The Flickcast – Page 954 of 1030 – Stuff Nerds Love

Exclusive: First Look at ‘Batman: Arkham Asylum’

Batman: Arkham Asylum has been a video game property shrouded in mystery as of late. Up until now, the only exposure the public had with the game was the opening cinematic but we were recently given some time to play through the early part of this Batman adventure in what looks like it could be the first game to finally do the character justice.

Pulling from seventy years of Batman history, the developers of Batman: Arkham Asylum had a breadth of material to pick and inevitably chose the elements they thought would work best for the game. Arkham takes a much darker tone than previous Batman games, taking some influence from the relaunched movie series.

Though not tied in to the movie, it’s hard not to see a resemblance between the character models and gritty overtones of the game and those of the movies. The game starts with Batman bringing the Joker in to custody to Arkham Island. Things go awry and the Joker escapes and in the process unleashes the other denizens of Arkham Asylum.

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Interview: Timur Bekmambetov Talks ‘Wanted 2’

timur-bekmambetov-sdcc09Director Timur Bekmambetov has found great success in both his own country and the U.S. His films, Nightwatch, Daywatch and Wanted show a decided flair for the dramatic and an aesthetic that’s both pleasing to the eye and filled with exceptional inventive style. He also knows his way around an action scene and isn’t afraid to get his characters into some tense, unusual and often deadly situations.

Recently, I had a chance to chat with Bekmambetov about several topics during Comic-Con in San Diego including the upcoming film 9, what’s going on with Wanted 2 and if he plans to bring Angelina Jolie’s character Fox back from the dead.

Check out part of that interview, where we walk Wanted 2, after the jump. Also, be sure to check back right here for the rest of the interview where we walk all about Shane Acker’s 9 and what movie Bekmambetov consider his ultimate dream project.

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Review: ‘Wii Sports Resort’

30Pc7ZhoICDNohXpWAmKDUvfEGfLwuh5Score: 6.5

Publisher: Nintendo Price: $49.99

After Wii Sports became the highest selling video game of all time in units, likely due to being a pack-in with the Nintendo Wii, virtual sports fans have been waiting impatiently for its sequel. Their call was answered when Nintendo announced Wii Sports Resort, a tropical take and full game sequel to what many critics referred to as a glorified tech demo.

Though showcasing the technical aspects of the Wii’s motion control and forgoing flashy graphics, Wii Sport’s simple Bowling, Golf, Tennis and Baseball combination became an instant success with those outside the hardcore gaming market. The game became a hit with everyone from soccer moms to senior citizens, making many of the core gaming community believe Nintendo had forgotten them in favor of the casual fans.

Now, Wii Sports resort returns with bowling, golf and ten other new games that feature their new Wii Motion Plus technology, using vectors to allow a closer one to one motion than was previously available on the Wii.

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Comic-Con 2009 Recap Video

Now that all the dust has settled, and San Diego Comic-Con is slowly becoming a fading memory, we wanted to bring our readers a look at some of the things we saw, people we talked to, and stuff we did during what we like to call NerdiGras.

We put together this little video to show you what we all went through last week, so check it out, and be sure to stay tuned for all of the interviews, specials, and news we have to offer you from The Flickcast team!

The Pull List Comic Reviews: ‘New Avengers’, ‘Sinister Spider-Man’ & ‘Marvel Zombies 4’

cover-largeFor yesterday’s The Pull List, go here.

New Avengers #55 – Marvel – $3.99

Score: 7.5

Though beaten out by another Marvel team book this week for Pull of the Week, New Avengers is still a great read. Coming off the “Who is the next Sorcerer Supreme?” storyline, this issue finds the Avengers back in New York where they continue their gauntlet with the Hood’s forces. As dissension grows amongst the Hood’s forces, the Wrecking Crew vocally airs their disappointment in their current arrangement. The Hood defends his position along with the help of his girlfriend, Madame Masque. Another of the Hood’s men, Chemistro, finds a piece of Stark-tech that would effectively disable the heroes powers, had it not been destroyed in their battle with the New Avengers.

Instead of giving the tech to his boss, the Hood, Chemistro takes it to Doctor Harrow hoping to reverse engineer it for their own purposes. The issue also follows up on the actions of Clint Barton after having called out Norman Osborn to the world as the former Green Goblin who has now been placed in charge of the nation’s security. A meeting of the Avengers has been called and Clint apologizes for his actions and going about them without talking to the team first. He then throws down his endgame plan… to kill Norman Osborn. This idea becomes the focus of the discussion between the underground Avengers until they receive word that a villain is letting loose in Times Square, Chemistro.

Coming off the not so surprising choice of Brother Voodoo as the new Sorcerer Supreme, this issue acts as a link back four issues before all the magical nonsense took place. The New Avengers are still up against this generation’s Masters of Evil, the Hood’s gang, and the events from a previous battle between the two have started to show some repercussions. No huge revelations occur within it but New Avengers #55 acts as a great setup issue for what is to come in the series. Solicits have shown that something big is going to happen between these two factions (don’t worry, we won’t spoil what they are) and this issue, from Bendis’s great dialogue amongst the Hood’s gang to the bleak cover showing a pile of New Avengers corpses laid out do a fantastic job of continuing the hype machine behind this series.

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The Flickcast: Comic-Con Wrap Up Special!

san-diego-comic-con111Chris and Matt have been back from Comic-Con for a few days now and have had time for a little reflection about the Con, its highlights, lowlights and what it all means. Joined by special guest Elisabeth Rappe, the three try to explain the magic of the Con, its shortcomings, what they loved and hated about it and why you never, ever, piss off Gary Oldman.

The three also make their picks of favorite moments from the Con and talk about what the Con can do better to make it more enjoyable for attendees and exhibitors alike. Its a no-holds barred hour of discussion that leaves no topic unturned. If you missed the Con or even if you did attend and just want to make more sense of it, you don’t want to miss this.

As always, if you have comments, questions, critiques or offers of sponsorship, feel free to hit us up in the comments, on Twitter and at Facebook, MySpace or via email. Thanks for listening.

Review: ‘The Collector’

the-collector-box

In spite of its ties to the Saw franchise, The Collector manages to, at points, rise above its torture porn roots and deliver a mostly solid 85 minutes of horror, suspense, action and, for the most part, good performances. The film, written by Saw IV, V and VI scribes Marcus Dunstan and Patrick Melton and directed by Dunstan, follows the same basic formula of the Saw films where a devious and virtually unstoppable villain, in this case The Collector instead of Saw’s Jigsaw, devises many ingenious, outlandish and over-the-top ways to kill the various members of the cast. Taken as only that, the film would most likely be relegated to obscurity very soon after watching it.

The conceit that saves The Collector from being regarded as just another Saw knockoff is the fact that the hero, capability played by Josh Stewart, is actually a criminal who breaks into a house where The Collector has already taken up residence and is in mid-torture of the wealthy family who resides there. Once inside, the criminal discovers The Collector’s crimes, is derailed from his purpose in the house to steal a gem to pay his wife’s gambling debts, and must become the reluctant hero. Instead of robbing the family, he must instead rescue them and get them, and himself, out of the house alive. This criminal versus killer concept is the main redeeming quality of the film.

Developing his character, giving him something to fight for and turning him into the hero enables the audience to have an interest in if he lives or dies and, more importantly, if he can save the family and their young daughter from the hands of The Collector and his box. This helps the film by being just original and different enough from other films like it to elevate it above the normal fare associated with this genre. However, as interesting as the particular conceit is, it doesn’t help the film quite enough and as such we are still treated to several scenes of torture and contrived situations which could have been lifted out of most other Saw films or various other cogs in the torture porn machine.

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Prior Film Commitment Caused ‘Twilight’ Recast

With Twilight fans all over the world scratching their heads over the decision to release Rachelle Lefevre from her Twilight commitment, it looks like the real reason why the actress was let go is finally coming to light. Additional reporting from Variety has revealed that Summit Entertainment made the decision to recast the role of Victoria after Lefevre disclosed her commitment to Barney’s Version, an adaptation of a novel by Canadian author Mordecai Richler starring Paul Giamatti and Dustin Hoffman on July 20.

The Twilight actress released a statement shortly after news broke of Howard’s casting, stating her dismay, but ultimate support of the franchise.

“I was stunned by Summit’s decision to recast the role of Victoria for Eclipse. I was fully committed to the Twilight saga, and to the portrayal of Victoria. I turned down several other film opportunities and, in accordance with my contractual rights, accepted only roles that would involve very short shooting schedules.

“My commitment to Barney’s Version is only 10 days. Although the production schedule for Eclipse is over three months long, Summit said they had a conflict during those 10 days and would not accommodate me. Given the length of filming for Eclipse, never did I fathom I would lose the role over a 10-day overlap. I was happy with my contract with Summit and was fully prepared to continue to honor it. Summit chose simply to recast the part.

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