Last month we spent time reviewing the Golden Globe nominated film scores, at the time I had only listened to one of them going in so it was a nice way to start award season and catch up on some great scores. Now that the Oscar nominations have been released I was going to do the same thing, only I have already reviewed most of them

Thankfully I spaced out and didn’t review the second of John Williams two nominated scores yet, The Adventures of Tintin, so I can knock out the last of the major nominated scores and be all caught up in time for the big show next month. After this week I will move onto the two films with Oscar nominated songs to spice things up a bit.

The Adventures of Tintin is the second score from Williams this year and in tandem with War Horse showcases the Maestro’s range as a composer, even today. Based on the action/adventure films Williams has composed for in the past, Tintin  marks a bit of a departure as the music is not dominated by specific themes, it is more a collection of classic action music that sets the stage for the impressive animated film.

When people talk about movies they are most excited to see, they will normally stick to the big budget action adventures, raunchy comedies, or thrillers.  It is rare to see a grown adult get publicly excited about the newest children’s animation or cheesy chick-flick.  But when all is said and done, and we are alone in our living rooms browsing Netflix, most of the time we are actually in the mood for something light and fun.  Just admit it, we all love the occasional cartoon for family comedy.

This week we have two classic family franchises getting rebooted, a trailer for a superhero film that just doesn’t seem to want to ever come out, and a guilty pleasure indie flick.