The Flickcast – Page 579 of 1030 – Stuff Nerds Love

Game Review: ‘Super Meat Boy’ for XBox Live Arcade

Games have just gotten too easy. It’s a fact. Back in the NES days, players were given limited health alongside limited lives in an effort to have players spend more time playing levels over and over again due to the limited amount of space available on the game cartridges.

Now, gamers seem to be all about instant gratification. They want to race through levels in record time so they can move on to the next game. Super Meat Boy bucks that trend by providing one of the most challenging and entertaining games to come to the XBox Live Arcade since N+ or Braid.

Gameplay:

When talking about Super Meat Boy, it is impossible to mention it without discussing the game’s unusually high level of difficulty. In many games, it could be said that difficult stages or areas are unfairly created to hinder a player’s progress, such as the trials during Dante’s Inferno that required unrealistic combo scores and other such tasks. Super Meat Boy on the other hand is a rewardingly challenging experience.

Literally only being able to run and jump, players must traverse levels as Super Meat Boy (or various other unlockable indy characters) to reach their girlfriend Band-Aid Girl. When playing Super Meat Boy, you will die. A lot. There is no health and one wrong move on your part spells splattered meat being rained across the level. It is just how the game is designed. Luckily, most levels can be beaten with a perfect run through in roughly thirty seconds. So while it may take ten minutes to make it through a level, the levels themselves are not long at all.

The controls are basic but very right. Holding jump longer makes Meat Boy jump further while adding in a run first extends the distance even more. Meat Boy can slide down walls and wall jump due to his sticky composition. But our squishy friend has no natural defenses to the buzzsaws, lava, jelly-like creatures or walls of salt and hypodermic needles that cover the maps. One touch and he’s gone. But the way the game controls, it never feels like it isn’t your fault when you die.

A player knows they are to blame for their own demise and as a result, completion of these levels feels increasingly rewarding instead of cripplingly painful. Even more rewarding is watching a replay of all your little Meat Boys traversing the level after completing one letting you see just what mistakes you made during your play through and seeing just what your perfect run looked like.

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TV RECAP: ‘Eastbound & Down: Chapter 11′

Is there any show that stays as true to its principles as Eastbound & Down?

Last night we finally met Mr. Powers, Kenny’s dad, and he’s played by Don Johnson as pretty much the same trash-talking vulgarian as his son. I knew EB&D wouldn’t go in for cheap sentimentality when they reunited father and son, but I was in no way prepared for this one.

First off, this is easily the funniest episode of the season, which has been hitting hard all throughout. Johnson finds just the right note for Mr. “Eduardo Sanchez” Powers as a crude Jimmy-Buffet-like layabout, and right from the introductions, you know he and Kenny share blood. Likewise, I don’t remember the last time an episode had so many quotable lines (“She keeps me on time, and I keep her wet in her underpants” is just a sampling), and they flew by as Powers and Powers sling bullshit while everyone just sits back and watches.

Even the initial scene where the two are reunited, the conversation is all one-upmanship: “Yeah, I saved up all the money from playin’ ball and invested wisely in stocks and bonds and fine pieces of arts,” “Well, I store all my valuable stuff in holes around here, and only I know where they are,” “Well I know where this one’s buried,” “Nope, because it’s a false hole—I started diggin’ it when you drove up.” The outright obviousness of each man’s lies and their mutually adolescent maturity levels pay fantastically well off—it’s funny and totally convincing.

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SyFy Orders New ‘Battlestar Galactica’ Spin-Off Pilot

Excellent news for fans of the re-imagined Battlestar Galactica that were disappointed when the show ended its run on SyFy a couple years back, a new show called Battlestar Galactica: Blood and Chrome is coming that’s sure to make you happy. This new show, which we mentioned previously as just a possibility for the web, has now been given the greenlight for a two hour pilot by the powers that be at SyFy.

In case you forgot or didn’t hear about this new show before, it deals with the young years of Ensign William Adama as he begins his journey through the first Human Cylon war. It takes place between the events of the first BSG series and those of the currently running show Caprica and is being produced by David Eick.

While this is good news for fans of the show who wanted more, one question remains. Will this new show be given the treatment it deserves or will it, in fact, be a web show as was previously reported? Obviously, we would prefer a full blown series with all that entails instead of a web series. Not that we have anything against web series, we certainly don’t.

However, if we have a choice we would prefer the show to be much like the previous BSG series and have that kind of budget and scope. A two hour pilot seems like a promising start so I guess we’ll find out soon enough what’s going to happen. In the meantime, we’ve always got our BSG complete series on Blu-ray.

Check out the full press release from SyFy after the jump.

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Attention Zombie Fans: ‘The Walking Dead’ Arrives on iOS Devices

Shhhhhhh! You hear that?

Braiinnnnsssssssssssssssssssssssss!

It’s AMC’s The Walking Dead arriving on your Apple iPod Touch, iPhone or iPad courtesy of the comiXology app. While the world anxiously awaits AMC’s Halloween premiere of the brand new zombie-destroying series, comiXology has launched a dedicated digital comic app in collaboration with Image Comics and the comic’s creator Robert Kirkman.

“Robert Kirkman and Image Comics have been great partners of ours and we love to see them continually pushing the envelope with The Walking Dead series,” said David Steinberger, CEO of comiXology. “Through this new app, zombie lovers everywhere will be getting a full dose of their favorite comic on their mobile devices all in one location. We’ve even added all the collected editions.”

In case you’re not familiar with the franchise, The Walking Dead is a mostly black-and-white comic first published by Image Comics in 2003, and created by writer Robert Kirkman and artist Tony Moore. The story arc focuses on Rick Grimes, a small-town police officer from Cynthiana, Kentucky, his family, and a number of other survivors who have banded together in order to survive a world stricken by a zombie apocalypse. The series won the 2010 Eisner Award for Best Continuing Series at the San Diego Comic Convention.

“Today’s app release will provide fans of The Walking Dead, new and old alike, another way to enjoy this series,” said Robert Kirkman. “The Walking Dead app will make the series that much more accessible to the new generation that, more often than not, experiences their entertainment completely digitally. I couldn’t be more thrilled to be working with comiXology, on the eve of the debut of the AMC television series, to bring this series in front of a whole new generation of readers.”

Interested in grabbing the dedicated app? Head over to iTunes and download it now. And don’t forget about the new series on AMC, premiering on October 31, 2010.

Check Out 3 Hilarious New Clips From ‘Megamind’

Feel like the superhero hasn’t gotten enough play this year? Neither have we. Sure, Iron Man 2, Kick-Ass, and countless other genre films hit theaters this year, but those were all months ago, so let’s look to the now. And there’s nothing more “now” than Dreamwork’s Megamind.

Starring an gigantic voice cast of Will Ferrell, David Cross, Tina Fey, Jonah Hill, and Brad Pitt, the film takes the classic “good vs. evil” idea to a whole new place as the villain actually becomes the hero in this zany sci fi animated film.

We’ve got a bunch of new clips that we’ll be bringing you over the next week, starting with three pretty funny ones today. Be sure to check them out after the jump, and catch Megamind in theaters on November 5th.

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TV RECAP: ‘The Office: The Sting’

Did I miss something, or isn’t The Office company Sabre now and not Dunder-Mifflin? Yeah? Then why did they keep referring to it as “Dunder-Mifflin” all this episode? Was it part of the ruse? I don’t know. I couldn’t follow this episode too well and am apparently one of the few people who didn’t find it particularly funny.

The basic rundown is that hotshot salesman Danny Cordray (guest star Timothy Olyphant—but wouldn’t it be awesome if it were Rob Corddry?), who apparently is the best salesman in the Dunder-Mifflin company (ah, maybe that’s what was confusing—but then Sabre bought out Dunder-Mifflin, right?) is competing with Jim and Dwight to land an account with a high-profile potential client, so to hit heavy, they bring in Michael, who, despite all his incompetences as a manager, is still a first-rate salesman.

Nevertheless, Sabre still loses the account, so Michael and Dwight set up the titular “Sting” to learn his sales secrets and enlist Meredith to pose in a wired room as a company head and potential client. Danny falls for the bait while Michael, Jim, and Dwight watch from another room, but the plan goes awry when Meredith starts coming on to Danny, prompting Michael to intervene and try to patch things up by offering Danny a job at Sabre (or was it Dunder-Mifflin?).

Danny’s greeted coolly by the rest of the office, who are worried that he’s going to steal their clients, and apparently he has a past history with Pam, which puts Jim on the defensive.

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Wil Wheaton & More Lend Voices To ‘DC Universe Online’

While the game may be delayed until next year, it hasn’t stopped Sony Online Entertainment from ramping up the voice talent for DC Universe Online. Names like Adam Baldwin, Kevin Conroy, and James Marsters are already attached, and the list is only going to get bigger. From Sony:

The new cast additions include Arleen Sorkin (Batman: The Animated Series), Wil Wheaton (Star Trek: The Next Generation), Corey Burton (Star Wars: The Clone Wars, Batman: The Brave and the Bold) and Dwight Schultz (The A-Team, Star Trek: The Next Generation).

“The addition of these actors to our existing cast reaffirms our commitment to gamers to deliver the most fun and authentic DC Universe experience possible,” said Sony Online Entertainment executive producer John Blakely.

Wheaton will be upping his geek cred by voicing Robin, the Boy wonder, while Alreen Sorkin returns for the role that made her famous, Harley Quinn. Also, Dwight Shultz steps in as The Flash and Corey Burton will be voicing the living computer Braniac.

Filling out the rest of the cast is Summer Glau as Supergirl, Mark Hamill as The Joker, Diedrich Bader as Solomon Grundy, Michelle Forbes as Circe, Robert Patrick as Hawkman, and Gina Torres as Wonder Woman. This could end up being the best voice cast for a video game ever seen…if the game ever comes out.

Box Office: ‘Paranormal Activity 2’ Has A Spook-Tacular Weekend

After some truly disappointing weekends at the box office for horror movies (Hatchet 2, Pirahna 3D, Let Me In, My Soul to Take) fans can finally breathe easy that the genre is alive and well.  Paranormal Activity 2 catapulted to the top of the pack this weekend, and easily exceeded expectations to earn around $41M.

That was good enough to shatter a few records.  The movie broke the opening weekend record previously held by the 2009 Friday the 13th reboot in 2009.  It also made a cool $6.3M on Thursday midnight showings.

In comparison, Paranormal Activity made about $21M over its opening weekend.

Jackass 3D managed to claim the number two slot. The film tumbled over 57% from last weekend, but still made an impressive $21.6M.  Its two week total is now over $87M.

Comedy/Drama/Thriller Red only dropped 31%, and added $15M to its two week cumulative of $43M.

Clint Eastwood’s ethereal after-life drama made about $12M.  That might sound paltry, but it only played on about 2,100 screens, and had an okay per/screen average of  $5,500, which puts it in the top three per/screen averages for the weekend.  The film came in number four for the overall box office.

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