The Flickcast – Page 481 of 1030 – Stuff Nerds Love

Exclusive ‘Green Lantern’ Footage Hits The Net

While San Diego Comic-Con still reigns supreme, one of the other big shows on the wast coast every year is San Francisco’s WonderCon. Much like SDCC, this show is for comic fans and movie fans alike, and some studios bring some great footage to share for their upcoming projects.

Luckily, Warner Bros. brought along a whopping four minutes of their upcoming Green Lantern flick, and we’re finally getting a chance to see the tone and some great moments in the movie. That first trailer felt a little to Iron Man-y for many, so this one will definitely help you decide if you’re going to the midnight screening or not.

In the footage, we get plenty of Oa, lots of Mark Strong as Sinestro, and we finally nail down exactly how they squeeze Parallax and Peter Sarsgaard’s Hector Hammond into the movie as two separate villains. For those editing buffs out there, they even managed to sneak a Yourahh! scream into all the chaos.

Take a look at the footage after the jump and catch Martin Campbell’s Green Lantern in theaters on June 17th.

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Amber Heard’s Playboy Shoot, Another New Zombie Flick, & The 2011 Supercut Are All ‘On The Radar’

Welcome to another edition of  On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage during the week. Let is know if we missed something interesting.

Let’s get started!

• Just when you thought women were finally being portrayed equal to men in films, a supercut that shows just the opposite comes along.

• Will Ferrell’s new dramatic comedy Everything Must Go gets a trailer. We’re still trying to figure out what’s so funny about it.

Amber Heard recently posted a picture of her on set of the new series The Playboy Club. That sound? That’s the sound of a million teenage boys’ heads exploding.

Monsters Inc. is officially getting a prequel, titled Monsters Universtiy. Pixar has even hired a director.

• Timur Bekmambetov is working on a brand new spec zombie film about a little girl that slowly becomes a member of the living dead after over 6 months. We’re rooting for Rebecca Black to play the lead.

Kevin Smith is auctioning off a bunch of his old props from several films in order to fun his newest film, Red State. Who’s got dibs on Shannon Elizabeth’s career?

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Leonard Nimoy Cast In ‘Transformers: Dark of the Moon’

Transformers: Dark of the Moon has a tough road ahead to win back the hearts and minds of all the fans Revenge of the Fallen disappointed in 2009. The second Transformers film might have been a financial success, but it failed on just about every other level.

Michael Bay needs to up his awesome this time around and he might have just played his ace in the hole. However, this might help.

EW is reporting that Leonard Nimoy is set to be the voice behind Sentinel Prime in the forthcoming film. This new character is Optimus’ predecessor and was the transformer featured in the first teaser trailer.

Nimoy is no stranger to the transformer universe, having already provided the voice for Galvatron in the mid-80s animated classic Transformers: The Movie. Michael Bay has been eyeing Nimoy for a voice role since the last film, but had some reservations.

“I was too scared to ask him,” the director says. “Plus, he’s married to Susan Bay, who’s a cousin of mine. So I had to be careful. I’ve met him at family functions. But he told me, ‘I would be honored. I’m glad to be back!’”

This is not the first news of Nimoy returning to the acting world after he recently retired. Hopefully this means he will also return to the another of the mega geek franchises he is known for. I eagerly anticipate an updated Ballad of Bilbo Baggins for the new Hobbit films!

‘Transporter’ Series Coming to Cinemax

Seeking to change its reputation as HBO’s red-headed stepchild where softcore movies go to die, Cinemax is getting into the original programming biz in a big way. After announcing a 10-part action series called Strike Back last month, the pay cable network has now made a deal for a new TV series based on Luc Besson’s Transporter movies.

The channel has committed to 12 episodes of the action drama, produced by French company Atlantique and executive produced by Besson. Much like the films, the Transporter TV series will center on professional transporter Frank Martin, played in the movies by Jason Statham.

Operating in a seedy underworld of dangerous criminals and desperate players, Martin can always be counted on to get the job done — discreetly. He has three rules: Never change the deal, no names and never open the package.

The Transporter films were fun and Statham really made the character his own. Plus, he does know how to kick some serious ass. It remains to be seen who will take on the role in the series but rest assured, whoever it is has some big shoes (and a big car) to fill.

‘Superman: The Motion Picture Anthology’ Coming to DVD & Blu-Ray

Look, up in the sky! It’s a bird, it’s a plane, no it’s…a definitive blu-ray collection of Superman movies?

2011 is a year filled to the brim with superhero cinema and the folks over at Warner Home Video think that now is the perfect time to roll out the most comprehensive high-definition collection of Superman films of all time. Combining all four movies with Christopher Reeve and 2006’s reboot-ish Superman Returns, this set promises to be the ultimate collection of Superman’s first cinematic era.

Boasting both Donner extended cuts of the first two films and over 20 hours of special features, this release is as stacked as could possibly be. There is a lot of similarity in this Blu-Ray’s feature list and the Ultimate Collector’s DVD set that came out in 2006, however, several of the key features have been converted to HD, including the Donner cuts and the wonderful Look, Up in the Sky! documentary.

A full list of features and the Blu-Ray anthology’s trailer can be found after the jump.

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Activision Announces ‘Spider-Man: Edge of Time’

Writer Peter David must have found something very special within himself when he created Spider-Man 2099 nearly twenty years ago. Of all of the characters that came to be from the 2099 universe, Spider-Man 2099 is the one who keeps coming back.

Whether it was in Marvel’s “Time Stream” crossover or having a place on the Exiles or his most recent appearance in Spider-Man: Shattered Dimensions, Miguel O’Hara has earned his place as a true Spider-Man (unlike the much despised Ben Reily or Kaine).

Now, Spider-Man 2099 will be a part of Activision and Beenox’s latest adaptation of Spider-Man with the newly announced Spider-Man: Edge of Time.

Taking a cue from games like Singularity, Spider-Man: Edge of Time plays on the concept of actions in the past affecting the future as both the current day Spider-Man and the Spider-Man of 2099 both take actions to prevent a premature death of this generation’s Peter Parker which leads to a future that should never come to pass.

Here’s all the info you need to know from the official press release:

“The first Spider-Man entry by Beenox, Spider-Man™: Shattered Dimensions was touted as one of the wall-crawler’s best Spider-Man games to date from both critics and fans,” said Vicharin Vadakan, Director, Global Brand Management. “Beenox is once again taking a fresh and different approach to bring a fast-paced and high-octane adventure and unexpected story to life in Spider-Man: Edge of Time.”

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Film Review: ‘Source Code’

In 2009, director Duncan Jones made a splash on the indie scene by bringing us a smart, trippy sci-fi film called Moon. The film was warmly received by critics, but fell short of being a commercial success.

Despite the fact that Source Code has all the trappings of a studio film (bigger budget, bigger stars, bigger advertising campaign) Jones has remained remarkably faithful to his indie roots. The result is the rare mix of a smart thriller with wide audience appeal. We’ve seen that audiences don’t always shy away from smart films (case in point, Christopher Nolan’s Inception); maybe we are finally starting to see the studios warm to the idea that smart and commercially viable are not necessarily mutually exclusive concepts.

Source Code proves that the two can concepts can co-exist in perfect harmony. Jake Gyllenhaal stars as Captain Colter Stevens, who finds himself on a train in Chicago one day and is completely panicked to find out that he has no idea who the woman sitting with him is, and he doesn’t know how he got on the train. Before he can put the pieces of the puzzle, the train blows up.

Colter finds himself waking up in a pod-type device, listening to the soothing voice of Colleen (Vera Farmiga), a military officer who explains that he has been sent back in time (before the train exploded) to find out who placed the bomb on the train. They believe that another attack is planned, and the only way to stop it is to find the perpetrator of the attack on the first train.

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Twitter Ditches Infamous QuickBar In Latest iOS App Update

Whatever your thought on the relative merits of Twitter and the power of the Internets, one thing is for certain, over at Twitter HQ, if the public says something sucks, they listen. At least in this case.

In case you haven’t been keeping up, here’s the background. A few weeks ago Twitter released an update to its popular App for iOS devices. Most of the time updates bring needed features and bug fixes and are met with a generally positive response from the users at large.

Not this time. Instead, the update featured one big new thing: QuickBar. According to Twitter, the QuickBar “was originally conceived to help users discover what’s happening in the broader world beyond people they already follow.”

It didn’t really do that. What it did do was ignite a storm of protest on Twitter and elsewhere decrying that the QuickBar, and its intrusive nature, had to go. Well folks, Twitter has listened and as of the latest update released late yesterday, the QuickBar is officially gone.

So, fire up iTunes or go to the App store on your iOS devices, get the latest update and be rid of the QuickBar forever — or at least until Twitter decides to put it back again.