It’s a brand new episode of The Flickcast. In fact, it’s an extra bonus episode just for International Podcast Day! What’s better than one episode of The Flickcast in a week? Two episodes! That’s right.

On this “positive and looking forward” episode Chris and Joe get deep into all the things they’re looking forward to watching and listening to through the end of 2020 and beyond. They also look back on a few of the things they’ve enjoyed during the unusual times we’re living in.

Some of the topics covered include the movies Hackers and Swordfish, the Doctor Who Experience, Y: The Last Man, Mandalorian Season 2, Star Trek: Discovery Season 3, the next James Bond film, upcoming Marvel TV series and movies like Wandvision, Falcon & Winter Soldier and Black Widow and of course, Joe’s favorite band Marillion.

They also manage to talk about a certain world event (but just a little), further developments in film and television production and therapy through podcasting. Plus, of course, the usual more.

WARNING: This episode contains discussions about COVID-19, mental health and quarantine. We understand not everyone is in a place to talk about or hear discussions surrounding these issues. Please do what’s best for you. Stay safe everyone.

As always, if you have comments, questions, critiques, offers of sponsorship or whatever, feel free to hit us up in the comments, on Twitter, Instagram or, yes, even Facebook. Or shoot us an email. We don’t mind.

We’re back baby!

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The opening, a long tracking shot that follows motor stuntman “Handsome” Luke Glanton (Ryan Gosling), as he makes his way through the carnival, lighting cigarettes, pushing through the crowd, enterting the appointed tent, fastening his helmet, and buzzing in the cage with two others, is one of the best — and will likely remain among the best of the year. It’s an inspired choice that testifies to director Derek Cianfrance’s deliberation.

Luke is one of the major characters in this play, a distinction that he’ll share with Avery (Bradley Cooper), the lawyer-turned cop and Jason (Dane DeHaan), Luke’s son. Each of them will have their own act, with the scenes intertwining as the drama unfolds throughout 15 years. Luke will quit his job to stay with his son. He will meet a local mechanic (Ben Mendelsohn) who will teach him to rob banks.

He will be pursued by Avery. Avery will rat out some crooked cops and eventually run for office. Luke’s son will befriend Avery’s without realizing their connection. And the results of that friendship and discovery of that connection will begin the cycle anew.

Cianfrance’s previous film Blue Valentine, also with Gosling, carried a similarly morose tone and followed another meticulously logical line of unfortunate events. For all the spontaneity of many scenes — the robberies and chases especially — and improvisational (sounding, at least) dialogue, he shows an immense amount of discipline. He knows the story he wishes to tell and does in a straight-forward and hard way.

What can’t Denzel do? He can stop a train, he can land a plane, and in the case of the latter, which he does on Flight, Robert Zemeckis’s first live motion movie since 2000’s Castaway, he can elevate a disappointingly conventional disaster-movie-of-the-week/addiction drama to compelling watching all by the force of his charisma.

Flight starts as the story of Whip Whitaker (Denzel Washington), a hero pilot who manages to land a badly malfunctioning plane under extreme circumstances no other pilot could have done. They know this because the NTSB (National Transportation Safety Bureau) task force that investigates the crash (a routine procedure for all plane crashes) puts ten veteran pilots into a flight simulation mimicking the exact circumstances Whitaker suffered, and found that none of them could land the plane safely as Whitaker did.

But we the audience knows what the public does not, that Whitaker is a drunk, and drank heavily not only the night before the flight, but the morning of, and even during the flight itself. So the movie quickly evolves (or is it devolve) into an addiction drama. For the question begs to be asked: Does the addiction story ramp up the plane crash story, or drag it down to a commonplace redemption tale? The answer is: both.

All week long, we’ve been bringing you coverage and interviews with the people who brought us DC’s newest animated film, Batman: Under the Red Hood. We spoke with star Bruce Greenwood, who talked about working with the talented John DiMaggio, who fans know best as the voice of Futurama’s Bender.

John has lent his voice to other DC properties, such as Batman: Brave and Bold and Superman: Doomsday, but now he’s taking on one of the biggest roles in DC’s rogues gallery: the Joker.

John brings a quiet insanity to the character, similar to what Ledger brought to the role, but differing from Mark Hammil’s vaudevillian approach to the character. And being the killer of a teenage boy, he needs all the insanity he can bring.

Check out our interview with DiMaggio after the jump, as he discusses his doubts in his performance, as well as his dedication to the fans for resurrecting Futurama. Batman: Under the Red Hood is currently in stores.

With the resurgence in popularity for comics over the decades, there have been plenty of incarnations of our favorite heroes. In that time, we’ve had two Hulks, three Clark Kents, and nearly a dozen Batman’s. The likes of Christian Bale, Jeremy Sisto, Diederich Bader, and the always talented Kevin Conroy have played the Dark Knight in the 5 few years, and now it’s time for Bruce Greenwood to step in.

This time, Batman faces his greatest foes, one of his former sidekicks. Taken straight from a story arc by Judd Winick about the resurrection of Jason Todd, this story has to be one of the darkest DC animated films to date.

You may know Greenwood best as playing Captain Pike in J.J. Abram’s Star Trek. He joins a star-studded cast including Futurama’s John DiMaggio, Neil Patrick Harris, and even Supernatural’s Jensen Ackles.

We got the chance to discuss playing the World’s Greatest Detective with Bruce Greenwood, as well as his interesting relationship with his on-screen nemesis. Check out the interview after the jump, and pick up Batman: Under The Red Hood in stores today.