It’s time for another edition of Western Wednesday Again where we explore a classic Western film or TV show we love. This week it’s my favorite Western. The favorite not even The Searchers can dethrone. Yes, my love belongs unreservedly to The Outlaw Josey Wales.
As popular legend goes, Clint Eastwood wasn’t respected as a director until 1993’s Unforgiven. A hard look at his directorial credits through the 70s and 80s can speak to why. But I believe The Outlaw Josey Wales was a notable moment of his career, and it’s perplexing why he didn’t enjoy the kind of watershed approval he did in 1993.
I imagine it’s because he almost immediately followed Josey Wales with The Gauntlet. Sadly, Josey Wales kicked off a very dark period of his career it’s polite to ignore. If you know your tabloid romances, you know why.
Would it have happened if his career was reversed and he’d won all his Oscar gold for Josey Wales? Would he have taken himself a little more seriously and avoided Pink Cadillac? I’d like to think so.
Of course, that lament implies Josey Wales was a failure, which it wasn’t. But it didn’t receive any Oscar nominations beyond one for its soundtrack. Roger Ebert even recognized it as an unusual and revisionist Western, but I don’t think that critical consensus or popular culture ever followed suit.