Last month we spent time reviewing the Golden Globe nominated film scores, at the time I had only listened to one of them going in so it was a nice way to start award season and catch up on some great scores. Now that the Oscar nominations have been released I was going to do the same thing, only I have already reviewed most of them

Thankfully I spaced out and didn’t review the second of John Williams two nominated scores yet, The Adventures of Tintin, so I can knock out the last of the major nominated scores and be all caught up in time for the big show next month. After this week I will move onto the two films with Oscar nominated songs to spice things up a bit.

The Adventures of Tintin is the second score from Williams this year and in tandem with War Horse showcases the Maestro’s range as a composer, even today. Based on the action/adventure films Williams has composed for in the past, Tintin  marks a bit of a departure as the music is not dominated by specific themes, it is more a collection of classic action music that sets the stage for the impressive animated film.

Empire Magazine’s December 2010 issue is giving us our first look at Stephen Spielberg and Peter Jackson’s collaborative effort, ‘The Adventures of Tintin: The Secret of the Unicorn,’ which is due in theaters in late 2011. The outrageously popular ‘Tintin’ series by Hergé is being adapated by the duo into a feature-length motion-captured 3D flick.

In case you’re not familiar with the inspiration for the film, ‘The Adventures of Tintin’ series is one of the most popular European comics of the 20th century, with translations published in more than 50 languages and more than 200 million copies of the books sold to date. Created by Belgian artist Georges Rémi, who wrote under the pen name of Hergé, the series follows the adventures of Tintin, a young Belgian reporter and his fox terrier Snowy. The duo are involved in many swashbuckling adventures with elements of fantasy, mysteries, political thrillers, and even science fiction.

Jackson commented on the transition to CGI and what that might look like for fans of the popular comic. “It’s not really going to feel like the Tintin Hergé drew. It’s going to be somewhat different. With CGI we can bring Hergé’s world to life, keep the stylised caricatured faces, keep everything looking like Hergé’s artwork, but make it photo-real.”

Be sure to hit the jump for some more insightful quotes from the creators as well as a couple of amazing production stills from the flick.