It’s very easy to look at a personality like the Iron Sheik and make some flash judgments about him. Like many wrestlers from the seventies and eighties,  he wasn’t just a character to the audience. The Iron Sheik was everything he claimed to be. Going head to head with Hulk Hogan, the Iron Sheik helped usher in the era of Hulkamania. He would turn one of America’s heroes against it when he took the real life G.I. Joe, Sergeant Slaughter and made him an Iraqi sympathizer. But by being so hated, he lead a generation of wrestling fans through an emotional journey. But that is only half of his story.

The Sheik is a documentary that debuted last month at the Hot Docs International Film Festival in Toronto that helps fill in all the blanks and brings to light many things that most people who are even fans of the Sheik may not even be aware of. The one that stands out the most that you’ll see in the trailer below is that while he was America’s biggest foe in the ring, he was in fact living the American dream that he escaped Iran to fulfill. Created by Iranian-Canadian twins Page and Jian Magen and joined by commentary from the likes of the Rock, Jim Ross, Jake Roberts, Mick Foley and over 25 celebrities, the Sheik’s story unfolds for audiences as they see there is more to this man than four letter word filled Twitter rants and spitting on the USA.

Journeyman. Ham-n-egger. Enhancement talent. Call them what you will but a jobber is an essential part of the world of professional wrestling. Though not the most glamorous role, the jobber is required for growth in the industry. Especially during the debut or rebuilding stage in a wrestler’s career, they need to be placed in matches against someone who can make them look good. Many times, these enhancement talent are actually more talented individuals than the person they are making look better in the match. It’s one thing to throw someone around but it is a whole different level of talent to make that person throwing you around look like a more impressive specimen than they really are. For a time, there would be a number of matches on each televised wrestling program that involved jobbers

Whether it’s the customization or the ability to play as your favorite wrestlers, something keeps drawing an audience of people into buying the newest WWE or TNA wrestling game year after year. Now fans are getting the chance to use more than their thumbs in the digital squared circle with Hulk Hogan’s Main Event.

From Majesco, the game is set to release on the Xbox 360 and utilize the console’s Kinect system by integrating the moves and motion of the player themselves into the game’s mechanics. Here’s a breakdown.

In Hulk Hogan’s Main Event, players will learn the ropes from the man himself as Hulk Hogan schools them on delivering the best show for the crowd by emulating famous Hulk poses and performing more than 30 punishing combos.  The Kinect sensor tracks players’ every move; the more dynamic the motion, the more high impact the wrestler’s performance is.  Players will create their own unique wrestler personality through a robust create-a-wrestler feature including many choices for face, hair, tattoos, outfit, ethnicity, body type, and entrance music.

Going as far back as 1982’s Rocky III, Vince McMahon and his WWE (then WWF) have been trying to integrate with Hollywood by blending their top performers into mainstream films. The result has been as infamous as Mr. Nanny and as famous as The Marine, with most falling somewhere in between. It seems that their newest venture could be closer to the former, as they delve back into comedy.

In the newest film, titled The Chaperone, the studios are tapping one of the main headliners of the past decade, Triple H, for the leading role. To amp up interest, they have also snagged veteran 80’s comedy director Steven Herek (Bill & Ted’s Excellent Adventure) to take on the film. Given the premise from a WWE press release, it may not turn out as bad as Mr. Nanny.

Ray Bradstone (Paul “Triple H” Levesque ) is the best “wheel man in the business,” but he is determined to go straight and be the best parent he can be to his daughter, Sally (Ariel Winter), and make amends with his ex-wife, Lynne (Annabeth Gish). As Ray struggles to find honest work, his old bank-robbing crew, led by Phillip Larue (Kevin Corrigan), offers him one last job. He agrees at first, but changes his mind at the last second leaving the crew without a driver.

For the first time in nearly nine years, WWE’s Monday Night Raw went head to head with opposing wrestling programming. TNA, who’s normal timeslot runs on Thursday night from 9 to 11, has made the jump to Monday nights in hopes of going head to head with Monday Night Raw much like WCW Nitro did for the first time back on September 4th, 1995. This rivalry lead to some of the greatest programming in wrestling history in the eyes of its fans.

TNA Impact’s first weekly Monday night episode drew a 0.98 cable rating and drew 1.4 million viewers. This rating was down 12% and it’s viewership down 6.1% compared to the preview week’s Thursday edition of Impact. Surprisingly headlined by some of the very same performers from Nitro like Sting, Hulk Hogan and Ric Flair, it is likely that TNA and Spike TV officials were not thrilled with only a 1.0 rating.

On the other hand, WWE’s Monday Night Raw counted in a 3.4 cable rating and 5.1 million viewers based on the overnight reporting. Raw saw a 7.4% drop in ratings and a 4.2% drop in viewership showing that TNA’s move may have affected Vince McMahon and USA Network’s Monday night programming staple.