That’s right, this film should be known as being from the mind of Chris Miller and Phil Lord. The team that brought us Cloudy with a Chance of Meatballs and MTV’s short-lived animated series Clone High.

One could say that the film’s focus points are Channing Tatum and Jonah Hill, but if you look at their track record lately, I’d be much more open to see a movie by Lord & Miller than the guys that starred in G.I. Joe and Get Him to the Greek.

The film is obviously a reboot of the classic 80s cop drama starring Johnny Depp and Richard Grieco, about two beat cops that have to go undercover in a local high school to take down the drug lords poisoning our youth.

The red band trailer is here now with tons of swearing and teen endangerment, so fun for the whole family! Check it out after the jump, and catch 21 Jump Street in theaters March 16th.

Pixar’s Toy Story 3 won the Father’s Day weekend with a total of over $109 Million, making it the highest grossing opening weekend for a Pixar movie thus far. I’ve got to say, it couldn’t have happened to a nicer movie.

Toy Story 3 is a true 4 quadrant film that the studios are always hoping for. It’s the the holy grail of box-office goodness, because it appeals to men and women, young and old.  It’s rated G, which means families can feel at ease bringing the young ones. Critics universally loved the film, and audiences polled by cinemascore raved as well (Entertainment Weekly.)

Toy Story 3 enjoyed a massive opening, as it played on over 4,000 screens.  Roughly half of those were 3D screens, which bolstered the total gross.  Toy Story 3 is the second highest opening for an animated movie, bested only by Shrek the Third’s $121 Million opening back in 2007.

Another family-friendly film took the number two spot.  The Karate Kid dropped around 48%, and tallied up another $29 Million, bringing its 10 day total to an impressive $106 Million.

The A-Team didn’t benefit from word of mouth all that much.  It experienced a 46% drop from last week, earning $13.7. The movie has made about $49 Million in two weekends, but it had a $110 Million budget, so it has a long, steep hill to climb to recoup its budget.  I have yet to talk to anyone who disliked the movie, so I am really puzzled over its performance (or more accurately, lack thereof.)

In absentia of our diligent box office reporter Shannon Hood I’m stepping in to bring you up to speed this week. The top three spots were taken by two remakes and one sequel, the former making me feel like I’d gone through a time warp back to the ’80’s.  It was exciting and a little disconcerting all at the same time.

Taking the top spot was the remake of the 1984 classic The Karate Kid.  For the purists out there you can rest easy knowing the producers did not use the same characters from the original.  While the premise is basically the same Daniel Larusso (Ralph Macchio) and Mr. Miyagi (Pat Morita) have been replaced by Dre Parker (Jaden Smith) and Mr. Han (Jackie Chan). Personally, I thought Jaden Smith was too young to portray the character properly but the audience seemed to disagree with me.

The Karate Kidwent onto make $56 million in its opening weekend.  Given that the budget was $40 million this is certainly decent returns and I have no doubt will lead to a sequel, if not a trilogy.  Way to go Jaden!  Your superstar dad, Will Smith, must be very proud.

Killers over Splice?  Really?  What’s wrong with movie audiences? It was another dismal weekend at the box office, and Hollywood executives might be feeling the first pangs of panic over the Summer’s box office potential (or lack thereof.)  Audiences just don’t seem to be into anything that is out in theaters right now, and a three week holdover beat out four new releases for the number one spot.

Shrek Forever After nabbed the top spot with $25 Million, beating out Killers, Splice, Marmaduke, and Get Him to the Greek.  Shrek is still playing on over 4,300 screens, so even though its per-screen total was pretty week ($5,000) it still only dropped about 40% from last week.

Coming in at number two was Get Him to the Greek, the Jonah Hill/Russell Brand comedy produced by Judd Apatow.  The movie was a spin off of Brand’s character from Saving Sarah Marshall.  Interestingly, both movies made almost identical amounts of money on their opening weekend.  Saving Sarah Marshall made around $17.7 Million, and Get Him to the Greek made $17.4 Million (per Box Office Mojo.)

Killers, the “we’re not screening it for critics because we want them to experience the movie along with everyone else” movie managed to make $16.1 Million.  The reviews have started rolling in, and it stands at a proud 14% on Rotten Tomatoes.   For the life of me, I don’t know who was clamoring to see this movie, because merely watching the trailer made me want to gouge my eyes out.

In 2008, Russell Brand appeared in Forgetting Sarah Marshall as his alter ego Aldous Snow, a cocky, obnoxious rock star who nabs hottie Kristen Bell from her long time boyfriend. Brand nearly stole the movie out from a cast of gifted comedy heavy-weights. Brand reprises that role in Get Him to the Greek, a comedy/road-trip/buddy movie in which he is paired with Jonah Hill.

Jonah Hill is quickly becoming my go-to guy when it comes to comedy. Although he is usually relegated to supporting character status, I find him to be a welcome addition to any ensemble cast. Now, he gets to flex his muscles (the acting sort, there are none to be found on his actual body) and take a jab at leading man status. With his doughy physique Hill makes an unconventional leading man, but he is strangely endearing and relatable.

As odd as this pairing might seems, it works exceptionally well. Also unexpected, but equally hilarious, is the casting of Sean Combs as an ego-maniacal record executive who provides some of the film’s biggest laughs, believe it or not.