Ebert would have loved this: It does not gloss over major events that tarnish his star – his alcoholism, his pettiness, even his face. This is not simply a chronicle of the critic’s final few months, rather it’s an overview of his life, aptly so, I suppose, as it’s adapted, in part, from Ebert’s memoir Life Itself.

Ebert was born in Urbana, Illinois, about an hour and a half south of Chicago, and grew up early on recognizing that he had a considerable talent for writing. In his mid-twenties, he began writing movie reviews for The Chicago Sun-Times, winning a Pulitzer Prize for his work in 1975. Around that time, too, he teamed up with Gene Siskel, forming something of the U.S.’s popular critical consensus for nearly 25 years.

Most of those beats you probably know, and director Steve James (Hoop Dreams) does an excellent job filling them in, yes, with interviews from those who knew Roger best during those times, and passages from the book, but even more so with a deft pace aided by short interspersions of Roger today, or at least Roger in 2012. These diversions are, thankfully, less a study in courage than a testament to stubbornness, wit, or another key personality trait that maintained while the body faded away.

It’s very easy to look at a personality like the Iron Sheik and make some flash judgments about him. Like many wrestlers from the seventies and eighties,  he wasn’t just a character to the audience. The Iron Sheik was everything he claimed to be. Going head to head with Hulk Hogan, the Iron Sheik helped usher in the era of Hulkamania. He would turn one of America’s heroes against it when he took the real life G.I. Joe, Sergeant Slaughter and made him an Iraqi sympathizer. But by being so hated, he lead a generation of wrestling fans through an emotional journey. But that is only half of his story.

The Sheik is a documentary that debuted last month at the Hot Docs International Film Festival in Toronto that helps fill in all the blanks and brings to light many things that most people who are even fans of the Sheik may not even be aware of. The one that stands out the most that you’ll see in the trailer below is that while he was America’s biggest foe in the ring, he was in fact living the American dream that he escaped Iran to fulfill. Created by Iranian-Canadian twins Page and Jian Magen and joined by commentary from the likes of the Rock, Jim Ross, Jake Roberts, Mick Foley and over 25 celebrities, the Sheik’s story unfolds for audiences as they see there is more to this man than four letter word filled Twitter rants and spitting on the USA.

When the original Kinect launched in 2010, it is safe to say the peripheral had a share of flaws. It wasn’t as detailed as one would expect and couldn’t detect hands and fingers the way it was originally designed to. It also had a hard time reading individuals under a certain height. Considering Microsoft was trying to drive kids to play games like Kinectimals with the controllerless gaming, that was up there in the list of top functionality f&#* ups from them.

One that also seemed to be an issue was the rumor that the Kinect also had trouble reading people with darker skin tone. This lead to the premise that the Kinect was actually racist.

The team at Whiskey and Waffles joined up with Sandwich Productions (because the combination just sounded too damn tasty to ignore) and created the mocumentary simply entitled Racist XBox. We were thrilled with the end result and just how awesome WallE looked as a forensic scientist. We won’t spoil anything here but I will say there is a little bit of mature language so I wouldn’t go showing this to your 10 year old.

Only five days after hitting the web, the Vlogumentary trailer is approaching 800,000 views. The documentary about video blogging is directed by Corey Vidal, and executive produced by Shay Carl. The two veteran vloggers released the trailer during a main stage presentation at last week’s VidCon 2013 to thunderous applause and plenty of tears.

Vlogumentary, which was previously titled I’m Vlogging Here, looks to be a poignant and honest portrayal of the impact of web video. The film explores the beginnings of many of the most popular YouTube channels as well as the art of vlogging.

Prominent YouTubers such as John and Hank Green (Vlogbrothers), Grace Helbig (Daily Grace), Toby Turner (Tobuscus) and many more are featured alongside dozens of lesser-known vloggers. Vlogumentary is set to release later this year.

Take a look after the break.

Most of what you have seen in the past on the Kickstarter Watch has been gaming related. For the most part, we don’t even get a chance to look at every Kickstarter campaign email that gets sent to us because there are so many out there. But when we got the press release about Legends of the Knight using Kickstarter to help them finish off production, there was something special about this project that made us click through and watch the trailer (which you can see embedded at the bottom of this article).

Growing up as lifelong comics fans, it was impossible to not know who Batman was. Whether you were a Marvel guy or even didn’t like Superman because he was just too powerful, almost everyone in or around the industry has a soft spot for the Batman.

You have to love Instant Netflix. On those late nights where you can’t fall asleep, it just seems to know exactly what to recommend to you to help you pass the time. But this isn’t about Instant Netflix, though I do thank it for the recommendation. This is about Indie Game: The Movie.

Indie Game: The Movie takes place with three indie developers who are in three very different situations with their games. The men behind Braid, Super Meat Boy and Fez are all profiled in this documentary exploring the world of indie development and the trials associated with it.

Jonathan Blow talks about life after having a successful indie release with Braid and the effect it has had on him. Team Meat, a duo comprised of Edmund McMillen and Michael Refenes, are shown from midway through their development process until the release of Super Meat Boy on XBox Live. Finally, Phil Fish chronicles the trials and tribulations he went through in the extended development process of Fez.

I’m a Bob Marley fan, but I wasn’t ready for a two-and-a-half-hour documentary on the guy. I liked director Kevin MacDonald’s other stuff, particularly The Last King of Scotland and Life in a Day, but, again, two-and-a-half hours.

And while the time doesn’t fly by, it does hold your interest. There’s the standard talking heads you always see in a movie like this, but instead of each and every one endlessly talking about how much of an influence Marley was, MacDonald does the opposite and focuses more on the personal details and experiences that directly influenced Marley.

The film opens in Ghana, with a guide taking the camera through a tour of an old slave port. He stops at an ancient wooden door. “When the blacks passed through this door,” he says, “they knew they would never be coming back, that’s why it’s called ‘The Door of No Return.’” We’re then whisked to the shanty town of Nine Mile, Marley’s home town, and the story of his early life begins. Many of the details will come as a surprise—for example, I never knew his father was a white, English captain in the Royal Marines, nor did I know his father was 60 years old when he married Marley’s 18-year-old mother.

Interviews with Marley’s friends, cousins, band members, aunt, and mother reveal a man who struggled with his mixed race and saw music as his only way out of poverty. A lesser director would have several interviewees reiterating that point to drive it home, but here many of MacDonald’s interviews are conducted on location, so when we see one of Marley’s cousins leaning against an outside bar worked into a dilapidated shack, nursing his Guinness and puffing on half a cigarette while a stray dog runs by, we only need to hear it once, and the point has already been made by what we’ve seen.

For those lucky millions who have made it to San Diego in July for Comic-Con International, you know how truly epic it is for fans. That’s why infamous niche documentary director Morgan Spurlock felt it was time to put the limelight on the droves of Klingons, Autobots, caped crusaders, and Anime teens that attend the show each year. Enter Comic-Con Episode IV, A Fan’s Hope.

The film is clearly stamping all over the nerd genre, even with the name, by playing to what we nerds really love: geeky celebs. You’ll see cameos from resident geeks like Eli Roth, Kevin Smith, Seth Rogan, and tons others pledge their love for the 4 day nerd fest like no other. Also, the story follows the lives of a few legitimate geeks who pledge their lives to all things nerdy. Here’s the synopsis:

Have you ever imagined a place where Vulcans and vampires get along? Where wizards and wookies can be themselves? Welcome to Comic-Con San Diego. What started as a fringe comic book convention for 500 fans has grown into the pop culture event of the year that influences every form of entertainment, now attended by over 140,000 strong. COMIC-CON EPISODE IV: A FAN’S HOPE- a film by Morgan Spurlock explores this amazing cultural phenomenon by following the lives of five attendees as they descend upon the ultimate geek mecca at San Diego Comic-Con 2010.

Take a look at a list of dates the film will be doing across the country, and the first trailer, after the jump.

This extraordinary documentary Pina by German filmmaker Wim Wenders (justly nominated for an Academy Award) on the choreographer Pina Bausch, his countryman, near-contemporary and fellow visionary, was a long time in coming. An artistic collaboration had been planned for some time but in an instance of epic bad timing, Bausch died just two days before filming was to have begun, having been diagnosed with cancer only five days previously.

The movie is thus haunted by the specter of death and of aging, compounded by the fact that many company members had been with Bausch for twenty-plus years. This theme is stated in the opening piece (returned to periodically in the duration of the movie), in which a long line of dancers chants Fruhling…Sommer…Herbst…Winter as they snake along a train platform, behind and onto a stage and later, on a wind-blown hilltop.

The Tanztheater German expressionist influence is clear in their affects, which ride the line between ecstasy and despair. Are they smiling in the face of death, or ruefully acknowledging that life and death march on regardless?

The X-Men are a cornerstone franchise, the popularity of the book from the 70’s through the 80’s and it’s domination in the 90’s have helped shape an entire generation of artists and storytellers. The man behind most of that legacy is Chris Claremont, one of the most prolific creators in comic history. Now the story of his legendary run on Uncanny X-Men is being told as a documentary and you have a chance to help fund it.

Sequart and Respect Films are putting together the documentary and have set up a kickstarter page looking for funding from true believers like you. If successful, this documentary would be the first in a series of docs that focus on iconic series and creators that are worth telling, but likely would struggle to be big enough for a feature length doc.