Even with Comic-Con in San Diego looming on the horizon, some of us are thinking farther down the road towards Austin, TX in September. That’s right, we’re thinking about Fantastic Fest, the amazing genre film festival that runs from September 20 to 27.

And, as thoughts turn to Fantastic Fest, so must they turn to films as well. In fact, we now know that one film in particular will open the festival on September 20th. That film? Tim Burton’s Frankenweenie.

In fact, it will be the world premiere for the film, with the studio taking it out officially on October 5. The black-and-white 3D sci-fi monster film, written by John August and directed by Burton, is about a boy who brings his beloved dog back to life — with just a few complications.

Catherine O’Hara, Martin Short, Martin Landau, Charlie Tahan, Atticus Shaffer, Robert Capron, Conchata Ferrell and Winona Ryder are among the actors contributing their voice talents. Looks like fun. Can’t wait to see it and to get to Austin.

Good times.

I don’t think anyone expects Abraham Lincoln: Vampire Hunter to be good. Or decent. Or anything more than this summer’s Snakes on a Plane. Which, to some degree, it is. I liked Snakes on a Plane because it delivered precisely what the title promised.

The movie opens with the young Lincoln defending a freed slave from being taken back to the South and otherwise cruel treatment at the hand of vicious Jack Barts (Marton Csokas). That night, Barts sneaks into the Lincoln household and promptly kills his mother.

Some years later, Lincoln (Benjamin Walker)’s working as a clerk for Joshua Speed (It’s Always Sunny in Philadelphia’s Jimmi Simpson), biding his time until he can kill Barts. After a heavy night at the bar, Lincoln makes his move, shooting Barts in the eye and getting quite the surprise when he discovers that Barts is a vampire.

One thing will be certain in a few weeks. Once Summer starts there will be more high profile scores than Fridays and some good music might fall through the cracks. Which is precisely why I am so excited to bring you this early review of Danny Elfman’s score from Dark Shadows.

This score ranked as one of my most anticipated of the early summer season, and that anticipation was made all the more severe when we listened to the expanded preview a few weeks back. So suffice to say I am ready to dig into the 14th collaboration between Danny Elfman and Tim Burton.

That is a lot of feature film scores from a director with a very distinct style, and recently there has been a lot of concern about repetitiveness in Elfman’s music. You can only go to that stylized dark well so many times, and eventually it will be dried up completely.

So does this umpteenth collaboration yield beautiful sonic rewards, or is this little more than a Beetlejuice or Sleep Hallow remix album?

Even though there’s a lot of movies being made from TV shows these days, that doesn’t mean we don’t have room for one more. That’s especially true when you combine the talents of Johnny Depp, Michelle Pfeiffer, Eve Green, Chloe Moretz and Tim Burton.

In fact, that’s just what Warner Bros. and Village Roadshow have done with the upcoming film Dark Shadows. Based on the popular 70s TV series of the same name, the film features Depp as vampire Barnabas Collins and his re-emergence in 1972.

We’ve got the first full trailer from the film to share with you today. Watching the trailer it seems Burton has decided this is more of a comedy than the original series, which may or may not please fans. However, whatever Burton and company end up doing, you can be sure there’s going to be a lot of black, a lot of pasty people and probably some snow.

Check out the trailer after the break. Look for Dark Shadows to hit theaters on May 11.

2012 is going to be a big year for stop-motion animation, with three high profile stop-motion animated features invading cinema’s throughout the year. The most notable of this bunch is Tim Burton’s next feature, Frankenweenie, which is a feature length, animated adaptation of Burton’s own 1982 short film.

Frankenweenie tells the tale of young Victor, a boy who loses his beloved dog Sparky and reanimates him with the power of electricity. If it was not obvious up to this point, the film is an homage to the Frankenstein movies and novel.

One thing that the poster clearly presents, but is still probably lost on most people, is that the film is shot in black and white. This is a bold creative decision for any film, and one Burton used to great success once before in Ed Wood.

However, it is still a tremendous risk for a stop-motion animated film, a genre that is usually noted for it’s ability to present vibrant and extraordinary visuals. Even Burton’s own Corpse Bride used color to great effect in illustrating the differences between the world of the living and the world of the dead.

The film is set for an early October release, just in time for Halloween! You can see the full poster after the jump.