Hey there, it’s time for a brand new episode of The Flickcast. It’s a great day.

On this week’s episode Chris and Joe discuss a bunch of new stuff including the new season of Game of Thrones, more on Star Trek: Discovery and more. Plus, the usual even more. And make sure to check out our Producer/Editor Michael Seidl’s award-winning short film The Tortoise and the Eagle. He and his team did a great job.

No beer selections again this week because the boys are recording in the morning again. And drinking in the morning is, well, probably a bad idea. Anyway, if you do drink beer (or whatever), try to buy local. Picks this week include Chris’ pick of the original Star Trek series episode The Doomsday Machine and Joe’s pick of the game West of Loathing.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or shoot us an email.

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Another week has passed and we’ve got a brand new episode of The Flickcast for you. Truth be told, it’s a good one. It’s also somewhat serious given the recent tragic loss of icon Leonard Nimoy. But we also manage to have some fun too, don’t worry.

On this week’s show, Chris and Joe talk about a whole bunch of stuff including the singing talents of James Marsters, the recently announced sequels to Alien and Blade Runner, the awesome Power Rangers short that’s taken the Interwebs by storm, the power and influence of Star Trek and, of course, the boys relate their favorite Star Trek and Leonard Nimoy stories in an attempt to pay fitting tribute the man himself. There’s also the ever-present more.

Picks this week include Chris’ pick of the movie The Wrath of Khan and Joe’s pick of the Star Trek: The Next Generation classic two-part episode Unification.

As always, if you have comments, questions, critiques, offers of sponsorship, or whatever, feel free to hit us up in the comments, on Twitter, at Facebook, Google+ or via email.

Subscribe: Apple Podcasts | Android | Stitcher | TuneIn | Spotify | RSS

As someone who made one or two commercials in the past, I can’t say all that much about the creative merits of this particular commercial except it didn’t really motivate me to buy an Audi. But that’s not really the purpose of this commercial anyway.

What’s the purpose then? Well, that’s debatable. However, to a Star Trek-loving geek like myself, I also say it’s pretty irrelevant. I just loved it because I get to see two great actors, who’ve played one of the most iconic characters in history, have a bit of fun. Plus, after today’s earlier sad news, I could use a bit of fun.

The two actors in question are Leonard Nimoy and Zachary Quinto who, of course, both played Spock in various incarnations of Star Trek. The commercial in question is “The Challenge” and in it Spock battles Spock to see who can get to the golf course first. The loser buys lunch. Who wins?

Well, I won’t spoil it for you except to say that the solution found by Spock is highly logical, pretty darn funny and a great twist.

Check out the commercial after the break.

If you are a general movie fan (let’s be honest: if you’re here, you probably are) then you are probably aware how casting works for most films. Directors and producers seeks out the stars, or soon-to-be stars, that they really like for the roles and either build a film around them or make them work into their project.

But what if time and space folded in on itself, causing films like Inception and Drive to get made in the film era of Bela Lugosi and James Dean? Or if John Wayne actually got the part to play Superman instead of George Reeves?

These are questions that digital artist Peter Stults thought would be cool to explore, as he takes popular films and drops them into different eras and genres, with the farthest possible actors taking on the iconic roles.

After the jump, you can take a look at the whole slew of them, which include Sean Connery in The Fifth Element, Fritz Lang’s 2001: A Space Odyssey, and our personal favorite: Leonard Nimoy in Die Hard.

When asked about his role in Jaws 4: The Revenge, Michael Caine once said, “I never saw it—but I saw the house it paid for, and it’s fantastic!” I suspect John Turturro’s been saying something similar for the past four years whenever he’s asked about the Transformers movies. Now we can add John Malkovich and Frances McDormand to that group. And maybe Alan Tudyk.

The plot is as labyrinthine as it is unnecessary. Back in the early 1960s, a ship from war-torn Cybertron (if the Transformers spend all their time fighting, how did they ever evolve?) crashed on the moon. Among the cargo were several “Pillars” that have some sort of significance to the war.

Also, a big, tough Autobot named Sentinal Prime. The White House gets wise to this, and thus we have the impetus for the moon landing (apparently, many historical events were due to Transformers; they don’t get around to revealing that car in which Kennedy was shot was an Autobot, but there may be a fourth film).

Fast-forward to the present day, where the Autobots are now working for the Feds to preserve humanity (how did we ever get along without them?). While on a mission to Chernobyl, Optimus Prime discovers some remnant of the Pillars and decides that it’s high time to revive Sentinal. Also, the Pillars are somehow able to teleport things, which means that it can be used to bring an army of invading Decepticons to earth (according to Frances McDormand, National Intelligence Director).