Hey there, it’s time for a brand new episode of The Flickcast. It’s a great day.

On this week’s episode Chris and Joe discuss a bunch of new stuff including the new season of Game of Thrones, more on Star Trek: Discovery and more. Plus, the usual even more. And make sure to check out our Producer/Editor Michael Seidl’s award-winning short film The Tortoise and the Eagle. He and his team did a great job.

No beer selections again this week because the boys are recording in the morning again. And drinking in the morning is, well, probably a bad idea. Anyway, if you do drink beer (or whatever), try to buy local. Picks this week include Chris’ pick of the original Star Trek series episode The Doomsday Machine and Joe’s pick of the game West of Loathing.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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After a brief vacation that, well, wasn’t really a vacation at all, we’re back. That’s right, it’s time for a brand new episode of The Flickcast.

On this week’s episode Chris and Joe discuss Pokemon Go, The Night Of, the outing of Mr. Sulu and the season finale of Game of Thrones. Plus, the usual more. The boys also debut a brand new segment of the show that has something to do with beer. You’ll just have to listen.

Picks this week include Chris’ pick of the movie Real Genius and Joe’s pick of the Plex media server.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

Subscribe: Spotify | iHeartRadio | Stitcher | TuneIn | RSS

You may have heard of a film called Sullivan’s Travels, and if you’ve heard of it, you may know the gist: Popular but unfulfilled director Sullivan is tired of making commercially successful but emotionally and intellectually vapid films. He decides that his next film (named O Brother, Where Art Thou?) will be a socially conscious depiction of the lower classes.

Through a series of comic mix-ups, he gets tossed in prison. One night a cartoon is screened for the inmates and Sullivan has an epiphany: The best way he can help the downtrodden is not by making high drama, but low-brow crowd-pleasers.

Larry Crowne is the kind of movie Sullivan would make if he were alive today. It’s full of plot-holes, cheap laughs, lazy pop-culture references, and utterly devoid of conflict. But for the women-age-45-and-up demographic wanting to see a cute romantic comedy with Tom Hanks and Julia Roberts (have they ever been paired together? I can’t recall), this should suffice.

Tom Hanks, who wrote, directed, and produced it, plays Crowne, a middle-aged supermarket drone/former Naval cook who loses his beloved job because he never went to college. Low on cash but doggone tenacious, he enrolls in community college, taking a speech class taught by the jaded Mercedes Tainot (Julia Roberts, who’s getting more attractive with age) and an Econ 101 class taught by the zany Dr. Matsutani (George Takei).