a quite uninspired eulogy for Nan, and Cordelia talks with Myrtle about again trying to get rid of Fiona.  Queenie arrives with Delphine, who has been put back together.  Everyone is surprised to see the both of them, as Queenie was believed to have died during the attack at the beauty parlor, and Marie had told Queenie to burn Delphine’s head.

Hank’s father has had his men arrange it so that it is never known that Hank was the shooter at the salon.  He also wants to buy the coven off so that his company can recover.  He vows to kill the witches after he gets what he wants.

The first part of this episode is a narrative by Delphine, which ends with her having a black handyman tied up in the attic room.  She first discovered the joy of killing slaves when she first arrived in New Orleans.  She has felt unfulfilled as of late, and figures that killing again will bring her vitality back.

Zoe uses her magic to find out that Fiona and Marie killed Nan in the tub.  Madison has become jealous that Zoe fell in love with Kyle, and tries to hurt Zoe by seducing Kyle in front of her.  Kyle refuses and says he loves Zoe.  Madison is furious, and vows to take Kyle apart, since she was the one who put him together in the first place.

In 1961 New Orleans, a black boy is chased down by some angry white local men and hung in the woods. His mother works in Marie Laveau’s hair salon. As revenge, Laveau casts a spell, reanimating the dead, and releasing them on the murderers.

Spalding is shown having a creepy tea party in his room with a bunch of dolls when he hears some screaming. This is when he comes upon Fiona killing Madison. Fiona tells him it is her duty to stay vital, and that Spalding seems so much more wise without his tongue.

Fiona hears a crash and rushes outside to find Queenie bleeding and near death. The minotaur (I’ve been incorrectly calling him a mantaur – sorry folks, too much wrestling as kid) is still in the greenhouse. We’ll find out later that Fiona beheaded the minotaur, and sends the head to Marie Laveau.

Fiona wakes up Cordelia so they can help Queenie. They are too busy arguing about Marie Laveau, and Queenie passes out. Fiona breathes some breath into her, and Queenie regains consciousness. Fiona won’t let Cordelia call 911, telling her she needs to handle everything internally. They wouldn’t want a visit from The Council.

Zoe is still at Kyle’s house, trying to figure out what to do with him. She feels terrible about what he’s become. She makes him some food, and most likely laced it with rat poison. But when she comes back, Kyle is gone. On Halloween.

Fiona has a flashback to 1971. She is the Supreme apparent to the current Supreme, Anna-Lee. Anna-Lee feels that Fiona is too young and cocky to take the throne, and if she had her way, Fiona would never become the Supreme. Anna-Lee slaps Fiona, and Fiona slices her throat, killing her. A servant witnesses the murder, and as we come back to current time, he still works there. But Fiona implies that she cut out his tongue.

Zoe goes to see Kyle’s mom, who confesses to her that she was about to hang herself when Zoe called. Zoe tells her she will see Kyle again, and leaves, intent of bringing Kyle back to his mother.

Zoe returns to Misty and Kyle to see how is coming along. His wounds have healed a great deal, and it is clear that Misty has grown attached to Kyle. When Zoe says she wants to take him to his mother, Misty gets angry, saying Kyle is not ready. But Kyle clings to Zoe, so she takes him away. Misty is crying one second, and dancing to Stevie Nicks the next.

The bulk of this season finale is told in the context of a current day interview being conducted with Lana Winters by a reporter with the Kennedy Center Honors. Through this interview, we find out what has become of the rest of the key players from Briarcliff.

The little bit we do not get from Lana is a brief recap of what was not told to us in the beginning of the season. Johnny is walking through the remnants of Briarcliff while listening to Lana’s audio book about the fall of Briarcliff. This is when the honeymooning couple enters that we saw in the first couple of episodes. It was in fact Johnny that cut the husband’s arm off.

During the interview it is revealed that in addition to writing 6 best sellers, Lana really made her mark in television. She snuck into Briarcliff with a camera crew and made a documentary showing the appalling conditions that it fell into after the state took it over. Lana tells an even better story of how she found Sister Jude and rescued. Lana admits that never happened, but would have been the ending she wanted. Jude was gone by the time she arrived.

The second season of AHS: Asylum has been filled with all kinds of crazy content. This episode was more about the people than the supernatural.

It begins with Kit holding an axe, covered in blood. The family life of Kit is explored, as he, Grace, Alma, and their two children all live together in Kit and Alma’s old house. It is a seemingly happy family.

Grace is obsessed with drawing pictures of the aliens that took her, while Alma wants to pretend that it all never happened. Grace sees it as a miracle and a gift, whereas Alma remembers all the pain and fear that came along with it. Kit splits his time between his two women as needed.

One night Kit wakes up to find Grace drawing again. Grace is trying to convince Kit that the aliens will be coming back and it’s a good thing. Alma kills Grace with an axe.

This episode starts the mad dash to the season finale. It focuses mainly on Lana, Kit, and Grace finding their way out of Briarcliff, as well as a closer look at Lana’s now grown son Johnny.

We jump back and forth a few times between Briarcliff and current times. In the “now” timeline, the son of Bloody Face (Johnny) is in a hotel room smoking marijuana. He has ordered a prostitute that has just had a baby. He wants to breastfeed. Johnny tells the prostitute that his mother never loved him or his father.

A few times throughout the episode they cut back to Johnny and the prostitute as things progress. He confesses to having major mommy issues, and eventually starts choking the prostitute. We are led to believe that he has killed her.

While he’s obviously more of a household name for creating and running 3 years of Fox’s hit high school musical series Glee, before that Ryan Murphy was known as the man who created Nip/Tuck. That series, obviously very different than Glee, was his real masterpiece, bringing 100 episodes of drama, horror, and intrigue.

Now that things look to be settling down for his series on Fox, their raunchier network sister station, FX, has picked up 13 episodes of Murphy and his co-creator Brad Falchuk’s American Horror Story. THR has the scoop on the premise and who we can expect to see on the show:

From 20th Television, the mysterious drama revolves around Ben and Vivien Harmon (The Practice’s Dylan McDermott, Friday Night Lights’ Connie Britton) who move their family from Boston to a haunted San Francisco home in an attempt to rebuild their family after a miscarriage and affair.

Murphy is said to be revising the initial script to increase the role of the nosy neighbor once Jessica Lange (Grey Gardens) signed on to the project in April. Denis O’Hare (True Blood) co-stars as Larry the Burn Guy, a former resident of the haunted estate; with Frances Conroy (Six Feet Under) and Alexandra Breckenridge (Life Unexpected) both playing Moira O’Hara, a housekeeper who has worked at the home for years and appears as a young woman to Ben and an older woman to Vivien.