I’ve had, for some time, the suspicion that the current comedy troop of Rogen, Hill, Cera, and Franco would eventually get to the point where, instead of a script, they would just sit around and talk. Now we have This Is the End, and if this isn’t the logical conclusion of the gang’s comedy, it’s damn close.

The premise is that Jay Baruchel is in LA to visit his friend Seth Rogen. Their friendship has been on the skids, and Rogen’s insistence that they attend a party at James Franco’s house instead of, I don’t know, hang out and smoke weed. doesn’t help. At Franco’s they meet up with Craig Robinson, Jonah Hill, and several others within or slightly out of their group’s ever-expanding radius, such as Aziz Ansari, Mindy Kaling, Martin Starr, Chritopher Mintz-Plasse, and now, I guess, Emma Watson.

Freak disruptions start to occur all over the place — sinkholes swallow up many of the party-goers, others are lifted to heaven in columns of blue light, fires explode across Hollywood, and the five find themselves barricaded in Franco’s house — until Danny McBride shows up and makes their sixth.

April Fools Day is usually a day that brings tons of fake news, including trailer releases (like that Legend of Zelda trailer that will never be made into a movie *sadface*). But this year, April 1st was the release date of the red band trailer for the unbelievably star-packed action comedy This Is The End starring James Franco (who has had an already packed 2013 with the release of Spring Breakers and Oz The Great and Powerful), Seth Rogen, Emma Watson, Jonah Hill, Danny McBride, Jay Baruchel, Craig Robinson, and that’s just the supposed “main cast.” From just watching the trailer, expect appearances by Michael Cera, Rihanna, Kevin Hart, Aziz Ansari, Jason Segel, Paul Rudd, Mindy Kaling, and more. Holy freaking casting!

The main plot of the movie is simple: James Franco is throwing a kick-ass party and invites all his friends (because celebrities always party with tons of other celebrities) to have a crazy good time. Until the apocalypse happens. Los Angeles is engulfed in fire and brimstone, monsters and aliens are running rampant, people are looting and killing, mass hysteria basically.

Eventually, the main cast barricade themselves in what’s left of Franco’s house and try to survive. At one point, Emma Watson breaks in with an ax (a freaking AX) to try her hand at some looting, which looks to be successful based on the apparent self-testimonial video that is shot by the guys who are documenting what’s going on during the end of days.

Sorry for missing last week. My sister was getting married, and it put the kibosh on reviewing the Parks and Rec opener, which I wasn’t even aware had premiered until it came up during the reception, between one of my friends and cousin Jane, both of whom raved about it while I bit my tongue, cheek, lip, and anything with gnawing range for having missed it.

They also mentioned that next week’s episode would feature a drinking contest between Tammy I, Ron’s mom, and Leslie. Add to that the fact that the episode is titled “Ron & Tammys,” the Ron-and-Tammy episodes being among the series’ best, I was very excited for tonight.

But to back up a bit, we’re finally introduced to what we can only believe is the demon whose evil outdoes even Satan (Tammy II): Tammy I (Patricia Clarkson, looking sexy in an appropriately red dress). The cliffhanger that Season 3 ended on, where Leslie told Ron that Tammy I was waiting in his office (and scaring away Tammy II with a mere shot of I’s shoes) certainly lived up to the hype, and, just to reinforce it, there was a great scene last week when Tammy I put April in her place (and further magnified the threat by having her work for the IRS and auditing Ron).

Welcome to another edition of On the Radar where we delve into all corners of the entertainment, tech and geek Internets for news, views and whatnot that may have escaped our regular coverage during the week. Let is know if we missed something interesting.

Let’s get started!

• Want to learn how to have the body of Spider-Man and the creepiness of a grown man in tights hanging out with kids? This instructional workout video hosted by Spider-Man himself should help!

• Homemade puppets aren’t usually a collection that one brags about, but this homemade Wheatley puppet from Portal 2 is definitely one to show all of your friends as they drool with envy.

• The very first episode of Adult Swim’s Black Dynamite animated series has made it online before it hits TV. Bring on the animated exploitation!

• The folks at Sesame Street feel like enough is enough and have decided to come forward with an official statement about whether Bert & Ernie are actually gay or not.

• What do Kanye West, Jay-Z, Aziz Ansari and Spike Jonze all have in common? They all came together to bring us the official music video for “Otis” and it’s pretty awesome.

• Hot off of his Oscar win for the Social Network score, get your first taste of what Trent Reznor is bringing to the table in the score for The Girl with the Dragon Tattoo.

I’m by no means a fan of reality television. That being said, I have stuck with some of the traditional shows that gave birth (in a Rosemary’s Baby kind of way) to the current reality programming genre. Those shows are COPS and America’s Most Wanted. I even remember when both shows premiered on Fox, a newbie network at the time…and I probably just dated myself with that comment given they’ve been on for over twenty years respectively.

It was because of my loyalty to America’s Most Wanted that had me shiver a little when I saw the trailer for the upcoming Jesse Eisenberg film, 30 Minutes or Less.  Here’s the premise care of IMDB:

Two fledgling criminals kidnap a pizza delivery guy, strap a bomb to his chest, and inform him that he has mere hours to rob a bank or else…

Sounds pretty funny, right? Pizza delivery guy gets a bomb strapped to him and he’s forced to rob a bank.  I’d be laughing had this not unfolded in real life with far less comedic repercussions.

On August 28, 2003 Brian Wells arrived for work at 11:00 am.  His occupation: pizza delivery driver.  At 1:30 pm Brian was asked to deliver two cheese and pepperoni pizzas to a remote location near the woods.  About an hour after that Brian entered a bank with a bomb strapped to him (around his neck in this case) and handed the teller a note demanding money.

It’s an eerie tale to be sure and when I first saw the segment on America’s Most Wanted I thought, who’s going to be the first to make a movie about that.  At the time I imagined some type of Michael Mann crime drama in the same vein as Collateral. Apparently I couldn’t have been more wrong.

Instead, this real life, horrifying event has been wrapped in what I’m sure critics will call a “laugh-out-loud” buddy comedy.  I have no way to confirm if writers Matthew Sullivan and Michael Diliberti knew anything about what has been dubbed “the collar bomb” case, but according to Wikipedia (take it with a grain of salt) that was the basis for 30 Minutes or Less.

You didn’t think I’d let the season finale of Parks & Rec go by without a writeup (however late), did you? Well, given my inability to balance it among The Office recaps and the usual movie reviews and whatever else is kicking around in my head and just oozing to be ignored, I can’t blame you.

I did, in fact, have a recap of the season’s best episode “Ron and Tammy II,” but it ran to over a 1,000+ words, and I still hadn’t scratched the surface of its brilliance (“Real piece of work…”), so sometimes quality overtakes quantity regarding something or other that probably likely also begins with “q.”

But that’s not to say that recapping the final two episodes is a mild attempt to do them justice, it’s just a shorter, briefer form of justice. A McJustice. Plus both of them were awesome enders to an equally awesome season.

I’m glad there were two episodes—disregarding the fact that it meant double the recaps—because it was nice to see the Leslie/Ben (is there a name for this yet? If not, I’m submitting “LesBien” for mass consideration) sexual tension get some mutual recognition—and some face-munching.

But that comes later. The first episode, “The Fight,” honors the timeless sitcom staple of everyone getting really, really drunk. The setup is that Pawnee’s head of public relations for the health department has, as Chris says, “Gone bananas,” freeing his position up for Leslie to swoop in and recommend Ann Perkins for the job, a job Ann’s none too willing to take since it entails memorizing every Pawnee health reform since the 1950s (which actually might make interesting, if not terrifying reading)…in one night.

Meanwhile, Tom’s developed a new drink to promote at the Snake Hole: Snake Juice, a 140-proof, Kahlua-inspired liquor (basically a lot of alcohol mixed with sugar and coffee), which likely tastes as good as it sounds, but oh how it does the job. Tom invites the gang out to partake (but more to help peddle the hooch), and oh how they do, particularly Ann Perkins, who ditches the massive amount of homework Leslie prepares and is now dating The Douche, Pawnee’s own radio-shock-idiot, last seen in “Media Blitz.”

Leslie gets incensed at Ann’s promiscuity and Ann retaliates by chiding Leslie for hiding her feelings toward Ben, leading to a booze-fueled confrontation between the two that results in a falling out/massive hangover.

Oh, just make out already! Or go hog wild on Tom’s desk. Or have Chris or Ron or Ann Perkins or all three catch you in bed together, Leslie and Ben! You guys were doing so well avoiding the trap of lingering romance that every damn sitcom and its mongoloid step-brother trips, I hope you can chew your foot off before it’s too late.

“Jerry’s Painting” continues pushing the Leslie/Ben thing that, hopefully, will culminate in an upcoming episode where the two take a road trip to Indianapolis (I saw it on the Wikipedia), and Chris even goes so far as to set Ben up with someone who has what he deems “compatible traits,” to the natural chagrin of Leslie. But the bulk deals with the eponymous (damn, I hate that word) Jerry’s Painting—on full display at the Pawnee community art exhibit—which depicts a topless female centaur slaying a deer while a Reubenesque cherub looks on.

But, of course, it’s by Jerry, so naturally it has to have something wrong with it, which is that the centaur resembles a topless Leslie and the cherub resembles Tom (I wonder what mythical Greek creature Ron would be…Zeus?). However, while Tom is (in a cosmic sense unjustifiably) incensed, Leslie loves it and feels empowered that it’s her flailing boobies taking down a stag. What woman wouldn’t? Still, topless art is topless art, and Marcia Langman, the same Bible-beating woman who tries to find some anti-Christian message in everything objects to the implied beastiality of the painting and wants it destroyed, as does Tom, though for completely different reasons.

Members of my generation probably remember Rescue Rangers, the cartoon that (if you lived in mid-Michigan in the late ‘80s/early ‘90s) eased the de-gression each weekday from the awesomeness of Ducktales to the mediocrity of Tailspin. Rangers wasn’t up to the same level of quality of Ducktales, but it did have one thing that kept our pudgy little eyes watching: Gadget.

Smart, sexy, and sporting a dynamite purple jumpsuit that no girl ever dared try pull off, Gadget was ashamedly appealing, and Disney gets a lot of credit for screwing up our concepts of attractiveness and sexuality. My college roommate’s predilection for redheads stems from seeing The Little Mermaid at a birthday party when he was seven (that same friend also took my “Who’s Your Ideal Cartoon Woman” quiz and, oddly enough, ended up with Gadget, which he reasoned was actually an ideal choice).

So what does this have to do with Parks & Rec? Outside of mindless filler and the hope of scoring more hits from the nostalgic crowd, I think I’ve nailed down what makes Leslie Knope so fetching: She’s the human equivalent of Gadget. “Mousey” would certainly be a good adjective to describe her—she’s petite and generally shy, regarding the opposite sex; she’s blonde; and she’s scatterbrained yet curiously competent at what she does (and in both cases it’s implied that their work is a substitute for social interaction).

NBC’s Thursday night lineup may be some of the funniest comedies on TV today, and that is in no small part due to the outrageous ensemble cast on Parks & Recreation. Sure, people love Amy Poehler and Aziz Ansari, but another performance that stands out beyond many others is the dry one-liners of Aubrey Plaza.

She’s done great things on Scott Pilgrim Vs. The World, Parks & Rec, and seems to have a continuing relationship with College Humor. A few years ago, she worked on a Twilight spoof for the online comedy site, titled Three Wolf Moon. Now she’s back again, this time spoofing Star Wars.

Sure, they avoided a heavy budget and a letter from Lucas Ranch by using knockoff stormtrooper helmets, but that doesn’t mean the skit didn’t capture the true essence of the Imperial prison from A New Hope.

Sadly, you can’t add Plaza to the list of actresses like Olivia Munn and Alessandra Torresani who have donned the epic Slave Leia outfit, but that doesn’t mean she still doesn’t have the hair buns. Check out the skit after the jump.