When I grow up, I want to be Claudia Cardinale.
There are plenty of beautiful women in movies, but few goddesses. Cardinale is a goddess. Even when she’s sunburned and running around in a rag, as she is in The Professionals, she has more charisma, beauty, and sex appeal than most actresses working today. I hesitate to call her “sexy” because that word seems so Maxim Magazine these days — but Cardinale is sexy in such a powerful and womanly way that it’s not threatening, but inspiring.
She also had great hair. What demon do I have to bargain with to end up with a perfect bouffant every day? Hers looks good even in the desert. It’s unfair.
Watching old movies can be a bittersweet experience. They don’t make them like Cardinale anymore, and you’d be hard pressed to find a Lee Marvin or a Burt Lancaster on the big screen these days. I cherish retro crushes on both (especially Lancaster — what a grin he had!) and The Professionals is so chock full of old time machismo that turning it off may actually cause you to experience symptoms of withdrawal.
Which is, oddly, what The Professionals is kind of about. It’s the kind of movie I love in any genre — the adventure story that’s sandwiched in between the heroes’ misspent youth and their retirement. These are men with pasts. They’ve had near misses, they’ve experienced terrible tragedies, and they’ve woken up in their union suits with nothing but a pounding headache to remind them of the night before. They’re men who die with their boots on out of a sense of nobility and because they have nothing else to do.




This season of The Office has shown some interesting changes for our favorite cubical-living gang. Dunder-Mifflin has gone bankrupt, which has left the Scranton branch the last of the paper company. And now, they’ve been picked up by the company Sabre, which is run by guest star Kathy Bates.
While he may look to be beating a dead horse with the upcoming spy comedy Day & Knight, Tom Cruise has announced that he’s returning to the Mission Impossible franchise for a fourth film. From 
