We’re glad to see Community is back and we’re liking it so far now that Dan Harmon is back at the helm. Tonight is an all-new episode, featuring awesome guest star Walton Goggins, so we’ve got previews for it for you.

In addition, there’s a new episode of Parks and Recreation tonight too and yes, we’ve got previews for that one too. Both shows are really funny and hopefully both will survive the often fickle TV audience who loves a show at first and then vilifies it later on for no real reason other than, we suspect, boredom. These shows deserve better.

Anyway, check out the previews after the break. Look for things to kick off first with Community tonight at 8/7C on NBC.

Sorry for missing last week. My sister was getting married, and it put the kibosh on reviewing the Parks and Rec opener, which I wasn’t even aware had premiered until it came up during the reception, between one of my friends and cousin Jane, both of whom raved about it while I bit my tongue, cheek, lip, and anything with gnawing range for having missed it.

They also mentioned that next week’s episode would feature a drinking contest between Tammy I, Ron’s mom, and Leslie. Add to that the fact that the episode is titled “Ron & Tammys,” the Ron-and-Tammy episodes being among the series’ best, I was very excited for tonight.

But to back up a bit, we’re finally introduced to what we can only believe is the demon whose evil outdoes even Satan (Tammy II): Tammy I (Patricia Clarkson, looking sexy in an appropriately red dress). The cliffhanger that Season 3 ended on, where Leslie told Ron that Tammy I was waiting in his office (and scaring away Tammy II with a mere shot of I’s shoes) certainly lived up to the hype, and, just to reinforce it, there was a great scene last week when Tammy I put April in her place (and further magnified the threat by having her work for the IRS and auditing Ron).

You didn’t think I’d let the season finale of Parks & Rec go by without a writeup (however late), did you? Well, given my inability to balance it among The Office recaps and the usual movie reviews and whatever else is kicking around in my head and just oozing to be ignored, I can’t blame you.

I did, in fact, have a recap of the season’s best episode “Ron and Tammy II,” but it ran to over a 1,000+ words, and I still hadn’t scratched the surface of its brilliance (“Real piece of work…”), so sometimes quality overtakes quantity regarding something or other that probably likely also begins with “q.”

But that’s not to say that recapping the final two episodes is a mild attempt to do them justice, it’s just a shorter, briefer form of justice. A McJustice. Plus both of them were awesome enders to an equally awesome season.

I’m glad there were two episodes—disregarding the fact that it meant double the recaps—because it was nice to see the Leslie/Ben (is there a name for this yet? If not, I’m submitting “LesBien” for mass consideration) sexual tension get some mutual recognition—and some face-munching.

But that comes later. The first episode, “The Fight,” honors the timeless sitcom staple of everyone getting really, really drunk. The setup is that Pawnee’s head of public relations for the health department has, as Chris says, “Gone bananas,” freeing his position up for Leslie to swoop in and recommend Ann Perkins for the job, a job Ann’s none too willing to take since it entails memorizing every Pawnee health reform since the 1950s (which actually might make interesting, if not terrifying reading)…in one night.

Meanwhile, Tom’s developed a new drink to promote at the Snake Hole: Snake Juice, a 140-proof, Kahlua-inspired liquor (basically a lot of alcohol mixed with sugar and coffee), which likely tastes as good as it sounds, but oh how it does the job. Tom invites the gang out to partake (but more to help peddle the hooch), and oh how they do, particularly Ann Perkins, who ditches the massive amount of homework Leslie prepares and is now dating The Douche, Pawnee’s own radio-shock-idiot, last seen in “Media Blitz.”

Leslie gets incensed at Ann’s promiscuity and Ann retaliates by chiding Leslie for hiding her feelings toward Ben, leading to a booze-fueled confrontation between the two that results in a falling out/massive hangover.

Oh, just make out already! Or go hog wild on Tom’s desk. Or have Chris or Ron or Ann Perkins or all three catch you in bed together, Leslie and Ben! You guys were doing so well avoiding the trap of lingering romance that every damn sitcom and its mongoloid step-brother trips, I hope you can chew your foot off before it’s too late.

“Jerry’s Painting” continues pushing the Leslie/Ben thing that, hopefully, will culminate in an upcoming episode where the two take a road trip to Indianapolis (I saw it on the Wikipedia), and Chris even goes so far as to set Ben up with someone who has what he deems “compatible traits,” to the natural chagrin of Leslie. But the bulk deals with the eponymous (damn, I hate that word) Jerry’s Painting—on full display at the Pawnee community art exhibit—which depicts a topless female centaur slaying a deer while a Reubenesque cherub looks on.

But, of course, it’s by Jerry, so naturally it has to have something wrong with it, which is that the centaur resembles a topless Leslie and the cherub resembles Tom (I wonder what mythical Greek creature Ron would be…Zeus?). However, while Tom is (in a cosmic sense unjustifiably) incensed, Leslie loves it and feels empowered that it’s her flailing boobies taking down a stag. What woman wouldn’t? Still, topless art is topless art, and Marcia Langman, the same Bible-beating woman who tries to find some anti-Christian message in everything objects to the implied beastiality of the painting and wants it destroyed, as does Tom, though for completely different reasons.

Maybe I’m biased, but Amy Poehler gets cuter and cuter each episode (something about those devilish eyebrows); Jerry gets more pathetic; and Ron is more and more of a badass.

First off, this may be my favorite cold open so far—though it’s in close competition with the one where Leslie goes up the dreaded fourth floor of Pawnee’s City Hall (“POPCORN?”)—it’s nice to see the twistedly playful side of Ron and even nicer to see that he’s almost aware of how the rest of the parks department perceives him.

He almost fooled me, too, but then my Ron Sense is calibrated enough (or at least more than Tom’s) to figure out that even he wouldn’t perform an impromptu tooth removal in the middle of a meeting.

The episode lives up to that open as well; it keeps the humor coming but also injects some character development that ranks right up there with the best of The Office’s second season: Ben’s crush on Leslie is getting more overt; Donna’s finally getting more face-time; the writers deliver a great moment from Chris; and, oh, April and Andy get married.

The Harvest Festival has come and gone (about 16 episodes earlier than I thought), and Leslie’s getting the kudos she deserves…until the city manager Paul suffers a heart attack during her recognition ceremony and collapses with a death grip on her right mammary. Nice. (And the headline “Knope Grope Is Last Hope” is the icing on the booby.)

Before he does, though, he tenders some eagerness toward what Leslie’s next big idea will be, which leads Leslie to call a mandatory work/brainstorming retreat for the parks department, a fancy name for camping in one of Pawnee’s starry-night-sky-infested parks. Naturally, the rest of the office is reluctant (I do love how Leslie seems to be the only person in her department who actually enjoys the parks): Ron would prefer to skip the get-together and go camping by himself (presumably at some private campground).

Tom would prefer to bask in the pervading effulgence of SkyMall; and Jerry just brings bad luck by scaring all the fish (and misidentifies “rappers” as “rappists”). The only one who shares Leslie’s gung-ho-i-ness is Andy, who sees it as an opportunity to build a love-tent for himself and April (not too bad of an idea, had he not chosen the wrong campsite to pitch it).

Chris and Ben are both extremes of Leslie’s personality—Chris being her unflappable zeal and Ben her insecurities, particularly regarding the acceptance of others—and that’s a good enough starting point, but, as I’ve said way too many times when I couldn’t think of anything else to write, they need to develop into their own characters. Fortunately I think they’re starting to explore the possibilities of Ben, last week being a delightful lambasting of his Pawnee PR ignorance, but Lowe’s Chris still isn’t quite there, and I’m not sure if he’ll ever get a chance to be.

The core plot revolves around Leslie and Ron heading up to Indianapolis to receive a commendation for reviving Harvest Festival, but that’s quickly dismissed once it becomes clear that Ron’s sole incentive for going is to visit his favorite steakhouse, and Leslie gets sidetracked into spying on Chris, now back home in Indianapolis, when Ann Perkins suspects he’s cheating on her.

I love it when Leslie and Ron are put in light opposition to each other, but placing Chris in the crossfire seemed doomed to fail because his character is so upbeat that he’d deflect the spitwads. So the humor falls back on Poehler and Offerman, in particular a scene pitting Chris’s ultra-healthy views on diet squarely against Ron’s aggressively meat-oriented tastes.