Y: The Last Man is one of the great comic book stories of the early 21st century. It details the adventures of Yorick Brown, the last man in a world where all of the males in every species were wiped out all in one terrifying moment.

What made Brian K. Vaughan’s masterwork so good was his characters. The women in this post-man world were complex, well-rounded and often expertly crafted. Everyone had a motivation and they all felt natural for this hyper-real situation they found themselves.

The story has been floating around Hollywood for quite some time, but can never seem to find the proper traction to move forward. So leave it to the internet to fill a void while the studios twiddle their thumbs.

Y: The Last Man Rising is a fan made film that sets up, loosely, the world of Y. It acts almost as a pilot, setting up several aspects of the larger story as opposed to telling a single Y tale. The production is rather impressive for a fan project, and most of the cast seems to channel their characters extremely well.

Check out the full fan film after the jump.

There are few long form comic book stories that really feel like a single cohesive whole. It is just hard to maintain total continuity in style and storytelling over more than a half a decade’s worth of single issues.

Brian K. Vaughn and Pia Guerra were able to accomplish that difficult feat with their epic series Y: The Last Man. A tale told over several years and 60 total issues, that details the last male on earth, and his pet monkey. The comic series is one of the great achievements in comic book storytelling, and is ripe for an adaptation.

The problem is that such an large tale needs more than two hours to tell, and that has slowed the adaptation process down considerably. New Line has been reluctant to sign off on a trilogy of films, but they are still very eager to move forward with a single Y: The Last Man film.

The Hollywood Reporter is reporting that New Line has brought in two new writers to take a new stab at the adaptation:

Writing duo Matthew Federman and Stephen Scaia are in final negotiations to write New Line Cinema’s adaptation of the acclaimed Vertigo comic book… The duo is somewhat new to the feature world but are hot out of the gate – Y is the second studio job in five months after booking Sony’s untitled Zorro origin project — but they have plenty of genre TV credits. Federman and Scaia were writer-producers on Charlie’s Angels, Human Target, Warehouse 13 and Jericho.

Everyone knows that Wednesday is new comic book day. While picking up your new issues consider looking at some of the trade paperbacks and hard covers of past issues and story lines. But which ones should you choose?

That’s why every Tuesday, The Flickcast will recommend a collection of comics that are just as good, if not better, than the issues you are currently buying. Books that deserve to be read, and bought the next time you walk into your local comic book store.

Preacher is The Godfather of comics. Its brazen, over-bearing, and loud tone leave a distinct aftertaste when you finish reading. The characters are mean and hateful. The locations are gritty and gross. Preacher is the sum total of all the dark corners of America combined into a tale of the problems of religion. It is a series that is not for everyone, and will turn some people off of comics forever. However, if someone asked me what my favorite comic book series of all time was, I would be hard pressed to not choose Preacher.

Preacher was a mature and violent comic book series published by Vertigo in 1995. It lasted sixty-six issues as the main characters blasted and hunted their way through America on their quest to find God. Oh, by the way, their quest was not metaphorical; it was literal.

Now that DC fans have settled into their cozy new logo that the company slapped them with back in 2005, they’re ready to do it one more time! That’s right, DC Entertainment (formerly DC Comics) has finally revealed their new logo that has allegedly been in the works for the last year.

Said to show off more of the different identities of their most popular brands, rather than just be a static logo like some “other” comic publishers. Here’s a DC exec with the worst possible explanation of the new logo. From Co.Create:

“We didn’t want a static logo, but a living identity that could capture the power of our characters and storytelling,” says Amit Desai, senior vice president of franchise management. “What is special about DC content is the notion of a dual identity. When you think about our DC Comics superheroes, there’s a secret identity. When you think about Vertigo, it’s this notion of good vs. evil in many of the stories. And so, in addition to flexibility, the new logo communicates this idea of dual identity: There’s more than meets the eye. You have to take a closer look to understand the richness of our characters and stories.”

Remember the early 90’s, before “emo” was a lifestyle and kids were just dressing up like Neil Gaiman’s Death or Dream and rock out to The Cure? Well, it looks like Warner Bros. TV is a little more nostalgic, as they’re in the planning stages of turning Gaiman’s classic fantasy comic into a new dramatic series.

It may be 15 years after the initial book stopped getting published, but the executives at WB feel that fans of a new, vampire-loving generation will take a liking to this dark and dreary world. Heat Vision spells it out.

Warner Bros. TV is in the midst of acquiring television rights from sister company DC Entertainment and in talks with several writer-producers about adapting the 1990s comic. At the top of the list is Eric Kripke, creator of the CW’s horror-tinged “Supernatural.”

“Sandman” told the tale of Morpheus, the Lord of the Dreaming, a deity who personifies dreams. The book began in the horror realm but quickly made its mark in fantasy and mythology as Gaiman introduced the Endless, a group of powerful brothers and sisters named Destiny, Death, Destruction, Despair, Desire and Delirium (as well as Dream).