Unfortunately, due to a scheduling snafu, I didn’t get my comics this week until late Wednesday night. As a result, I wasn’t able to get through them all in one sitting so there won’t be a Pull of the Week this week. But that won’t stop me from getting you two full days of comic reviews from the books I did get a chance to read this week.

Exiles #6 – Marvel – $3.99

Score: 4.0

And finally, Exiles comes to a bittersweet end. And it’s not bittersweet because we will miss our heroic team as they are shown off in classic fashion. It’s bittersweet because the book that was so lacking in story and character development after dragging the name of one of our favorite series through the mud has finally ended and we don’t need to see it dip even further away from the quality it once was. After only four issues, it was revealed that Exiles‘ second volume, which somehow trumped New Exiles for being the worst use of the Exiles team, would be coming to a quick end. So to “celebrate” the series finale, they decided to make it a “mega-sized” final issue to help tie up all those loose ends that originally should have been spread out over an ungodly number of painfully written issues.

Much like the rest of the series, Exiles #6 just isn’t good. After finding out their first mission was not a success, the Exiles return to the world to break up the alliance that was keeping mutant kind united and would ultimately lead to the end of the world by driving the wedge of Scott Summers’ infidelity between Jean Grey and Emma Frost. When this happens, a series of events plays out that explains the “true” origins of the Exiles teams and how the Timebroker, the bugs and the old couple weren’t ever really behind their formation.

For yesterday’s The Pull List, go here.

Absolution #1 – Avatar – $3.99

Score: 8.0

Back in early July, we had the chance to talk to Christos Gage about his creator owned property, Absolution, from Avatar Press. The interview can be read here.  This week, Absolution came to stores and delivered what people were hoping for from the title. Absolution takes a different approach to the superhero genre. Unlike Garth Ennis’ edgy work on The Boys which has superheroes as corrupt drug addicted sexual perverts, Gage reinvents the wheel as he poses the question about what could cause a hero to snap.

Unlike the “heroes” of The Boys, Gage’s hero John Dusk is actually a good person. He uses his powers to save the lives of innocents and defeat bad guys. There is no corporate backing or monetary gain for John by doing it. He is the equivalent of a super powered beat cop. And like some cops who have been on Special Victims Units or the homicide for too long, Absolution explores what it takes to break a man.

The issue begins with John Dusk, the spandex wearing hero seen on the cover of the issue, as he fights White Power, a superpowered white supremacist. John’s powers can be compared to a toned down version of the Green Lantern or the Invisible Woman as he controls his aura around him that allows him to make crude objects with it that can be used both offensively and defensively. When things take a turn for the worst in the fight, John must use lethal force to stop his assailant. Even knowing the criminal is a rapist and murder, John still tries to keep him from dying until he sees two of White Powers captives, causing him to make a decision he can never step back from.

This is part two of this week’s Pull List, check out part one here!

Deadpool #10 – Marvel – $2.99
Score: 8.0
What’s the one way to make an already funny book like Deadpool even more entertaining? Pair him up with an individual who–while may not be as funny–has a more twisted view of the world. That’s what happens in this issue as Norman Osborn decides to send in one of his heavy hitters, Hawkeye a.k.a. Bullseye, to take on the ‘Merc with the Mouth’.  The interesting thing is that Bullseye is pretty funny himself, in a very sick kind of way. The back and forth between the two makes the interaction feel something like the Odd Couple on acid. Surprisingly, Bullseye isn’t present through most of the issue, but instead Daniel Way takes the reader through one of Deadpool’s lowest paying and comical hits before letting the two psychopaths cross… um, paths. What follows are some greatly choreographed and intelligently put together action panels that rival most well done action movies.