In the past week, I got a chance to sit down and talk to Mark and Jay Duplass about their movie Cyrus with a handful of journalists at the SXSW Film Festival.  Cyrus stars Jonah Hill, Marisa Tomei, Catherine Keener,  and John C. Reilly.

How long had you guys been working on the script?

Mark Duplass: Good question. You know, we normally write our scripts pretty quickly when it’s just us producing them, because we know we’re going to improvise the dialogue a bit, so once their structure is rock solid, we are production ready. But you know, this was a script where you have to write it well and make it attractive to writers and to the studios so that they want to green light it. So we did spend a little time making it look pretty. I think we worked on it maybe a year or so.

Do you have any experience as children of single parents dating again or knowing people in that situation?

MD: None, really. We are good little Catholic boys and our Catholic parents have been married for 42 years and they are still together.

Jay Duplass: What we do have a lot of experience with is desperation.

MD: and interpersonal dysfunction, we’re good at that.

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I got a chance to sit down for a round table discussion with Jonah Hill and John C. Reilly, two of the stars of Cyrus, which premiered at the 2010 SXSW festival. Hill plays Cyrus, a 21 year old living with his mother (Catherine Keener) who develops an antagonistic and competitive relationship with his mom’s boyfriend played by Reilly.

So do you think the John C. Reilly era of a romantic lead in a comedy is finally here?

John C. Reilly: I hope so. I’m a very romantic type person. I like doing parts like this, and I think that there are a lot of people out there who are not represented in movies, whose stories don’t get told.

You know what I’m talking about (to a male journalist.) Neither of us look like Brad Pitt, let’s not fool ourselves.

Your characters had some similarities and some differences, you both have a co-dependence thing, did that come into play when you preparing as far as how your characters related to each other?

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When you go to as many film festivals and see as many movies as I do, it is refreshing to find a film from out of virtually nowhere that gives you renewed faith in the filmmaking process. During SXSW I was lucky enough to discover such a film: Gareth Edwards’ Monsters.

As I said in my review, Monsters takes several elements and blends them together well to create a director’s singular vision. It was one of my favorite movies from SXSW. I had a chance to sit down with the talented Mr. Edwards during the fest and over a couple of beers discovered the man behind the Monsters.

The Flickcast: First off, let’s talk a bit about your background.

Gareth Edwards: Sure, well, like a lot of people it all began when I saw Star Wars. I basically decided I wanted to join the Rebel Alliance and blow up the Death Star. But then I learned that it was all made up by someone called a filmmaker so I decided I wanted to be one of those instead.

TFC: A lot of directors like to plan out shots, do storyboards, etc. You didn’t even really have a completed script for Monsters, right?

GE: I had a scene by scene outline but I didn’t want to write dialog. Although, it’s funny when you say to an actor “I don’t want to write the dialog” then they say “Well I have to write it then.” But that’s not what I wanted.

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With his film Tucker & Dale vs. Evil playing the crowds at Austin, director Eli Craig is looking to become the American Edgar Wright. We recently had a chance to sit down with him to chat about his new movie, classic horror in general, and plans for the future.

The Flickcast: What are some of your classic horror influences?  I see some Texas Chainsaw in there.

Eli Craig: I really tried to put a lot of different films into this one; I like a lot of the older horror films going back to Sam Raimi and The Evil Dead and a lot of Peter Jackson’s older films—the old zombie slasher films. Texas Chainsaw Massacre, a bit of Friday the 13^th, Cabin Fever, and even threw in a little bit of Fargo.

And definitely Wrong Turn. This is basically the opposite of Wrong Turn. And then sprinkled on top is just a little bit of I Love You, Man.

TFC: Is there something about the splatter genre that attracts you?

EC: In regards to I Love You, Man?

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Tonight marks a pretty big night for fans of the USA Network series Psych as it finishes off another successful season. Ending the fourth season will be quite a big episode, as 80’s star Ally Sheedy reprises her role as the serial killer Mr. Yang in “Mr. Yin Presents.” The episode will also stand as a send up to many classic Alfred Hitchcock films in a half-spoof half-homage episode.

We were lucky enough to talk to star James Roday and Sheedy about the episode, and they were able to give us some insight on what we can look forward to seeing. Be sure to catch the season 4 finale on USA at 10 PM EST.

Clearly in this episode there is a lot of Hitchcock references.  James I was wondering if there is anyone else you drew inspiration from – influences from when you were directing this episode?

Roday: You know, I really do try to stay as faithful to Hitchcock as I could both aesthetically and in pacing and I just shamelessly ripped off four or five shots straight out of his films, quite frankly.  It was an homage episode and I’m a Hitchcock fan, and Andy Berman who wrote the episode with me, is a Hitchcock fan.  As much as we could get away with doing Hitchcock in a Psych episode that’s definitely what we set out to do. 

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Every once in a while, we’ll get an opportunity to check out a new indie film from out of nowhere and get blown away by it. Sadly, this happens less often than we would like, but in this case, it was completely true.

We recently got to check out the short film The Legacy, written and directed by Mike Doto, about a boy who discovers that his father is the world’s greatest superhero. The film is, by all definitions of the word, fantastic. It captures some of the elements that made the original Superman films so great, without treading into campy territory.

With that in mind, we got a chance to sit down with the writer/director of the film, Mike Doto, about what it took to make the project, and where he goes from here.

The Flickcast: With a concept like The Legacy, what drove you to this idea? Were you a big comic fan growing up? If so, which books were you inspired by the most?

Mike Doto: For The Legacy I really wanted to get back to the roots of why I wanted to be a filmmaker to begin with. I feel like I grew up in a time when movies really connected with kids and I’ve never forgotten the impact that those films have had on me.

Most of these films starred a young protagonist that I could relate to quite easily, films such as E.T., Goonies, Wargames, D.A.R.Y.L., The Last Starfighter, and Back to the Future. What I’ve learned is that these weren’t just kid movies, these were movies for all ages, they appealed to the both the young and the young at heart.  So I thought about what movie I would have written when I was 10-years-old and I decided that I probably would have written a movie about being a superhero.

Superman was my boyhood hero so naturally that’s the hero I wanted to emulate.  In thinking further about the Superman story I decided that it would be more effective to write a film about the relationship between the father and the son since this is at the heart of the Superman character. I actually wasn’t a big comic book fan growing up. I was a huge fan of the Superman movies, but I didn’t really spend much time reading comics.

I would much rather dress up as a superhero or play with my action figures and imagine what that world would be like to live in. Even though a camera wasn’t rolling, I think this was the start of my filmmaking career although I didn’t realize it at the time.

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We at The Flickcast are pretty diligent about serving up all the news that comes out each week. However, try as we may to cover it all, some things occassionally slip by. Well, no longer.

Welcome to On The Radar! This weekly post will be your premiere destination for a comprehensive roundup of items that may be developing stories we’re watching, Twitter commentary, or other relevant news that wasn’t quite ready for prime time just yet.  In short, a grab bag of geek items which are sure to please.

Let’s see what blips are on the radar this week.

‘Zombieland’ devours video rentals

Zombieland dominated the video lists this week, “…on the Nielsen VideoScan Blu-ray Disc chart, “Zombieland” went three for three, bowing at No. 1 and …racked up 31% of its total first-week sales from the Blu-ray Disc.” Way to go Zombieland, we can’t wait for the sequeal.

‘Avatar’ 3D boosts Cineplex ticket sales in Canada

3D showings of Avatar did wonders for Cineplex’s bottom line in Canada, “Despite running for only 13 days during its latest financial frame, “Avatar 3D” was Cineplex’s biggest boxoffice performer during the fourth quarter to Dec. 31, and has done around $74 million in Canadian ticket receipts to date.” No surprise really given the popularity of this film and the fact 3D showings are still being sold, out or causing line-ups.

Geek flicks drive Viacom profits

DVD and Blu-Ray disc sales from Star Trek, Transformers 2 and G.I. Joe stimulated Viacom’s fourth quarter earnings to the tune of $694 million.  Not bad considering the $173 million it made in the same quarter in 2008.  Also helping was the indie hit Paranormal Activity which increased operating expenses by 24%.

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With the second episode airing last Friday on SyFy, things have been picking up quite a lot for the first season of Caprica, the prequel spin off of Battlestar Galactica. Many of us remember the events that took place in the pilot, which hit DVD shelves back in April, and now things are underway for a whole season of action, drama and cylons.

One star in particular has been stirring up some buzz on the web, as Alessandra Torresani’s provocative photo shoot has been circulating around. We got the chance to sit down with star Alessandra, who plays “Zoe”, at New York’s Big Apple Convention. We spoke about her role on the show, how much more we’ll get to see of “Zoe”, and what Alessandra’s plans are now that she’s been introduced to the world of science fiction.

Check out our exclusive interview after the jump, and be sure to catch Alessandra and the rest of the Caprica on SyFy, every Friday night.

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We’re all pretty big fans of the original Showtime series Weeds around The Flickcast offices. The show has managed to stay strong and innovative since it’s launch back in 2005, with plenty of plot twists and fan favorite cameos. One of the main reasons we love the show so much is the use of the ensemble cast, especially any major story arcs with Andy Botwin, played by Justin Kirk.

We recently got a chance to sit down with Justin about the show, his work on the recently released season five DVD, and where he sees the upcoming season going. One cool feature on the DVD is a collection of the University of Andy web shorts. We asked Justin where the idea came from, and he knew that it was already going to be a success.

The writers had done various web-based content over the years. I don’t know if you remember ‘Good Morning, Agrestic’, which was a faux public access channel, but it was all meant to be for the web and DVD’s, which inevitably turned into a big hit. There’s also a new round out right now. We are only 3 episodes deep into round 2, which is going on right now.

One of the biggest events of this past season was the jump ahead six months and the story progressed. Justin was more than excited about that idea when he first heard about it.

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The world of hour-long legal dramas have had a strange relationship with ABC in the past. From their lengthy term with The Practice, to the even longer relationship with the spin-off, Boston Legal, the network seems to give more of a chance to programming that revolves around the courtroom.

With that in mind comes the newest mid-season show, The Deep End. The show brings in an interesting twist on the established genre, focusing more on the lives of the up-and-coming lawyers, with the named partners taking more of a supporting role.

We recently got a chance to sit down with famed actors Billy Zane (Titanic, The Phantom) and Tina Majorino (Waterworld, Corinna Corinna) about their roles, what attracted them to the show in the first place, and where they see their characters going.

Check out the interview after the jump, and be sure to catch The Deep End on ABC every Thursday at 8/7C.

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