2011 smashed one long-held cinematic rule, that on almost every occasion prequels suck. There were two very high-profile, very low expectation prequels that summer, and both ended up being franchise salvaging hits.

Sequels to those prequels have already been green lit and given release dates by Fox. The creative team behind X-Men: First Class were able to jump right into pre-production with almost all of the behind the scenes crew intact. The ride has been a little more bumpy for the next  Apes film, with Rise director Rupert Wyatt jumping ship.

The rumors have been circulating for a while that Wyatt was on the way out, but it was only very recently made official. However, according to deadline, just as quickly as one director leaves another jumps in his place. That director happens to be Cloverfield helmer, Matt Reeves.

Reeves is a fine choice to step into the Apes universe, as he is one of the few directors who has shown an ability to make a story his own while maintaining the previously established story. If Reeves manages to tap into the tone of Rise of the Planet of the Apes while bringing something new to the table we stand a great chance at getting another great flick.

Last year Fox defied all expectations by releasing not one, but two successful prequels to franchises they seemingly had run into the ground. Not only were these properties reeling from recent mishandling, Fox itself has a poor recent history with quality genre, and blockbuster films.

So when X-Men: First Class and Rise of the Planet of the Apes both turned out to be so good, people were shocked. Sequels to these prequels were a forgone conclusion and now thanks to the diligent folks at Box Office Mojo we have dates for both.

The Apes sequel is working under the title Dawn of the Planet of the Apes and is going to be coming first, May 23rd, 2014. Not much is known about the movie just yet, but it is safe to assume based on the working title the movie will have something to do with Ceaser building an Ape community that will eventually kill nearly all the humans on earth.

The X-Men sequel will stake a claim in one of the last prime weekends of the Summer season, July 18th, 2014. The movie is thought to be about Magneto’s further fall into villainy, which is a great angle to play when you have such a great actor in the roll. The primary cast is expected to return, but with production not beginning until next year it might be some time before that is confirmed.

2011 might go down as the year Hollywood finally figured out how to make a great prequel. Between the “X-cellent” X-Men: First Class and Rise of the Planet of the Apes we have seen two high profile franchises recieve a much needed quality boost back into the lime light.

The most impressive part of this movie is the performance of Andy Serkis as Caesar the ape. Millions of words have been written on the subject of his brilliant digital performance, and every single one of them speaks the truth. We are seeing the line between animation and performance blends so much that it is almost impossible to tell the difference.

This Blu-Ray presents the film, and a whole bunch of features that help you understand what exactly went into the astonishing effects work on the film. Of all the films that have come out in the last few years, this is one of the most worthy of a great set of features.

I wont spend a long time teasing you with different tidbits about why living in Los Angeles is the coolest thing ever, especially for a film fan, but suffice to say it is really amazing. This weekend provided yet more proof of that fact as street artist Anthony Lister painted a seriously cool Rise of the Planet of the Apes street mural on one of the cooler streets in town.

The art was inspired by the new release of Rise of the Planet of the Apes on Blu-Ray. Australian born artist Anthony Lister spent the better part of four nights last weekend conceiving, painting and generally monkeying around to celebrate on of his favorite films of the year.

“I’m an adventure painter. When I’m painting I just bring out the shapes that are already calling me. I’m a problem solver and when I am dealing with paintings conceptually and aesthetically I’m balancing these problems… The reason I’m going to be adding Rise of the Planet of the Apes to my collection is ’cause it is kinda like one of my favorite movies of the year. I mean I’m looking forward to seeing all those bits and how they did that”

The pictures showcase the look of the mural for sure, but having a chance to drive by it and see the art up close really emphasizes the artistry that goes into street art like this. It is great to see actual art being created for the release of this new Blu-Ray as opposed to the standard Photoshop heavy billboards that would have been much easier to create.

Check out some videos and a gallery on the creation of this awesome art after the jump.

Every year, the time between May and August is always considered a heavy season for big blockbuster-style films. But this year has been like that on steroids. Normally, there are a handful of big films that carry fanboys and fangirls throughout the summer season, but this year we had one just about every week consistently from the beginning of May.

That fact alone has got to be why when two large, previously established franchises hit theaters, neither open in the box office’s top 3. That’s what happened this weekend, as the independent comedy The Help came in at the number 1 spot with just over $20 million.

Just after that, Fox’s Rise of the Planet of the Apes managed to stay strong at #2 with $16 million. Of the 3 big releases this weekend, we didn’t expect Robert Rodriguez’s Spy Kids: All the Time in the World to open as big as the #3 spot with an estimated $12 million, but it did.

Lionsgate’s hope at revitalizing the Conan the Barbarian franchise to a younger, edgier audience seemed to have failed, sadly, as the film had a soft opening of $10 million at the #4 spot. Even sadder is the fact that Buena Vista’s Fright Night barely missed the top 5 as it opened at #6 with just under $8 million.

It’s always nice when a smaller, lesser known film that has the same release date as a comedy, horror, and a Live 3D concert ends up pulling in the most money for the weekend. Things like this need to happen more.

That’s exactly what happened this weekend as The Help beat out its competitors 30 Minutes or Less, Final Desintation 5, and Glee The 3D Concert Movie for the prized 2nd place spot in the domestic box office.

Of course, given the stunning word of mouth, Rise of the Planet of the Apes pulled through to be #1 again for the second week with an estimated $27.5 million here in the states. That rounds the film out at about $180 million worldwide since it first hit theaters last week.

Meanwhile, Buena Vista’s The Help ended up sliding in at #2 with $25 million. That beat out the other films opening this weekend, including Final Destination 5 which came in at #3 with $18.5 million, 30 Minutes or Less, which came in at number 5 with $13 million and Glee 3D which completely flopped at #11 with $5.7 million.

Next weekend, another barn burner as Conan the Barbarian and Fright Night open to 3,000 screens, while Robert Ridriguez makes his return to the family action flick with Spy Kids: All the Time in the World. Should be fun!

Every massive summer blockbuster season has to have a few surprises. Last year, a little animated film starring Steve Carrell and Jason Segal called Despicable Me surprised everyone and grossed $251 million to date. That may be what we have on our hands with Rise of the Planet of the Apes.

Apes managed to surprise everyone this weekend and pull in $54 million in the first three days here in the states with $77 million worldwide, and with 81% rating at RottenTomatoes you can expect the trend to continue through the workweek and possibly next weekend.

Coming in at #2, the true winner of last weekend’s bout, The Smurfs managed to pull another kid-friendly rabbit out with an estimated $21 million for the weekend, and a total $76 million.

Also hitting theaters this weekend, the body-switching comedy The Change-Up pulled in an estimated $13.5 for the weekend, which may not be such good news for Universal, who spent over $50 million for the production.

There was a kind of grandeur to the science-fiction films of the 1960s. Naturally they didn’t have the kinds of special effects that we have now, but they worked on big ideas, from the nature of humanity in 2001: A Space Odyssey to the contemporary fears of overpopulation in Soylent Green to the timeless question of whether apes will be our masters in the original Planet of the Apes.

I can’t think of many (or any for that matter) modern remakes that recapture or even attempt to emulate that grandeur of their bigger-thinking predecessors (however silly their concerns may have been). Instead of big ideas, Rise has a pretty simple story: James Franco is a researcher at a drug company, working on a cure for Alzheimer’s that accelerates the creation of brain tissue.

During a board meeting with the investors, one of his brightest test subjects escapes and crashes the party at exactly the wrong time. The beast is put down, but she’s revealed to have been pregnant, and Franco adopts her son (prophetically named “Caesar” by Franco’s senile father, played by John Lithgow). As the years go by, Franco realizes that the cure injected into the mother has been passed on to Caesar, who’s developed into a Superchimp, exhibiting an uncanny intelligence.

Last weekend, the world was taken by surprise as Marvel’s Captain America: The First Avenger blew past the final Harry Potter film and made it to the #1 spot in its very first weekend. Since then, the film has grossed over $115 million here in the US and upwards of $170 million worldwide. Not bad for the best superhero film of the year (according to Rotten Tomatoes).

This weekend, Cap may have gotten knocked off the top spot and only made roughly $24 million, but the more interesting part is the battle between Universal’s Cowboys & Aliens and Sony’s The Smurfs. Both films opened with an estimated $36.2 million in the domestic, and while Smurfs may be the winner overseas, with a total of $40 million worldwide, that’s simply because it’s the only film to have a foreign opening.

Not a very strong opening for either film (unless you consider Smurfs to be a small film), but the true champion will be determined tomorrow afternoon when the official numbers arrive for the domestic box office.

Here it is, the brand new trailer for the upcoming Rise of the Planet of the Apes. 20th Century Fox has released the second trailer for director Rupert Wyatt‘s film which stars James Franco, Andy Serkis, Frida Pinto, John Lithgow, Brian Cox, and Tom Felton.

The new film is a reboot and prequel of the Planet of the Apes franchise which takes place in present day. It features a science twist on how animal testing eventually leads to an ape revolt and the apes, well, rising.

The new trailer gives us more info on the plot and more about the setup that eventually leads the apes to realize their human masters need to go. So, far, after two trailers, the film is looking pretty good. It reamins to be seen if it eventually lives up to the hype. Sadly, it probably won’t.

Either way, check out the trailer after the jump. Get your stinking paws on Rise of the Planet of the Apes when it takes over theaters on August 5th.