I’m a shameful(less?) Anglophile, which in turn makes me an unabashed(ful) Francophobe, and some of the tenderest English patches of my otherwise iron heart are reserved for Simon Pegg, Nick Frost, and, of course, Edgar Wright, the three gents who, through their collaborations in such fine works as the sitcom Spaced, and the films, Shaun of the Dead and Hot Fuzz, demonstrated a mutual respect, appreciation, love for American pop-culture—something I’ve seen very seldomly outside of America.
In fact, it’s so rare, I don’t think there’s actually a term for it (Americaphile? Colonialphile? Washingtonian-a-philia?). So when there’s a project featuring at least two of three, I take notice.
And now we have Paul wherein another favorite, Seth Rogen, voices the titular Paul, an alien who came crashing to earth some 60 years ago and was immediately kidnapped by the US and taken to mysterious Area 51, never to be heard from again…
…until 60 years later, specifically while two British, alien-obsessed Americaphiles Graeme (Pegg) and Clive (Frost) are making a tour across the US on their way to Comic-Con, simultaneously hitting every E.T.-related point of interest along the way.
Naturally that leads them through the (evidently) lone highway toward Area 51, with the only other car on the road being piloted by the freshly escaped Paul. Crashes ensue, and the boys meet Paul, who explains he’s fleeing from government agents and asks, his ride being totaled, to tag along.
He does, of course, and farther along the way they attracted the attention/pick up a collection of equally strange and terrible characters, including flighty Bible-thumper Ruth (Kristen Wiig), her truck-driving, shotgun-wielding father (John Carroll Lynch), and a handful of spooky government agents (Jason Bateman, Bill Hader among them), the collection of which all builds up for the big cameo at the end.
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