by Matt Raub, Mar 14 2011 // 7:30 AM
Not a bad weekend for Hollywood and the domestic box office, as Battle: Los Angeles took the top spot with a decent $36 million for a March opening weekend. That is just about 50% of the $70 Million production budget of the film. You know what that means: expect a sequel.
Other opening weekend movies didn’t fare as well including the family CG-animated film Mars Needs Moms, which opened with an unfortunate $6.8 Million (the budget was over $150 Million) and landed in the 5th spot. Catherine Hardwicke’s re-imagining of Red Riding Hood pulled in $14 Million and came in at the 3rd spot.
Movement from last weekend was quite significant, as Rango moved to the number two spot and went down almost 50%, pulling in $23 Million over the weekend, and $68 Million since it’s opening last weekend.
Matt Damon’s Adjustment Bureau must have had some terrible word of mouth, as it went down 45% since last week, and went all the way down to the number 4 spot, with $11.5 Million.
Next weekend Relativity’s Limitless goes head-to-head with the Matthew McConaughey vehicle, The Lincoln Lawyer, and the fanboy-crazed Paul. Could be an interesting weekend, if Battle: LA doesn’t retain for another weekend.
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Posted in: Action · Box Office · Business · Drama · Movies · News · Sci-Fi
Tagged: Adjustment Bureau, Battle: Los Angeles, Box Office Report, Catherine Hardwicke, Limitless, Lincoln Lawyer, Mars Needs Moms, Matt Damon, Matthew McConaughey, Paul, Rango, Red Riding Hood
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by Nat Almirall, Mar 4 2011 // 1:30 PM
Matt Damon plays David Norris, a young politician who rose to prominence from “telling it is like it is” and now facing a lag in his career having lost his passion. As often occurs with politicians, his fire is reignited in a restroom by another human being. This time it’s the free-spirited Elise Sallas (Emily Blunt), who’s on the run from hotel security for crashing an upstairs wedding. The two flirt for a few minutes before kissing, and she scampers off without so much as dropping her name, and David goes on to deliver your standard “stick-it-to-the-phony-baloneys” speech, and, naturally it’s a hit with the voters.
Cut to three years later, when David takes the bus one morning and runs into Elise, much to the mysterious consternation of Harry (Anthony Mackie), a well-dressed gentleman who carries a tome that looks like a living circuitry grid. While he chases down the bus, David and Elise pick up their banter and he even gets her number.
However, when David shows up to his office, he walks in while it’s in a state of suspended animation, complete with scary-looking men in hazmat suits apparently performing some kind of containment. The men give chase, and David finds himself in a large room getting talked down to by the white-haired Richardson (John Slattery), who works for the shadowy-named Adjustment Bureau and evidently possesses the ability to control the environment. He tells David to stay away from Elise or else he’ll erase his mind.
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Posted in: Features · Movies · Reviews · Universal Pictures
Tagged: Adjustment Bureau, Anthony Mackie, Emily Blunt, John Slattery, Matt Damon
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